When disco diva Deloris Van Cartier witnesses a murder, she is put in protective custody in the one place cops are sure she won't be found - a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and an uptight Mother Superior. Using her fabulous disco-ness and killer voice to inspire the choir, Deloris breathes new life into the church and community, but in doing so blows her cover. Soon it's nun-on-the-run time but she finds salvation in the heavenly power of her newly found sisterhood. Based on the mega-hit feature film, SISTER ACT features an original Alan Menken/Glenn Slater score with a vast inspiration of musical styles from Motown, soul and funk to great big disco anthems and Barry White inspired musical comedy.
A blessed event has landed on Broadway. "Sister Act," which opened last night, is a feel-good crowd-pleaser worth celebrating. Here are 10 reasons to sing its praises…
But while the film's nun numbers (like "I Will Follow Him") were giddy and infectious in a more subtle way, this show opts for glitz, line dancing, and absurdity, as the nuns rap, sing about their "booties," and practically engage in Busby Berkeley configurations. Less would have been more. The score is uneven (there's a lyric that goes "If you got stigmata/Show me yours, I'll show you mine"), but Alan Menken has cooked up some pleasing sounds derived from Philadelphia soul and other nostalgic genres, in between homages to Sondheim and to his own "Beauty and the Beast." And you watch a lot of the show smiling despite yourself. A work of art? No, it isn't even Priscilla. But you could have way less fun with religious people.
Videos
TICKET CENTRAL
Recommended For You