Maria Nockin - Page 2

Verdi’s Il Trovatore can be seen live online on Sunday, October 3 at 2:00 pm or on Wednesday, October 6 at 7:30 pm live streamed directly from the Dorothy Chandler Pavilion. Streamed live, they will not be able to be re-visited. Access to these performances is $30.00, available by clicking on the link below.   LINK https://www.laopera.org/performances/2122-season-page/il-trovatore-3/

Los Angeles Opera presents its 2006 rendition of La Traviata by Giuseppe Verdi. The performers are Renée Fleming, Rolando Villazón, and Renato Bruson, James Conlon conducts and Marta Domingo directs.LINK https://www.youtube.com/watch?v=WZywmSJkKYE&t=83s

Lyric Opera of Chicago has recorded Ruggiero Leoncavallo’s Pagliacci on film. Last week, the company announced that registration was open for audiences to secure free links to screen the new Pagliacci made at the Lyric Opera House. Audiences can now secure a free, on-demand viewing of this verismo production. More information about the production and reservations are available at lyricopera.org/pagliacci. 

Lyric Opera of Chicago announced that registration is now open for audiences to secure a free link to screen its new, original film production of Leoncavallo’s Pagliacci, made at the Lyric Opera House. Audiences can now secure a free, on-demand viewing of this verismo production. More information about the production and reservations are available at lyricopera.org/pagliacci.

Mid afternoon, our tour group meets on the Magic Opera Flying Carpet at Los Angeles Airport (LAX).  We watch LA Opera’s digital short entitled Gallup, or Na'nízhoozhí in Navajo. The scene incorporates the high desert New Mexico landscape and the city famed for Navajo jewelry. Tour members should wear the  biggest and best turquoise they have for the show!

Raehann Bryce-Davis’s Brown Sounds is a joyous celebration of  Black art, Black bodies, and Black consciousness that we watch on our way to the Bay Area. Bryce-Davis is currently singing Verdi and Wagner at Glimmerglass.

British stage director Netia Jones put her singular stamp on a production of Benjamin Britten’s A Midsummer Night’s Dream seen at the Santa Fe Opera on August 4, 2021. Performed in the opera house, it was simulcast to the lower parking lot where hundreds of patrons watched from the safety of their cars. One can take the entire family in the car.

The singing in this performance made it one of the best Figaros I’ve seen in many years. Despite singing recitative, vocal runs, and high notes with silvery tones for three and a half hours, Ying Fang as Susanna never sounded the least bit tired. Her character was a 20th century woman with dreams of equality. At the behest of conductor Harry Bicket, she and all the other leading artists decorated the repeats in their arias.

We board the Magic Opera Flying Carpet on Saturday morning, July 24, and go straight to the Bay Area for San Francisco Opera’s production of Richard Strauss’ Elektra.Soprano Christine Goerke stars in the title role. Director Keith Warner’s production blurs the line between past and present, myth, and reality. Conductor Henrik Nánási debuts.

Pacific Symphony Orchestra’s semi-staged version of Giuseppe Verdi’s La Traviata (The Lost One) was filmed at Segerstrom Concert Hall in Costa Mesa, CA. This opera’s title role requires a charismatic soprano and a consummate actress who can pull the audience into the opera’s stark drama. Cecilia Violetta Lopez proved to be that kind of artist.

This is the last week to watch Los Angeles Opera’s online Signature Recital Series which gives viewers exclusive online access to fine performances filmed in stunning venues around the world. The series includes unforgettable singing by mezzo-soprano Susan Graham, tenor Russell Thomas, soprano Christine Goerke, mezzo-soprano J'Nai Bridges, and soprano Julia Bullock—a breathtaking showcase of vocal magic. 

On June 22, I watched J’Nai Bridges’ online recital at Los Angeles Opera’s website. Bridges has been making highly acclaimed debuts at major opera houses. For her LA Opera recital, she chose major selections by Johannes Brahms and Charles Gounod as well as many lesser-known shorter pieces. She sang with pianist Jeremy Frank, harpist Brandee Younger, violist Drew Forde, and dancer Shauna Davis. Available on LA Opera website now.

On June 18, 2021, I watched Los Angeles Opera’s film of Stravinsky’s 1927 opera-oratorio Oedipus Rex. Jean Cocteau, who wrote the libretto, based it on the ancient Greek tragedy Sophocles wrote ca. 429 BCE. Right now LAO is featuring it online for free.

On Saturday, we see Los Angeles Opera’s online stream of Stravinsky’s Oedipus Rex. Stravinsky based Oedipus on Sophocles’ Greek tragedy and his 1927 opera is a highly stylized, ritualistic work. A narrator describes the action throughout the course of the opera. Although the opera is in Latin, narration is spoken in the language of the audience.

Seattle Opera’s film of Puccini’s Tosca, that can be streamed starting June 25, opened with the escape of political prisoner Cesare Angelotti who was once a friend of Cavaradossi. Angelotti, sung by bass Adam Lau, was exhausted from running, surmounting walls, and crashing through fences. His clothes were tattered and he almost fell into the cooling water of the church’s Baptismal Font.

Los Angeles Opera’s presentation of Oedipus Rex by Igor Stravinsky is available online from June 17 to July 18, 2021. The libretto is by Jean Cocteau. The cast includes: Oedipus, Russell Thomas; Jocasta, J’nai Bridges; Creon, John Relyea; Tiresias, Morris Robinson; Narrator, Stephen Fry; Conductor, James Conlon.

Euphemia and Andronico bicker over Andronico's choice of the miserly Don Procopio as a husband for Bettina. Ernesto, Bettina's brother, arrives home from long travels and hears that his sister is to be married to a man she does not love. Bettina loves Odoardo. Ernesto, Odoardo, and Bettina, knowing that Procopio really wants Bettina’s money, devise a plan to stop the old man.