Review: LITTLE BROTHER, Jermyn Street Theatre
Little Brother at Jermyn Street Theatre is essential viewing for its masterful transformation of harrowing migration narratives into an intimate, human story of fraternal devotion.
Tsitsi Tsopotsa
Review: ALL THE HAPPY THINGS, Soho Theatre
In the intimate space of Soho Theatre, All the Happy Things unfolds as a poignant exploration of grief's distorting mirror.
Review: HEISENBERG, Arcola Theatre
Simon Stephens' 26th play, Heisenberg, currently showing at the Arcola Theatre, is a masterful exploration of quantum uncertainty principles translated into human relationships.
Review: THE IMPORTANCE OF BEING OSCAR, Jermyn Street Theatre
In a captivating one-man performance at the intimate Jermyn Street Theatre, Alastair Whatley breathes new life into Oscar Wilde's complex character through Michael Mac Liammóir's enduring play, The Importance of Being Oscar.
Review: HAVISHAM, Jack Studio
Havisham, written and performed by Heather Alexander with direction and dramaturgy by Dominque Gerrard, offers a compelling backstory to one of literature's most enigmatic characters.
Review: DEAR MARTIN, Arcola Theatre
The intimate Studio A at Dalston's Arcola Theatre provides the perfect backdrop for Dear Martin a psychological drama exploring mental health, manipulation and reversed gender dynamics.
Review: LYNN FACES, New Diorama Theatre
In an era where nostalgia often serves as a mere backdrop, Lynn Faces delivers a sharper perspective, wielding both comedy and commentary with remarkable precision.
Review: VANYA IS ALIVE, Omnibus Theatre
In this masterfully crafted one-hour solo performance, Vanya is Alive presents a universal tale of state oppression through the intimate lens of maternal grief.
Review: BELLY OF THE BEAST, Finborough Theatre
This world premiere, directed by Dadlow Lin, strips away theatrical artifice to focus on the raw humanity of its characters, delivering a powerful commentary on how schools struggle to adapt to evolving understandings of gender identity.
