BWW Review: PRIME CUT FESTIVAL at Solas Nua
These portraits are essential viewing for North American audiences, who often have a very specific idea of life in Northern Ireland in their heads.
Sarah Murphy
BWW Review: SIDE-WALKS at Solas Nua
Written by Jeremy Keith Hunter, a DC-based multidisciplinary artist, and John King, a theatre-maker from Dublin, Side-Walks is a “visual short story about finding yourself after a year of isolation” and is the culmination of a pandemic-long collaboration between the two playwrights and Solas Nua
BWW Review: 2.5 MINUTE RIDE at Studio Theatre
Without a doubt, this production is one of the most successful adaptations to the virtual theatre space, going beyond just a filmed version of a live play and embracing this new medium in a truly moving way.
BWW Feature: INSIDE THE GPO at Solas Nua
DC is a city steeped in national myth, so perhaps it is most fitting that now, in the midst of our own battle for self-determination and statehood, Solas Nua brings us Fishamble’s production of 'Inside the GPO', an intimate look at Ireland’s 1916 Easter Rising.
BWW Feature: DIGITAL WORLD PREMIERE at Solas Nua
Solas Nua has commissioned a series of digital plays from African-American playwright Jeremy Keith Hunter and Irish playwright John King.
BEING HERE: A DIGITAL THEATRE EXPERIENCE at Solas Nua
Exploring the digital landscape of theatre, Solas Nua is commissioning a new play to capture the self isolation that people around the world are experiencing during the COVID 19 pandemic.
BWW Feature: THE SMUGGLER at Solas Nua
The Smuggler, which won the Best Playwright Award at the 1st Irish Festival of New York in January, is a 9000 word rhyme-poem by Irish-American playwright, Ronán Noone.
BWW Review: TREASURE ISLAND at Synetic Theater
Synetic Theater brings its unique spin to the high seas with an inclusive and immersive adaptation of Robert Louis Stevenson's Treasure Island.
BWW Review: STARCROSSED: THE TRAGEDY OF MERCUTIO AND TYBALT at Capital Fringe
Is there a more over-done piece than Shakespeare's Romeo and Juliet? Enter author Rachel Garnet.
BWW Review: AIR MAIL / PAR AVION at Capital Fringe
Part of the adventure of any Fringe show is how best to utilize a space that was not necessarily built as a performance venue and there are plenty of approaches to creating an immersive experience for your audience.
BWW Review: PASSING at Capital Fringe
Some events in history are too large in scope for us to properly grasp and process them.
BWW Review: REWIRING EDEN at Capital Fringe Festival
Resurrecting and redefining the misunderstood women of myth and history is not breaking ground for a Fringe Festival in the #MeToo era, but Rewiring Eden manages to make its mark with a thoughtful enough conceit - what if all of those women had the opportunity to meet one another?
BWW Review: FRESHH Inc.'s HERSTORY: LOVE FOREVER, HIP HOP at KENNEDY CENTER HIP HOP CULTURE
Inspired by Common's 1994 'I Used to Love H.
BWW Review: RICHARD III at Synetic Theater
Shakespeare's Richard III has been no stranger to DC theatre goers this season.
BWW Review: THE MEMBER OF THE WEDDING at 1st Stage
Carson McCullers' The Member of the Wedding centers around several steamy post-World War II Southern days as seen through the eyes of twelve-year-old Frankie Addams.
BWW Review: BECKETT TRIO, PART 2 at Scena Theatre
In Scena Theatre's Beckett Trio, Part 2 identity and story are up for debate.
BWW Review: P.Y.G. OR THE MIS-EDUMACATION OF DORIAN BELLE at Studio Theatre
Even if you're not familiar with George Bernard Shaw's Pygmalion, you're most likely familiar with Lerner and Loewe's adaption, My Fair Lady.
BWW Review: SILENT at Solas Nua
There's "beauty in the dark" Tino McGoldrig tells us and in 'Silent' that darkness has many, many layers.
BWW Review: VANITY FAIR at Shakespeare Theatre Company
Mean Girls, Big Little Lies, Heathers, Broad City, Thelma and Louise, Parks and Recreation, Sex and the City…These are some of the better known vehicles for female friendship that inhabit our pop culture universe.
Tickets From $59
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Tickets From $71
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