Sarah Jae Leiber - Page 176

“I’m so excited to have the album available on vinyl! There’s something so magical about a vinyl record spinning on a turntable, it adds a kind of sweetness to the music that can’t be matched anywhere else. I can’t wait for people to experience that with this record!” says Trahan.

Written and produced by Ainsworth in Toronto, New York and Los Angeles over many years, Sparkles & Debris reflects her usual composer’s mindset and instinct for idiosyncratic melodies and structures.

The GRAMMY® Award-nominated multi platinum band has shared the first single off the release, the anthemic “We Are Between,” a song driven by Brock’s trademark vocals vacillating between sonic isolation and the support of a full chorus.

From acclaimed albums with heavy-psych mainstays Eternal Tapestry to his prolific solo excursions, Mahood’s work has always been defined by his restless exploratory spirit and reverence for the environment.

“Quincy Jones, my co-founder at Qwest TV, has long worked to boost Americans’ access to and engagement with the arts. It’s wonderful to finally get to offer our flagship linear channels to an American audience thanks to VIZIO,” says Reza Ackbaraly.

Directed by Joshua Shoemaker, the song’s new video is quite literally filled to the brim with pizza and pills.

Native to Hawaii and now living in Long Beach, Lionel Boy mixes spacey synthesizers, impromptu breakbeats, trap hi-hats, contemporary rap & bedroom pop into one cohesive statement of an album.

Shot in 6K and meticulously color graded, the video for 'Vital Signs' is an immediate eye-catcher, with its glow making the nighttime city depicted seemingly spring to life. 

Last week, Low Cut Connie partnered with The Rock and Roll Hall of Fame for another special episode of “Tough Cookies” featuring an interview with Nancy Wilson of Heart.

Castillo has appeared on a myriad of television shows playing everything from tough cops to an inmate in New Amsterdam, Feed the Beast, Elementary, The Following, Law & Order: Special Victims Unit, Person of Interest, Dexter, to name a few. 

While further details are not being shared at this time, founder John D’Esposito confirms the news stating: “We're back. The clowns are safe and home where they belong. 2023 can't come soon enough. Let's get it.“

This year's theme is 'Women Leading the Change,' and the program will recognize the myriad achievements of women leaders who are blazing trails and creating new pathways for others in their respective areas of expertise.

Reunion speaks to the striking honesty of Anjimile’s lyrics and songwriting, and its ability to resonate so deeply, regardless of form. Even when sung from a different mouth and made anew, the music is still distinctly Anjimile’s voice.

Discussing the very personal inspiration behind “Jete Nahi Dibo”, Matoori stated, '‘Jete Nahi Dibo’ is the story of my own suffering of being far from the love of my life. This story goes back to 9 years ago, at the time that so many hard moments happened in my life.'

A special presale for 3-day and 1-day GA and VIP tickets will be available exclusively for Citi® Cardmembers from Today, May 4th at 9:30 AM ET through Thursday, May 6th at 11:59 AM ET.

The ICON Award honoree has tallied 33 career entries on the Billboard Hot 100, including 15 top 10s and four No. 1s: 'Lady Marmalade' with Christina Aguilera, Lil' Kim and Mya, in 2001; 'So What'' in 2008; 'Raise Your Glass' in 2010; and 'Just Give Me a Reason' featuring Nate Ruess, in 2013.

Sydney Sprague makes music for the end of the world. With everything seemingly imploding in on itself, there’s one thing we can all try to be: authentic, and that's the one word that best describes Sydney’s songwriting.

Both a live venue as well as a traditional dance club, the Kinema became a musical and cultural epicenter for the youth in Scotland’s Fife province especially during the late ‘70s, early ‘80s punk rock movement.

The virtual performance is made possible by contributions from ASCAP Foundation donors and by the Bart Howard Estate. Bart Howard (1915 – 2014) was an ASCAP member and the writer of the enduring standard, “Fly Me to the Moon.”

It was co-directed by Jason Lester and Rostam, and produced by Laura Burhenn for Our Secret Handshake.