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Richard Sasanow - Page 15

Richard Sasanow

Richard Sasanow has been BroadwayWorld.com's Opera Editor for many years, with interests covering contemporary works, standard repertoire and true rarities from every era. He is an interviewer of important musical figures on the current scene--from singers Diana Damrau, Peter Mattei, Stephanie Blythe, Davone Tines, Nadine Sierra, Angela Meade, Isabel Leonard, Lawrence Brownlee, Etienne Dupuis, Javier Camarena and Christian Van Horn to Pulitzer Prize-winning composers Kevin Puts and Paul Moravec, and icon Thea Musgrave, composers David T. Little, Julian Grant, Ricky Ian Gordon, Laura Kaminsky and Iain Bell, librettists Mark Campbell, Kim Reed, Royce Vavrek and Nicholas Wright, to conductor Manfred Honeck, director Kevin Newbury and Tony-winning designer Christine Jones. Earlier in his career, he interviewed such great singers as Birgit Nilsson, and Martina Arroyo and worked on the first US visit of the Vienna State Opera, with Karl Bohm, Zubin Mehta and Leonard Bernstein, and the inaugural US tour of the Orchestre National de France, with Bernstein and Lorin Maazel. Sasanow is also a long-time writer on art, music, food, travel and international business for publications including The New York Times, The Guardian, Town & Country and Travel & Leisure, among many others.

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Latest Articles

BWW Showstopper: Ride 'Em, Valkyries, in Part Two of the Met's RING CYCLE

BWW Showstopper: Ride 'Em, Valkyries, in Part Two of the Met's RING CYCLE

March 27, 2019

There's lots to enjoy in the Met's revival of DIE WALKURE, the second part of Richard Wagner's great tetralogy, DER RING DES NIBELUNGEN, better known simply as Wagner's Ring Cycle, which had its first performance of the season on Monday night--all five hours of it!--under the pulsating control of Ph

BWW Review: Finding GOLD as the Met's Ring Cycle Begins Anew

BWW Review: Finding GOLD as the Met's Ring Cycle Begins Anew

March 11, 2019

If Robert Lepage's production of Wagner's Ring Cycle (formally, DER RING DAS NIBELUNGEN) had worked as smoothly when it opened in 2010 as it did at this season's marvelous premiere of its prologue, DAS RHEINGOLD, on Saturday afternoon, there probably still would have been complaints--not about its f

BWW Review: Live from the Crypt, It's Baritone Lucas Meachem

BWW Review: Live from the Crypt, It's Baritone Lucas Meachem

March 9, 2019

The Crypt Sessions, which take place in the stone chamber beneath the Church of the Intercession on West 155th Street in Manhattan, might conjure up visions of horror, though it bears no relation to HBO's long-running anthology, “Tales from the Crypt.

BWW Review: Laugh a Little, Cry a Little for Met's Well-Sung RIGOLETTO

BWW Review: Laugh a Little, Cry a Little for Met's Well-Sung RIGOLETTO

February 18, 2019

No matter what one thinks of the Met's transfiguration of Verdi's RIGOLETTO from Francesco Maria Piave's Mantua to '60s Las Vegas--I personally like much of this “Rat Pack” production from director Michael Mayer--the singing at Saturday's performance [the second of the season] was first rate.




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