BWW Review: The Sweet SOUND OF MUSIC Fills the Cadillac Palace
Broadway In Chicago's engagement of THE SOUND OF MUSIC national tour makes for a pleasant and tuneful evening at this Rodgers and Hammerstein classic.
Rachel Weinberg - Page 18
BWW Review: CONSTELLATIONS at Steppenwolf Tells A Universal, Intimate Love Story
In the opening moments of Nick Payne's new play CONSTELLATIONS-now in its Chicago premiere in the Upstairs Theatre at Steppenwolf-the playwright presents audiences with an archetypal 'Boy Meets Girl' story.
BWW Review: Strawdog's ONCE IN A LIFETIME Offers Up Comedic Nostalgia
For Strawdog Theatre Company's final production in its Broadway home, the company fittingly presents George S.
BWW Review: It's a Pleasure Getting to Know Lyric Opera's THE KING AND I
Under the direction of Lee Blakeley at Lyric Opera (who originally staged this production for Paris's Theatre du Chatelet in 2014), Rodgers and Hammerstein's classic musical THE KING AND I is heightened to the lavish and beautiful spectacle it deserves.
BWW Review: World Premiere of Ike Holter's SENDER at A Red Orchid Theatre Paints A Smart, Entertaining Portrait of Emerging Adulthood
Ike Holter's new play SENDER, now in its world premiere production at A Red Orchid Theatre, thrives on the contrast between order and chaos.
BWW Review: Victory Gardens Theater's World Premiere of HILLARY AND CLINTON Offers An Intriguing, Timely Portrait of Life in the Public Eye
Victory Gardens Theater's world premiere production of Lucas Hnath's HILLARY AND CLINTON invites audiences to imagine an alternate universe, though similar to our own, in which a woman named Hillary Clinton is running for United States president.
BWW Review: KILL FLOOR at American Theater Company Makes for Bloody Good Theater
KILL FLOOR at American Theater Company is truly a killer production.
Movie Picks from Steppenwolf's THE FLICK Cast Members
Cast members Will Allan and Caroline Neff from Steppenwolf Theatre Company's production of THE FLICK reveal their top five favorite films.
BWW Review: Court Theatre's LONG DAY'S JOURNEY INTO NIGHT Searingly Comes to Life
Eugene O'Neill's blazing masterwork LONG DAY'S JOURNEY INTO NIGHT introduces audiences to the enormously dysfunctional Tyrone family, who over the course of the play's three-and-a-half-hour run time, completely and utterly destroy one another.
BWW Review: Lyric Opera's ROMEO AND JULIET Presents a Grand-scale, Classic Interpretation of Shakespeare's Eternal Love Story
Under the direction of Bartlett Sher (whose work is currently represented on Broadway with Lincoln Center Theater's revival of The King and I, Charles Gounod's 1867 French opera ROMEO AND JULIET comes to opulent, dramatic life--with the quality and grandiosity that characterize Lyric Opera's product
BWW Review: COCKED at Victory Gardens Triggers Both Shock and Amusement in Spot-On World Premiere Production
One of the most pervasive images in Sarah Gubbins's play COCKED, now in its world premiere production at Victory Gardens under the direction of Joanie Schultz, is an incredibly shiny silver pistol.
BWW Review: The Hypocrites' THE GLASS MENAGERIE Displays A Powerful Shine
Upon entering the Den Theatre's Heath Main Stage to take in The Hypocrites' production of THE GLASS MENAGERIE, I was immediately struck by the bottles upon bottles of breathtaking glass that cover Grant Sabin's decrepit-yet-beautiful set.
BWW Review: Porchlight Music Theatre's FAR FROM HEAVEN Presents A Woman's Melodic Journey Towards Self-Discovery In 1950s America
Porchlight Music Theatre's production of FAR FROM HEAVEN marks the musical's Chicago premiere--the show debuted Off-Broadway at Playwrights Horizons in 2013 and takes the titular 2002 Todd Haynes-directed film as its source material.
BWW Review: CABARET Makes For A Truly Beautiful Theatrical Experience
The touring production of Roundabout Theatre Company's CABARET dazzles just as much as it did on Broadway--where it was a critical and commercial success both from 1998-2004 and more recently, when it was remounted from March 2014-March 2015.
BWW Review: BRUISE EASY at American Theater Company Captures Agony of Messy Sibling Reunion
Dan LeFranc's world premiere play BRUISE EASY, his second collaboration with American Theater Company, begins by introducing us to the story of two estranged siblings (played by Kelly O'Sullivan and Matt Farabee)-reunited for the first time in several years on the driveway of their mother's house in
BWW Review: BARITONES UNBOUND Soars to Entertaining, Lyrical Heights at the Royal George Theatre
Equal parts self-congratulatory and self-deprecating--and wholly entertaining--the three-man show BARITONES UNBOUND pays homage to that elusive vocal part between the tenor and the bass: the titular baritone.
BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL A Sight (and Sound) to Behold
The Chicago engagement of the first national tour of BEAUTIFUL--THE CAROLE KING MUSICAL rightfully earns the show's title.
BWW Review: Porchlight Music Theatre's AIN'T MISBEHAVIN' Brings Swinging Holiday Spirit to Stage 773
Audiences looking for a jazzy and celebratory way to get into a holiday mood should look no further than Porchlight Music Theatre's AIN'T MISBEHAVIN'.
BWW Review: THE MERRY WIDOW Comes Up Singing at Lyric Opera
With artful direction and choreography from Susan Stroman, Lyric Opera's mounting of Franz Lehar's well-known 1905 operetta THE MERRY WIDOW sweeps audiences into a joyful waltz, complete with exquisite talent and a production with opulence to spare.
BWW Review: Thomas Bradshaw's FULFILLMENT at American Theater Company Compellingly Examines What It Means to 'Have it All'
What does it mean to have agency over our lives and those around us? And what happens when we're unable to fully grasp that which intrinsically controls us? With direction by Ethan McSweeny, the world premiere play FULFILLMENT, in a co-production with The Flea Theater of New York City, boldly examin
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $59
Tickets From $59
Tickets From $71