BWW Review: MISS NIGHTINGALE, Hippodrome Casino
Miss Nightingale manages to portray both the delicious naughtiness of 1940s wartime entertainment and the difficult and heart-breaking reality the performers lived off the stage equally well.
Nicole Ackman - Page 6
BWW Interview: Rob Houchen Talks West End Does The Magic of Animation Concert
Rob Houchen is one of the three directors of the new event company called West End Does which has its first concert, The Magic of Animation, on 6 May.
BWW Interview: Larry Blank On Being Music Director of the Olivier Awards
Larry Blank is a prolific composer, conductor and orchestrator.
BWW Review: TEDDY, The Vaults Theatre
Following a UK tour, original 1950s rock 'n' roll musical Teddy has landed at The Vaults Theatre.
BWW Review: RUTHLESS! THE MUSICAL, Arts Theatre
Ruthless! the Musical is a delightfully irreverent piece that cleverly makes fun of 'show business' now playing at the Arts Theatre.
BWW Review: SUFFRAGETTE Screening and Q&A, Royal Albert Hall
The Royal Albert Hall's screening of the 2015 film Suffragette was followed by a Q&A with members of the film's creative team and women's rights activists as part of their 'Women and the Hall' programme.
BWW Interview: Jason Robert Brown Talks His Upcoming London Palladium Concert
Jason Robert Brown is a composer, lyricist, and conductor known for his work such as The Last Five Years, Bridges of Madison County and Parade.
BACK FOR GOOD: From BONNIE AND CLYDE To RAGTIME
BroadwayWorld UK writer Nicole Ackman shares her top picks for musicals that deserve a revival in the West End.
BWW Interview: Lucy Noble On The Royal Albert Hall's Women and the Hall Programme
Lucy Noble is the Artistic and Commercial Director of the Royal Albert Hall, which is currently running a Women and the Hall programme.
BWW Interview: Cathy Owen Talks Cardboard Citizens' CATHY
Cathy Owen has done work across the UK, including Mother Courage and Her Children at the National Theatre of Wales.
Book Review: UNMASKED, Andrew Lloyd Webber
In the prologue of his new memoir, Unmasked, Andrew Lloyd Webber states, "Autobiographies are by definition self-serving and mine is no exception".
BWW Review: HAROLD AND MAUDE, Charing Cross Theatre
You wouldn't expect that a play that opens with one of the leads dramatically faking his own suicide would be delightfully funny and yet Harold and Maude at the Charing Cross Theatre is just that.
A Varied WhatsOnStage Awards Celebrate The West End's Breadth
The 18th Annual WhatsOnStage Awards, held at the Prince of Wales Theatre, was a fast-paced ceremony with great performances and an enthusiastic crowd.
BWW Interview: Molly Chesworth Talks TEDDY at The Vaults
Molly Chesworth is currently starring as Josie in new musical Teddy on its UK Tour before its run at The Vaults in London.
BWW Review: SOMEWHERE A GUNNER FIRES, King's Head Theatre
Somewhere a Gunner Fires at the King's Head Theatre is a haunting piece about the First World War and how it affected people from many nations and backgrounds.
BWW Review: THE DIVIDE, Old Vic
The Old Vic's The Divide is a gripping tale of repression and forbidden love in a dystopian society.
BWW Review: COLLECTIVE RAGE, Southwark Playhouse
Collective Rage at the Southwark Playhouse is a provocative and surprising play about the female experience.
BWW Review: THE RAILWAY CHILDREN, Cadogan Hall
The Railway Children is a delightful show with beautiful music and a wonderful message about the importance of kindness.
BWW Interview: West End Producer On His Latest Book
West End Producer is one of the most popular but mysterious social influencers in the West End.
BWW Review: BEAUTY AND THE BEAST IN CONCERT, Royal Albert Hall
Beauty and the Beast in Concert at the Royal Albert Hall enhanced a wonderful star-studded movie by having its beautiful score expertly played by the Philharmonia Orchestra.
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