Niamh Jones
Review: BREAKING THE CODE, Oxford Playhouse
We all know the names ‘Bletchley’ and ‘Alan Turing’, if only thanks to the 2014 film The Imitation Game starring Benedict Cumberbatch.
Review: THE PARTY GIRLS, Oxford Playhouse
Glamorous and mythic, the Mitford sisters often feel like untouchable figures of the past, central to the tumultuous politics of the interwar period and yet forgotten amidst the rollcall of far more significant names.
Review: BRICKS, Old Red Lion Theatre
When thinking of the classic settings for a heartfelt story about friendship and emotional vulnerability, a construction site is not somewhere that typically comes to mind.
Review: SANTI & NAZ, Soho Theatre
Arguably the best approach for tackling serious themes is to tell their stories through the eyes of innocence, viewing large historical events through the everyday consequences as experienced by children.
Review: LAST RITES, The North Wall Arts Centre
Have you ever really stopped to consider the significance of sound, of speech, on everyday life… on theatre? Many of us take these things for granted, yet Ad Infinitum’s new play throws the realities of being deaf into sharp relief.
Review: SURRENDER, Arcola Theatre
A woman’s story is a valuable thing, the trials of experience typically being viewed as under discussed even within modern literature.
Review: THE TRIALS AND PASSIONS OF UNFAMOUS WOMEN, Brixton House Theatre
A courtroom is a place of tradition, of cold reason rather than emotional responses.
Review: FROZEN, Greenwich Theatre
Is serial killing ever a forgivable act? A controversial question certainly and the central premise of Bryony Lavery’s Frozen.
Review: REMEMBRANCE MONDAY, Seven Dials Playhouse
Many of us ask ourselves about the definition of love, what is the purest form perhaps, or what does it mean to make promises while in love.
Review: OLIVE JAR, Grand Junction
What is theatre fundamentally about? Why do we create any form of literature or performance? Why do we tell stories? Stories are such a formative part of life, forging our knowledge of the world and helping to bring communities together.
Review: WHAT (IS) A WOMAN?, Arcola Theatre
A person’s life can be dictated by many things - career, relationships, decisions made… In the case of Andrée Bernard’s What (is) a Woman it seems that men have dictated the protagonist’s life.
Review: SCARLET SUNDAY, Omnibus Theatre
Art mimics life, or so we are always led to believe.
Review: EVERYBODY'S TALKING ABOUT JAMIE, Peacock Theatre
Fresh from a UK tour and three years after the Amazon Prime movie, Everybody’s Talking About Jamie is back in London.
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Tickets From $71
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