BWW Breakdown: All-Star Branding on RUPAUL'S DRAG RACE ALL STARS 2
Phi Phi is gone, and Tatianna and Alyssa Edwards are back in the game.
Maggie Yates - Page 6
BWW REVIEW: IN A WORD In a Mortuary
Elements Theatre Collective Presents: 'In a Word' Since the disappearance of her son two years ago, Fiona has created a narrative of her version of events born from grief, regret, and the guilt of unspoken relief of being freed from the burden of a special needs child she was not equipped to handle
BWW Review: Sultry Tango and Sly Humor Make MUCH ADO ABOUT NOTHING a Fun Shakespearian Frolic
'Much Ado About Nothing' is a Shakespearian comedy that plays, essentially, on the idea that gossip is a bitch.
BWW Breakdown: Phi Phi is a Sore Winner and Loser (Truth) on RUPAUL'S DRAG RACE
Trust the Duchess: It ain't over just yet.
BWW Blog: On The Verge 2016 - Live Fast, Die Awesome
Santa Barbara supports a sizeable, like-minded artistic community that has, for the past two years, collided their stories and aesthetic styles into building blocks of communal inspiration.
BWW Breakdown: 'SHEquels,' Y'all! RUPAUL'S DRAG RACE ALL STARS
Last week's dramatic elimination prompts real talk amongst the remaining queens about how the 'rules' of the game.
BWW Review: LitMoon's THE GLASS MENAGERIE Shows Life After the Bough Breaks
Litmoon's production captures the resounding void of the Wingfields' desperation.
BWW Breakdown: The HERstory of the World According to RUPAUL'S DRAG RACE ALL STARS
RuPaul's Drag Race has shown an increasing willingness to share its self-awareness, and more and more frequently does the show reminds us that any 'reality' competition featuring seasoned performers (which these drag queens are) will sashay the line between the vitality of unscripted television and
BWW Preview: THE BOONDAWGLE ESTATE Is a 30s Throwback of Farce, High Pants, and Fast Talkin'
Get ready for on-stage shenanigans (including slap fights, hypochondriac melt-downs, and injuries from swinging doors).
BWW Preview: SINNER/SAINT Brings Faith into the LGBTQ Conversation
Spectrum Ministries Santa Barbara presents a performance of 'Sinner/Saint,' a new play written, directed and performed by Westmont alumna Lindsey Twigg and Danielle Draper.
BWW Review: VANYA AND SONIA AND MASHA AND SPIKE Aren't Enough of a Party
Vanya and Sonia and Masha and Spike is a play with enjoyable moments and talented performers.
BWW Preview: KIDDO AND PATTY HEARST HEARST Brings Nostalgia of a Bygone Era
The summer of 1974 was a time of political and social upheaval.
BWW Review: The Hollywood Fringe Festival in SB
Devised, written, directed, and performed by Jeff Mills, Erica Flor, and Madelyn Robinson: Proboscis Theatre's recent efforts, 'Bloody Beautiful' and 'Strap-On,' are intimate and provocative works that delve into personality manifestation.
BWW Preview: One Night Only--IMPROV COMEDY BATTLE ROYALE
Instant Karma Improv Comedy returns to Center Stage Theater to present one night of spontaneous hilarity on Saturday, June 11th at 8:00pm.
BWW Preview: Ensemble's Scandelous FALLEN ANGELS
While indecent in the twenties, Coward's absurd situation comedy delivers potency in the twenty-first century, now that common social opinion of pre-marital relations isn't nearly so damning.
Summer Stages: This Summer's Theatre Lineup in Santa Barbara 2016
Summer Stages is your guide to upcoming theatrical events for the summer in the Santa Barbara area.
BWW Review: Campfire Tales and Mythic Origins Made Modern in SECOND SKIN
Interesting, overlapping personal narratives tell slightly different stories, making the whole story strong, but mysterious in the little places of ambguity.
BWW Review: Enthralling Performances and Smart Writing Make BAD JEWS a Comedic Success
Based on the title, one might assume that Joshua Harmon's 'Bad Jews' is a play more specifically rooted in Judaism that it actually is.
BWW Preview: Launch Pad and Idris Goodwin Bring the FUNK to UCSB
In 'We Want the Funk: A Rustbelt Lullaby on the One,' charismatic Chuck resolves to trust in the notion that economic depression and cultural oppression can be overcome by creating music.
BWW Review: Bottoms and Coleman Make PROOF a Must-See
A provocative, modern, and intimate play about the processes of troubled, magnificent minds, 'Proof' provides the sweet relief of calm moments amongst a hailstorm barrage of trauma.
Tickets From $59
Tickets From $71
Tickets From $71
Tickets From $95