Linda Hodges - Page 3

First Show

Favorite Show

Favorite Stories

• Review: WICKED at Orpheum Theatre - I don't have a favorite review (I'll leave that to readers) so I'll focus on my favorite show... My heart still races remembering the night I stepped into the Orpheum Theatre to experience WICKED—the first show I ever reviewed. It felt like stepping into a different world, one that shimmered with secrets and crackled with magic. I was beyond thrilled, barely able to contain my excitement and the tugging emotion that had me nearly tearing up from the very first notes. The air seemed to vibrate with the legacy of the Curran Theatre, where WICKED first cast its spell in 2003, and here I was, so close to the place where it all began. Watching two powerful female leads—Elphaba and Glinda—command the stage was nothing short of mesmerizing. I felt every beat of Elphaba’s journey and her defiant choice "for good" reverberate within me. WICKED isn’t just a show; it’s an anthem of empowerment and courage, as dazzling as it is deeply moving. It struck a chord then, and it still does, leaving me forever enchanted.
• BWW Reviews: THE BOOK OF MORMON Is Freakin' Awesome -
• Review: HARPER LEE'S TO KILL A MOCKINGBIRD at Golden Gate Theatre -
• BWW Review: THE MYSTERY OF EDWIN DROOD THRILLS AND DELIGHTS NOW THRU NOV. 11 at 3Below - DROOD holds a special place in my heart...
• BWW Review: Mask UP! HAMILTON Lights Up the Stage as Live Theatre Returns to Broadway San Jose - Phenomenal show. Right up there with Marvin Hamlisch's A CHORUS LINE. Both changed the trajectory of theatre forever by redefining the rules of musical theater but in starkly different ways. A Chorus Line broke through in the 1970s with raw, unfiltered honesty, spotlighting the personal struggles of dancers—the unsung heroes of Broadway—giving voice to their dreams and sacrifices. It was revolutionary for its gritty realism and portrayal of the artists behind the glitz. Decades later, Hamilton exploded onto the scene, electrifying audiences by blending rap and hip-hop with historical narrative, casting actors of color as Founding Fathers, and transforming the musical into an audacious reimagining of American identity. Both shows expanded the boundaries of musical storytelling, but where A Chorus Line was introspective and self-revealing, Hamilton was expansive, taking on the entire nation’s story with fresh eyes and new voices. Together, they redefined what audiences thought Broadway could be and do.