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Linda Hodges - Page 6

Linda Hodges

Linda Hodges is a theatre reviewer and playwright who’s been covering the vibrant San Francisco Bay Area theater scene since 2009. She got her start at Broadway Magazine but soon found her true home at BroadwayWorld where she is the senior theatre critic. Highlights include interviewing Stephen Schwartz, Rupert Holmes, Rita Moreno, Betty Buckley, Melissa Manchester and more. A dedicated theater aficionado, Linda first became involved in the dramatic arts while in college, becoming one of the first “techies” at her school to be voted into Delta Psi Omega, the National Theatre Honor Society. She holds a Master of Theological Studies degree from Pacific School of Religion and maintains that theater, at its best, is a religious experience!

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First Show

The Canterbury Tales when I was 13!

Favorite Show

Wicked

Favorite Stories

  • Review: WICKED at Orpheum Theatre - I don't have a favorite review (I'll leave that to readers) so I'll focus on my favorite show... My heart still races remembering the night I stepped into the Orpheum Theatre to experience WICKED—the first show I ever reviewed. It felt like stepping into a different world, one that shimmered with secrets and crackled with magic. I was beyond thrilled, barely able to contain my excitement and the tugging emotion that had me nearly tearing up from the very first notes. The air seemed to vibrate with the legacy of the Curran Theatre, where WICKED first cast its spell in 2003, and here I was, so close to the place where it all began. Watching two powerful female leads—Elphaba and Glinda—command the stage was nothing short of mesmerizing. I felt every beat of Elphaba’s journey and her defiant choice "for good" reverberate within me. WICKED isn’t just a show; it’s an anthem of empowerment and courage, as dazzling as it is deeply moving. It struck a chord then, and it still does, leaving me forever enchanted.
  • BWW Reviews: THE BOOK OF MORMON Is Freakin' Awesome -
  • Review: HARPER LEE'S TO KILL A MOCKINGBIRD at Golden Gate Theatre -
  • BWW Review: THE MYSTERY OF EDWIN DROOD THRILLS AND DELIGHTS NOW THRU NOV. 11 at 3Below - DROOD holds a special place in my heart...
  • BWW Review: Mask UP! HAMILTON Lights Up the Stage as Live Theatre Returns to Broadway San Jose - Phenomenal show. Right up there with Marvin Hamlisch's A CHORUS LINE. Both changed the trajectory of theatre forever by redefining the rules of musical theater but in starkly different ways. A Chorus Line broke through in the 1970s with raw, unfiltered honesty, spotlighting the personal struggles of dancers—the unsung heroes of Broadway—giving voice to their dreams and sacrifices. It was revolutionary for its gritty realism and portrayal of the artists behind the glitz. Decades later, Hamilton exploded onto the scene, electrifying audiences by blending rap and hip-hop with historical narrative, casting actors of color as Founding Fathers, and transforming the musical into an audacious reimagining of American identity. Both shows expanded the boundaries of musical storytelling, but where A Chorus Line was introspective and self-revealing, Hamilton was expansive, taking on the entire nation’s story with fresh eyes and new voices. Together, they redefined what audiences thought Broadway could be and do.


BWW Review: SHNSF's WICKED Mesmerizing!

BWW Review: SHNSF's WICKED Mesmerizing!

March 12, 2016

With a book by Winnie Holzman and music and lyrics by the great and powerful Wizard of Broadway, Stephen Schwartz, Wicked has won over 50 major awards and, as Variety stated, it truly is 'A Cultural Phenomenon.

BWW Reviews: THE BOOK OF MORMON Is Freakin' Awesome

BWW Reviews: THE BOOK OF MORMON Is Freakin' Awesome

December 2, 2013

'The Book of Mormon' has been hailed as one of the top musicals of the decade and now through January 19, 2014, San Francisco audiences will have the opportunity to judge for themselves as to whether a musical about Mormons on a mission to win converts to the Church of Latter-day Saints deserves su




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