Review: DEBATE: BALDWIN VS BUCKLEY, Stone Nest
Taut and razor-sharp verbatim adaptation of a famous debate from the 60s is entertaining and enlightening
Gary Naylor - Page 15
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Review: LEAVING VIETNAM, Park Theatre
Richard Vergette's one-man play is never less than engaging, but one wonders why here and why now?
Review: MACBETH, Southwark Playhouse Borough
Flabbergast Theatre take a bold approach to a familiar play and hit and miss along the way
Review: GUYS & DOLLS, Bridge Theatre
As perfectly realised a revival as one could ever hope to see, full honour paid to both the incomparable source material and the times in which we live now
Review: STILL HERE, Jack Studio Theatre
Mari Lloyd's new play will speak loud and clear to young people today, but misses a chance for dramatic development as its structure all but disallows the chance to see its subjects together in the same space.
Review: TURANDOT, Royal Opera House
Come for Nessun Dorma; stay for love's triumph over death
Review: JUMPING THE SHARK, Upstairs at the Gatehouse
A comedy that certainly does not jump the shark, instead offering finely drawn characters, poignant moments and, most precious of all, big laughs.
Review: BRILLIANT JERKS, Southwark Playhouse Borough
Diverting comedy that never strays too far from some well-trodden paths
Review: THE MERCHANT OF VENICE 1936, Watford Palace Theatre
A bold and accessible Merchant that commits to exposing the antisemitism that suffuses the play
Review: AN ABSOLUTE FARCE OF A MURDER MYSTERY, The Drayton Arms Theatre
Such a lot of fun!
Review: EGYPTIANS, Gulbenkian Arts Centre, University of Kent
Verse and music enhances a production that straddles millennia
Review: GRENFELL: SYSTEM FAILURE SCENES FROM THE INQUIRY, Playground Theatre
Following up Value Engineering, Richard Norton-Taylor and Nicolas Kent once more let the evidence speak for itself in a piece of verbatim theatre that still manages to shock us
Review: AFGHANISTAN IS NOT FUNNY, Arcola Theatre
A monologue that comes alive with photographs of the carnage of war but never quite settles its underlying moral ambiguity
Review: BELL, BOOK AND CANDLE, Tabard Theatre
Lovely to look at, funny and clever, a perfect tonic for these miserable days full of bills and empty shelves
Review: WINDFALL, Southwark Playhouse
London transfer of New York hit comedy gathers a few laughs, but feels out of step with the times
Review: ONE WHO WANTS TO CROSS, Finborough Theatre
A powerful, hour-long work that uses repetition, poetry and disorientation to take us inside the minds of those who risk everything to escape their homeland.
Review: THE RAILWAY CHILDREN - A MUSICAL, The Electric Theatre, Guildford
Delightful new musical (based on the much loved novel and film) that deserves a wider audience than its short run affords
Review: PICASSO, The Playground Theatre
Peter Tate gives us a bullish Picasso, with his women projected on video, but they do need more of a voice to balance the narrative
Review: HAVE I NONE, Golden Goose Theatre
Dystopian play, set 54 years in the future, raises questions about the direction of consumerism today
Review: THE ELEPHANT SONG, Park Theatre
Nicolas Billon's Canadian play has dated somewhat, but still engages its audience on its UK premiere
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