Review: LARKIN WITH WOMEN, Old Red Lion Theatre
There's more to Larkin's life than we see here, but, nevertheless, it's a lovely play that does full justice to the three women with whom he spent much of his life
Gary Naylor - Page 18
Latest Articles
Review: BLUEBEARD'S CASTLE, Grimeborn Festival, Arcola Theatre
Fascinating one act opera performed by technically very strong singers and musicians, but let down a little by a lack of clarity in its narrative exposition
Review: THE NARCISSIST, Chichester Festival Theatre
Christopher Shinn's play brims with interesting politics but is too often bogged down in overly-familiar personal issues
Review: SIN THE MUSICAL, Arcola Theatre
A very young cast perform a new musical that needs work but has as good a chance as any if it gets the expertise and time in requires
Review: ALL'S WELL THAT ENDS WELL, Royal Shakespeare Theatre
Not an easy play to watch, but a fascinating analysis of some of humanity's darker corners
Review: TWO UKRAINIAN PLAYS, Finborough Theatre
Important plays that make demands on the audience, but also demand to be seen.
Review: HMS PINAFORE, Opera Holland Park
The Charles Court Opera company team up with Opera Holland Park in a co-production that that is just what we need right now
Review: ALL OF US, National Theatre
A play that reminds us of theatre's power to entertain us, to affect us and, one hopes, to stir us to action
Review: BLACK, EL PAYASO, THE CLOWN, Grimeborn Festival, Arcola Theatre
Grimeborn delivers another little gem with this pared back version of a somewhat obscure Spanish zarzuela
Review: TOM, DICK AND HARRY, Alexandra Palace Theatre
Whether we need another wartime tale of very decent Allied blokes escaping not at all decent Nazi blokes, isn't really answered in this new take on The Great Escape's inspiration.
Review: YEAST NATION THE TRIUMPH OF LIFE, Southwark Playhouse
Crazy show that might become a cultish success, but currently just looks misconceived and misplaced
Review: LITTLE WOMEN, Opera Holland Park
Bold programming pays off with an opera that has its demands but offers rewards in equal measure
Review: JEAN PAUL GAULTIER FASHION FREAK SHOW, Camden Roundhouse
Jean Paul Gaultier deploys dance, music and video to tell the tale of a life that laughed at convention but had hard work, technical mastery and a generosity of spirit at its heart
Review: MUCH ADO ABOUT NOTHING, National Theatre
John Heffernan and Katherine Parkinson lead a superb cast in a brilliant realisation of director, Simon Goodwin's, conceptualisation of Shakespeare's comedy.
Review: ESTELLA, Trinity Theatre, Tunbridge Wells
Charles Dickens' novels are filled to the brim with characters who capture different elements of the human condition - evil and good and, crucially, plenty in-between.
Review: THE WOMAN WHO AMUSES HERSELF, Jack Studio Theatre
A splendid central performance illuminates a play full of humour that also smuggles in deeper considerations on the character of art in a changing world
BWW Review: OTELLO, Royal Opera House
Russell Thomas, Christopher Maltman and Hrachuhi Bassénz excel in an emotional and relevant production of Verdi's adaptation of Shakespeare's masterful study of jealousy, ruthlessness and much more.
Review: DRACULA'S GUEST, White Bear Theatre
The infamous Count explains his history to his prisoner and expands on his hatred of the British Empire
Review: RICHARD III, Royal Shakespeare Theatre
Gregory Doran brings the RSC's decade long History cycle to its conclusion with a worthy, if wordy, Richard III
Review: EVELYN, Southwark Playhouse
Tom Ratcliffe's new play sets up some very interesting relationships in a fascinating environment, but doesn't solve the structural problems that arise as a consequence
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