Review: THE SOUND OF MUSIC, Chichester Festival Theatre
The annual CFT summer blockbuster delivers West End quality again at considerably more affordable prices - time to book a train or set the satnav
Gary Naylor - Page 13
Review: AS YOU LIKE IT, RSC Stratford Upon Avon
Old actors play young characters and find new nuances in familiar speeches
Review: THE WIZARD OF OZ, London Palladium
Familiar and safe it may be, but the show delivers spectacle and entertainment as only theatre can
Review: DUCK, Arcola Theatre
In the light this week's report into exclusion and racism in cricket, this lovely one man show could not be more timely.
Review: WOMAN AT POINT ZERO, Royal Opera House
Unique production defies easy categorisation, but thrills and appals to live long in the memory
Review: CONNECTIONS 2023, National Theatre
The National Theatre invites the nation's young people to its Dorfman Theatre and is all the better for it
Review: DEAR ENGLAND, National Theatre
With humour and sympathy, James Graham's play gives the nation the leader it needs
Review: FRANK AND PERCY, Theatre Royal Windsor
Two men bond over a shared love of dogs and discover they have rather more in common than first appears.
Review: THE MERRY WIVES, Wandsworth Fringe Festival
Wild but tuneful adaptation of Shakespeare's comedy
Review: ASSASSINS, Chichester Festival Theatre
Blazing new production of strange and unsettling musical that leaves you with much to consider
Review: FURY AND ELYSIUM, The Other Palace Studio
Whether we need another visit to the carnival of transgression that was 1920s/30s Berlin is perhaps open to question, but there's plenty of interest to be had in this new musical
Review: GREAT EXPECTATIONS, Garrick Theatre
Eddie Izzard's Broadway smash comes to the West End to capture the hearts and minds of a new audience
Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, Southwark Playhouse
Good performances illuminate a show that a bold new production tackles with confidence, if not complete success
Review: CYMBELINE, Royal Shakespeare Theatre
Entertaining from first to last, this less well-known play sparkles for three hours and finishes with a heartfelt plea for harmony
Review: NUL POINTS!, Union Theatre
Martin Blackburn's comedy starts like a whirlwind but can't quite sustain its promise
Review: THE BOOK OF WILL, Queen's Theatre Hornchurch
Crowdpleasing production based on the printing of Shakespeare's plays (harder than you think!) makes for a diverting and pleasant couple of hours in the theatre
Review: GLORY RIDE, Charing Cross Theatre
The longtime secret story of the double-life of one of Italy's favourite sons is brought to the stage in a bold new musical
Review: RETROGRADE, Kiln Theatre
Ryan Calais Cameron follows up the runaway success of For Black Boys.
Review: THE MEANING OF ZONG, Barbican Theatre
An 18th century insurance case inspired one black man to tell the world of the horrors of the slave trade and, more than two hundred years later, another to do the same thing
Review: DANCING AT LUGHNASA, National Theatre
Josie Rourke's new production has much about it to admire, but has little to say on the changes in Ireland since the play's first incarnation on the South Bank in 1990
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