Hannah Kumari's warm, funny and ultimately disquieting monologue tells the story of a girl who doesn't fit into other people's idea of boxes, but becomes a lifelong fan of Coventry City
Boutique opera now 72 years old but could have been written yesterday in terms of its music, its themes and its relevance, performed with verve and confidence
Whether we need another visit to the carnival of transgression that was 1920s/30s Berlin is perhaps open to question, but there's plenty of interest to be had in this new musical