Review: A SUDDEN VIOLENT BURST OF RAIN, Gate Theatre
Heartfelt condemnation of treatment of undocumented immigrants let down by structural issues and predictable plotting
Gary Naylor - Page 17
Latest Articles
Review: MARVELLOUS, @sohoplace
A new West End theatre launches with a show that is heartwarming but unnecessarily irritating in its structure and style
Review: MY NEIGHBOUR TOTORO, Barbican Theatre
Triumphant re-imagining of the film that, incredibly, manages to add edge and poignancy to its extraordinary source material
Review: THE PLAY WITH SPEECHES, Jack Studio Theatre
Tremendous fun from a comedy that is set in the world of theatre but will find echoes in most workplaces
Review: KINKY BOOTS, Queen's Theatre, Hornchurch
If the show lacks a little in power having been pared back, many more people will have a chance to enjoy a super show
Review: RE:IMAGINING MUSICALS EXHIBITION, Victoria and Albert Museum
Landmark show that has something for everyone
Review: O, ISLAND!, The Other Place, Royal Shakespeare Theatre
Nina Segal's new play is hamstrung by an old set up.
Review: IVY TILLER: VICAR'S DAUGHTER, SQUIRREL KILLER, The Other Place, Royal Shakespeare Theatre
Ivy Tiller is a good kid, but life has dealt her a rough hand and, when it gets rougher still, what will she do?
Review: GODS OF THE GAME, Grange Park Opera
Football opera land perfectly between the Women's Euros and the Men's World Cup finding plenty of common ground to delight fans of both art forms
Review: THE BOY WITH TWO HEARTS, National Theatre
Laudable sentiment but something of a missed dramatic opportunity in this play about an Afghan family's journey from Herat to Cardiff and the love they found there
Review: DMITRY, Marylebone Theatre
Dmitry, a new play, is described as 'After Schiller', but, in its dissection of the ruthless manipulation of a young man aiming for the Tsardom of Russia, one finds parallels more recent blockbusters.
Review: THE MILK TRAIN DOESN'T STOP HERE ANYMORE, Charing Cross Theatre
1960s Williams' play that cannot capture the magic of his work in the previous two decades
Review: AIDA, Royal Opera House
A provocative and ultimately successful reimagining of opera's most operatic of works
Review: ANOTHER EAVESDROPPING, Jack Studio Theatre
Angel Theatre Company have a lot of fun, but still find some bite, with their snatches of conversation overheard in London in 2022.
Review: SUS, Park Theatre
Sus retains its power and relevance, but one can't help wondering if it requires an update to account for the changes in policing minorities in the 43 years since it was written - at their roots, the problems are the same, but they present somewhat differently.
Review: ROSE, Park Theatre
One woman's reflections on her life as a Jew in the 20th century throw light on the history of a people - and give us much food for thought in the 21st.
Review: THE SNAIL HOUSE, Hampstead Theatre
Big ambitious new play derailed by too many cookie-cutter characters and a central dilemma that fails to land as its explanation lacks the required clarity
Review: WALKING WITH GHOSTS, Apollo Theatre
Catch a master at work in London before the show heads to Broadway
Review: THE BEAR and AND I DECIDED..., Grimeborn Festival, Arcola Theatre
Opera at Home's double bill offers the traditional and the avant-garde
Review: GEORGE MICHAEL A LIFE by James Gavin
James Gavin finds the man, but doesn't quite find his place in this detailed biography
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