Review: THE CRITIC, The Calder Bookshop and Theatre
John Hill's play touches on a range of interesting themes, but its narrative meanders and its tension falls away
Gary Naylor - Page 16
Review: THE LAST LAUGH, Tabard Theatre
Brimming with ideas, Richard Harris's play never forgets that its first obligation is to entertain
Review: RICHARD THE SECOND, Omnibus Theatre
One of Shakespeare's most political plays is on the nose for our times, but this production doesn't quite have the courage of its aesthetic convictions
Review: IKARIA, Old Red Lion Theatre
Devastating production showcases outstanding writing, directing and acting to create a production that will live long in the memory
Review: DAYS OF QUARANTINE, White Bear Theatre
Relationships are forged and fractured in the emotional fires of lockdown
Review: HAPPINESS, Cervantes Theatre
A play from an award-winning Spanish playwright that captures our life and times in the UK with a domestic dilemma that raises big questions for the next generation
Review: BEHIND CLOSED WALLS, Jack Studio Theatre
David J Blair's new play has punch and relevance but may need expanding to fulfil its potential
Review: THE FAMOUS FIVE: A NEW MUSICAL, Chichester Festival Theatre
A show full of good songs, fine singing and engaging characters doesn't quite live up to the sum of its parts
Review: A SUDDEN VIOLENT BURST OF RAIN, Gate Theatre
Heartfelt condemnation of treatment of undocumented immigrants let down by structural issues and predictable plotting
Review: MARVELLOUS, @sohoplace
A new West End theatre launches with a show that is heartwarming but unnecessarily irritating in its structure and style
Review: MY NEIGHBOUR TOTORO, Barbican Theatre
Triumphant re-imagining of the film that, incredibly, manages to add edge and poignancy to its extraordinary source material
Review: THE PLAY WITH SPEECHES, Jack Studio Theatre
Tremendous fun from a comedy that is set in the world of theatre but will find echoes in most workplaces
Review: KINKY BOOTS, Queen's Theatre, Hornchurch
If the show lacks a little in power having been pared back, many more people will have a chance to enjoy a super show
Review: RE:IMAGINING MUSICALS EXHIBITION, Victoria and Albert Museum
Landmark show that has something for everyone
Review: O, ISLAND!, The Other Place, Royal Shakespeare Theatre
Nina Segal's new play is hamstrung by an old set up.
Review: IVY TILLER: VICAR'S DAUGHTER, SQUIRREL KILLER, The Other Place, Royal Shakespeare Theatre
Ivy Tiller is a good kid, but life has dealt her a rough hand and, when it gets rougher still, what will she do?
Review: GODS OF THE GAME, Grange Park Opera
Football opera land perfectly between the Women's Euros and the Men's World Cup finding plenty of common ground to delight fans of both art forms
Review: THE BOY WITH TWO HEARTS, National Theatre
Laudable sentiment but something of a missed dramatic opportunity in this play about an Afghan family's journey from Herat to Cardiff and the love they found there
Review: DMITRY, Marylebone Theatre
Dmitry, a new play, is described as 'After Schiller', but, in its dissection of the ruthless manipulation of a young man aiming for the Tsardom of Russia, one finds parallels more recent blockbusters.
Review: THE MILK TRAIN DOESN'T STOP HERE ANYMORE, Charing Cross Theatre
1960s Williams' play that cannot capture the magic of his work in the previous two decades
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