Review: CAMBODIAN ROCK BAND at East West Players
Chay Yew’s production for East West Players - improbably the play’s L.
Evan Henerson - Page 4
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Review: HARRY POTTER AND THE CURSED CHILD at Hollywood Pantages
This CURSED CHILD is a banquet of magical delights that also happens to be a crackling good story, which should delight series neophytes and Potter-lovers alike.
Review: TWELFTH NIGHT at Antaeus Theatre
What did our critic think of TWELFTH NIGHT at Antaeus Theatre?
Review: OLD FRIENDS at Ahmanson Theatre
To watch these singers perform these numbers is to dream about entire revivals of Sondheim shows built around some of these actors, maybe even productions that have their genesis at the Ahmanson.
Review: FAKE IT UNTIL YOU MAKE IT at Mark Taper Forum
With its gung-ho company of actors, clever construction, wicked cool set and general overall braininess, FAKE IT sails blithely along for 90 minutes, liberally trafficking in chuckles and cringes.
Review: THE SEAGULL at Odyssey Theatre Ensemble
For his production of THE SEAGULL at the Odyssey Theatre, Katzman deploys a mostly solid cast (two of whom are also producers), a talented technical team and a vision.
Review: FARM HALL at Pico Playhouse
The production’s thrifty staging directed by Judith Hendra for Topanga Actors Company feels stagnant instead of urgent, indifferent where it could have been thought-provoking.
Review: THE CIVIL TWILIGHT at Broadwater Studio Theatre
This deceptively dark world premiere, co-produced by People with Plays Productions and the Road Theatre Company at the Broadwater Studio Theatre, is not one for those looking to 2025 with visions of sunny skies ahead.
Review: TROUBIES’ HOME ALONE-LY HEARTS CLUB BAND at Colony Theater
The mixture this time around is entertaining if not the company’s A-game.
Review: WAITING FOR GODOT at Geffen Playhouse
As embodied by Rainn Wilson and Aasif Mandvi in the revival of GODOT at the Geffen Playhouse, Vladimir and Estragon are a formidable pair.
Review: BACK TO THE FUTURE: THE MUSICAL at Hollywood Pantages
Is there some sort of formula for roping in both fans of a hit movie and stage hounds, to catch lightning in a new medium? Judging by what the musical's book writer Bob Gale, director John Rando and the musical team must have been thinking, the answer is you slavishly remake the movie on stage.
Review: THE PIANO LESSON at A Noise Within
Barely six months since braving Wilson's KING HEDLEY II, the company and director Gregg T.
Review: AMERICAN IDIOT at Mark Taper Forum
With a packed Taper house, a stage full of hot young singer/dancers performing, signing and middle fingering their hopes and disillusionments into an iconic rock score; yeah life doesn’t suck too much.
Review: BAT BOY: THE MUSICAL at Morgan-Wixon Theater
From the second we enter the Morgan-Wixon, ushered in by black cowl-clad members of the Cult of Bat Boy; from the moment we see that pointy-eared effigy strung up to the rafters, we’re primed for two plus hours of four alarm horror camp.
Review: A GOOD GUY at Rogue Machine At The Matrix Theatre
Read BroadwayWorld's review of A Good Guy at Rogue Machine at The Matrix Theatre.
Review: CYRANO DE BERGERAC at Pasadena Playhouse
Martin Crimp’s free adaptation – first staged in 2019 with James McAvoy in the title role - is as urgent and beguiling as it is contemporary, a classic with a fiery heart and not an inch of dustiness or quaintness.
Review: THE HISPANIC/LATINO/LATINA/LATINX/LATINE VOTE at Will Geer Theatricum Botanicum
The work’s premiere at the Will Geer Theatricum Botanicum feels like a couple of different narratives – along with a screed or two – stuffed into a single evening.
BWW Reviews: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
As Denzel Washington, Kenny Leon and Co.
BWW Reviews: WATER BY THE SPOONFUL at Oregon Shakespeare Festival
It may take a few minutes for a viewer to get his bearings within the world of WATER BY THE SPOONFUL.
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