Review: THE PIANO LESSON at A Noise Within
Barely six months since braving Wilson's KING HEDLEY II, the company and director Gregg T.
Evan Henerson - Page 4
Review: AMERICAN IDIOT at Mark Taper Forum
With a packed Taper house, a stage full of hot young singer/dancers performing, signing and middle fingering their hopes and disillusionments into an iconic rock score; yeah life doesn’t suck too much.
Review: BAT BOY: THE MUSICAL at Morgan-Wixon Theater
From the second we enter the Morgan-Wixon, ushered in by black cowl-clad members of the Cult of Bat Boy; from the moment we see that pointy-eared effigy strung up to the rafters, we’re primed for two plus hours of four alarm horror camp.
Review: A GOOD GUY at Rogue Machine At The Matrix Theatre
Read BroadwayWorld's review of A Good Guy at Rogue Machine at The Matrix Theatre.
Review: CYRANO DE BERGERAC at Pasadena Playhouse
Martin Crimp’s free adaptation – first staged in 2019 with James McAvoy in the title role - is as urgent and beguiling as it is contemporary, a classic with a fiery heart and not an inch of dustiness or quaintness.
Review: THE HISPANIC/LATINO/LATINA/LATINX/LATINE VOTE at Will Geer Theatricum Botanicum
The work’s premiere at the Will Geer Theatricum Botanicum feels like a couple of different narratives – along with a screed or two – stuffed into a single evening.
Review: THE BROTHERS SIZE at Geffen Playhouse
THE BROTHERS SIZE, a heart-rending, music-suffused three-hander exploring the strength and limits of fraternal bonds, is being staged in the Geffen’s smaller Audrey Skirball Kenis Theatre, where it fits beautifully.
Review: IF I NEEDED SOMEONE at City Garage
The world premiere of the LaBute-ian tango, IF I NEEDED SOMEONE, is being staged at Santa Monica’s City Garage where director Frédérique Michel and actors Devin Davis-Lorton and Adam Langsam serve it up with (sorry, Jules) considerable sweetness.
Review: AS YOU LIKE IT at Independent Shakespeare Company In Griffith Park
Director David Melville's Forest of Arden has plenty of space for the melancholy, the displaced and the lovelorn alike, even for a frisky French goatherd who warbles merrily as she bags goat poop.
Review: HENRY 6 at Old Globe Theatre
In Barry Edelstein, we’ve got an adaptor/director who is guiding these proceedings with a rock and roll brio.
Review: THE SUBSTANCE OF FIRE at Ruskin Group
Rob Morrow has found a dramatic vehicle that – more than 25 years after its premiere - is deepening and maturing as intriguingly as the actor himself.
Review: JELLY'S LAST JAM at Pasadena Playhouse
Director Kent Gash’s production in Pasadena serves up equal parts heat and cool, a slick and sweaty celebration of a man who was as vibrant and dangerous as his music.
Review: DURAN DURANTHONY AND CLEOPATRA at Troubadour Theater At The COlony
The Bard is back and DURAN DURANTHONY & CLEOPATRA is up to snuff, zanily on point both in its concept and execution.
Review: TOPSY TURVY at The Actors Gang
The latest play by The Actors’ Gang, written and directed by founder/Artistic Director Tim Robbins, is a melancholy reckoning over the early days of the covid pandemic.
Review: GHOST WALTZ at Latino Theatre Company At LATC
A moody dramatic dive into the life of a violinist whose celebrated waltz got him mistaken for Strauss.
Review: MONSTERS OF THE AMERICAN CINEMA at Rogue Machine At The Matrix Theatre
MONSTERS OF THE AMERICAN CINEMA, a whip smart and heartfelt play by Christian St.
Review: KING HEDLEY II at A Noise Within
KING HEDLEY II is the eighth and quite possibly bleakest play of August Wilson’s Century Cycle.
Review: FAT HAM at Geffen Playhouse
Huzzah James Ijames’ FAT HAM.
Review: ONE OF THE GOOD ONES at Pasadena Playhouse
A second cousin once removed to William Rose’s GUESS WHO’S COMING TO DINNER, ONE OF THE GOOD ONES finds the highly assimilated, upper middle class Gomez family losing their collective sanity when their daughter, Yoli, brings home Marcos, a man who, to her parents’ minds at least, qualifies as
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