Review: THE PENELOPIAD at City Garage
Where the much-acclaimed TV adaptation of Atwood’s THE HANDMAID’S TALE coincides with the heat of the #MeToo movement, not every Atwood adaptation is created equal.
Evan Henerson - Page 8
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Review: TO KILL A MOCKINGBIRD at Pantages Theatre
Nearly from the second he takes the stage in Aaron Sorkin’s stage adaptation of TO KILL A MOCKINGBIRD, Richard Thomas establishes himself as being comfortably at home both in the clothing and in the moral garb of Atticus Finch.
Review: EXPERIENCING LIFE (POSSIBLY) FROM BEHIND THE WHEEL IN DRIVER'S SEAT at Theatre 68 Arts Complex
The West Coast premiere of DRIVER'S SEAT at NoHo’s Theatre 68 Arts Complex gives us an actor/playwright very much on top of her game.
Review: THE INHERITANCE PARTS 1 & 2 at Geffen Playhouse
THE INHERITANCE is designed to make an audience feel quite a few different kinds of emotions: sadness certainly over lives lost and squandered; seething bitterness over a country adrift; humor over the many creative ways in which smart people cope and endure; and perhaps even a strong inclination to
Review: A GREAT WILDERNESS at the Matrix
Rogue Machine Theatre has produced several of the Samuel D.
Review: SANCTUARY CITY at Pasadena Playhouse
As directed by Zi Alikhan with a pitch-perfect technical team and acted to the nines by Ana Nicolle Chavez, Miles Fowler and Kanoa Goo, SANCTUARY CITY is the kind of intelligent evening that may get you talking before the final blackout.
Review: JAGGED LITTLE PILL at Pantages Theatre Is Outstanding
As these projects go, the Alanis Morissette-scored JAGGED LITTLE PILL may not have entirely broken the mold of jukebox musicals, but it has sure put a dagger-sized gash in it and made it bleed.
Review: Worlds and Tragedy Collide In Bilingual OEDIPUS TYRANNUS at Getty Villa
Koons' moody production at the Fleishman is trying to tap into a noirish whodunnit vibe in which the story’s professed detective is the one person in the building (or in this case, the amphitheatre) who doesn’t realize that he is himself is also the murderer.
Review: 13: THE MUSICAL at Simi Valley Cultural Arts Center
In the staging of 13 at the Simi Valley Cultural Arts Center, the kids are more-than-allright; occasionally a little rough around the edges, but so is this musical.
Review: HERE THERE ARE BLUEBERRIES at La Jolla Playhouse
Viewers who remember and were affected by THE LARAMIE PROJECT will see parallels in HERE THERE ARE BLUEBERRIES, a beautiful and no-less-significant new play written by Kaufman and Amanda Gronich, co-produced by the Tectonic Theater Project and directed by Kaufman at the La Jolla Playhouse.
Review: THE REMARKABLE MISTER HOLMES at North Coast Repertory Theatre
THE REMARKABLE MISTER HOLMES isn’t meant for the purists.
Review: AMPED UP POETRY IN MOTION - FREESTYLE LOVE REIGNS SUPREME at Pasadena Playhouse
The work is smart, kinetic, occasionally a bit raunchy and a blast.
Review: GROCERS GONE WILD IN KNIGHT OF THE BURNING PESTLE at Independent Shakespeare Company In Griffith Park
ISC’s unique brand of Shakespeare in the park has long been a summertime favorite for Angelenos of all ages.
Review: DEAR EVAN HANSEN Is Still Waving, Searching and Yanking on Heartstrings
With its award-winning book by Steven Levenson and score by Benj Pasek and Justin Paul, the touring version of DEAR EVAN HANSEN offers the same gut punches along with assurances that life for the Hansens, the Murphys and the millions of nameless, faceless lonely souls out there on the internet may y
Review: A WICKED SOUL makes for a killer evening
Director Mike Donahue’s production on the Geffen’s Cates stage is so intelligent, well-crafted and downright fun that A WICKED SOUL IN CHERRY HILL seems destined to have a future beyond Westwood.
Review: Boys will be Monsters in THE BEAUTIFUL PEOPLE
The work of director Guillermo Cienfuegos, Alex Neher and Justin Preston is brave, honest and frequently stomach-churning, the kind of character study that should frighten the hell out of anybody (particularly parents).
BWW Review: KING OF THE YEES at Sierra Madre Playhouse
As directed by Tim Dang for the Sierra Madre Playhouse, KING OF THE YEES is a comedy and a quest, a Caroll-ian plunge through Chinatown led by a sure-handed guide who is seeking some penetrating answers.
BWW Review: KING LEAR at Wallis Annenberg Center For The Arts
Despite some instances of inventive staging and plenty of technical blares and flashes, John Gould Rubin’s production is as wrongheaded as it is irritating to sit through.
BWW Reviews: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
As Denzel Washington, Kenny Leon and Co.
BWW Reviews: WATER BY THE SPOONFUL at Oregon Shakespeare Festival
It may take a few minutes for a viewer to get his bearings within the world of WATER BY THE SPOONFUL.
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