Review: THE MOTHERFU**ER WITH THE HAT at Odyssey Theatre Ensemble
The revival of Guirgis’s 2010 play, directed by Jolie Oliver, is equal parts humor, romance and tequila-soaked despair.
Evan Henerson - Page 3
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Review: THE MARRIAGE ZONE at SkyPilot Theatre at 905 Cole
Jeff Gould’s THE MARRIAGE ZONE, a romantic dramady laced with dose of retro sci-fi, is not particularly deep or penetrating, but that doesn’t make this second LA staging at 905 Cole any less fun.
Review: YANKEE DAWG YOU DIE at East West Players
A tale of community and the frailty of Tinseltown dreams, YANKEE DAWG is given a full-throated production by actors Daniel J.
Review: LOVE'S LABOUR'S LOST at Independent Shakespeare Company In Griffith Park
David Melville’s performance is a delicious mix-up of romance, hijinks and buffoonery, often overlapping.
Review: THE JANEIAD at Old Globe Theatre
In the 100-minute, decades-spanning duration we spend with this woman who feels so very recognizable, Ziegler, director Maggie Burrows and actors Nadine Malouf, Ryan Vasquez and Michaela Watkins leave us affected, contemplative and more than a little bit heartbroken.
Review: ALL'S WELL THAT ENDS WELL at Old Globe Theatre
For his production of ALL’S WELL, director Peter Francis James has much to work with including plenty of solid actors and an equally strong technical team, but the production’s frothy overlay often feels off key
Review: NETWORK at Group Rep
The knives are lethal and the cuts are man.
Review: HAMLET at Mark Taper Forum
This production is erotic, evocative, lean as a bone and, at a certain point, leaves HAMLET behind entirely.
Review: FLASHES OF LIGHT at Sierra Madre Playhouse
A dopey story combined with campy acting, an uninteresting score and a general air of corniness halt this sloppy mashup of history and mythology in its tracks.
Review: A MAN OF NO IMPORTANCE at A Noise Within
Featuring a cast who seamlessly transport us to a working-class Dublin community in 1964 – with music to match – ANW’s production spotlights not just its leading player, but pens a love letter to the lure of the stage
Review: JUST LIKE US at Los Angeles Theatre Center
Tenderly staged by director Fidel Gomez, the docudrama boils our stomach juices more over the circumstances of our country than over what we witness being played out among the central characters.
Review: FURLOUGH'S PARADISE at Geffen Playhouse
The clock is ticking, in the moment and in a greater sense, and a.
Review: THE LOST CELLPHONE WEEKEND at Brickhouse Theater
LOST CELLPHONE WEEKEND takes a clever premise – the reimagining of Billy Wilder’s 1945 film THE LOST WEEKEND, replacing it with cellphone/internet addiction and setting it to music – and has a lot of fun with the endeavor
Review: CAMBODIAN ROCK BAND at East West Players
Chay Yew’s production for East West Players - improbably the play’s L.
Review: HARRY POTTER AND THE CURSED CHILD at Hollywood Pantages
This CURSED CHILD is a banquet of magical delights that also happens to be a crackling good story, which should delight series neophytes and Potter-lovers alike.
Review: TWELFTH NIGHT at Antaeus Theatre
What did our critic think of TWELFTH NIGHT at Antaeus Theatre?
Review: OLD FRIENDS at Ahmanson Theatre
To watch these singers perform these numbers is to dream about entire revivals of Sondheim shows built around some of these actors, maybe even productions that have their genesis at the Ahmanson.
Review: FAKE IT UNTIL YOU MAKE IT at Mark Taper Forum
With its gung-ho company of actors, clever construction, wicked cool set and general overall braininess, FAKE IT sails blithely along for 90 minutes, liberally trafficking in chuckles and cringes.
BWW Reviews: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
As Denzel Washington, Kenny Leon and Co.
BWW Reviews: WATER BY THE SPOONFUL at Oregon Shakespeare Festival
It may take a few minutes for a viewer to get his bearings within the world of WATER BY THE SPOONFUL.
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