Review: GUAC at Kirk Douglas Theatre
Co-written by Oliver and James Clements and directed by Michael Cotey, GUAC embraces its rough-around-the-edges persona without laboring to break new ground.
Evan Henerson - Page 3
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Review: ANTHROPOLOGY at Rogue Machine At The Matrix Theatre
No form of artificial intelligence will be able to recreate the experience of sitting through Lauren Gunderson’s ANTHROPOLOGY, and specifically what Rogue Machine Theatre’s John Perrin Flynn has accomplished with it for the play’s North American premiere at the Matrix Theatre.
Review: JAJA'S AFRICAN HAIR BRAIDING at Mark Taper Forum
JAJA’S AFRICAN HAIR BRAIDING, completing a mini tour of regional theaters at the Mark Taper Forum following an acclaimed New York run in the fall of 2023, is a tender and humorous snapshot of a community and also a plea for community.
Review: HUZZAH! at Old Globe Theatre
If life were a Renaissance Faire, things would be…well, different, certainly.
Review: EUREKA DAY at Pasadena Playhouse
That lovely melodious “ka-boom!” you may be hearing down the 210 freeway emanates from the collision of strong wills, good intentions and a progressive ideology of five very conflicted characters.
Review: ONE MAN, TWO GUVNORS at A Noise Within
Staged with take-no-prisoners verve by Julia Rodriguez-Elliott and Geoff Elliott, Richard Bean’s romp of a play is a joyride through a 60s England in which would-be actors ham it up gleefully, blondes are dizzy, would-be lovers are temporarily thwarted, and positively everybody is ready to cut loo
Review: & JULIET at Ahmanson Theatre
& JULIET proves rather emphatically that nobody really needs an original idea or song when you can just as easily get folks rocking out to Britney Spears or Katy Perry.
Review: THE MOTHERFU**ER WITH THE HAT at Odyssey Theatre Ensemble
The revival of Guirgis’s 2010 play, directed by Jolie Oliver, is equal parts humor, romance and tequila-soaked despair.
Review: THE MARRIAGE ZONE at SkyPilot Theatre at 905 Cole
Jeff Gould’s THE MARRIAGE ZONE, a romantic dramady laced with dose of retro sci-fi, is not particularly deep or penetrating, but that doesn’t make this second LA staging at 905 Cole any less fun.
Review: YANKEE DAWG YOU DIE at East West Players
A tale of community and the frailty of Tinseltown dreams, YANKEE DAWG is given a full-throated production by actors Daniel J.
Review: LOVE'S LABOUR'S LOST at Independent Shakespeare Company In Griffith Park
David Melville’s performance is a delicious mix-up of romance, hijinks and buffoonery, often overlapping.
Review: THE JANEIAD at Old Globe Theatre
In the 100-minute, decades-spanning duration we spend with this woman who feels so very recognizable, Ziegler, director Maggie Burrows and actors Nadine Malouf, Ryan Vasquez and Michaela Watkins leave us affected, contemplative and more than a little bit heartbroken.
Review: ALL'S WELL THAT ENDS WELL at Old Globe Theatre
For his production of ALL’S WELL, director Peter Francis James has much to work with including plenty of solid actors and an equally strong technical team, but the production’s frothy overlay often feels off key
Review: NETWORK at Group Rep
The knives are lethal and the cuts are man.
Review: HAMLET at Mark Taper Forum
This production is erotic, evocative, lean as a bone and, at a certain point, leaves HAMLET behind entirely.
Review: FLASHES OF LIGHT at Sierra Madre Playhouse
A dopey story combined with campy acting, an uninteresting score and a general air of corniness halt this sloppy mashup of history and mythology in its tracks.
Review: A MAN OF NO IMPORTANCE at A Noise Within
Featuring a cast who seamlessly transport us to a working-class Dublin community in 1964 – with music to match – ANW’s production spotlights not just its leading player, but pens a love letter to the lure of the stage
Review: JUST LIKE US at Los Angeles Theatre Center
Tenderly staged by director Fidel Gomez, the docudrama boils our stomach juices more over the circumstances of our country than over what we witness being played out among the central characters.
Review: FURLOUGH'S PARADISE at Geffen Playhouse
The clock is ticking, in the moment and in a greater sense, and a.
BWW Reviews: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
As Denzel Washington, Kenny Leon and Co.
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