Review: RADICAL OR, ARE YOU GONNA MISS ME? at IAMA At Atwater Village Theatre
hot through with equal parts rancor and compassion, Jess McLeod’s production of this, IAMA’s first commissioned play, is effective despite some narrative speedbumps.
Evan Henerson - Page 6
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Review: INHERIT THE WIND at Pasadena Playhouse
Director Michael Michetti has put thought and heart into his production and peopled it with a strong cast whose characters opt for playing the strength of their convictions over histrionics.
Review: ROMEO AND JULIE: LOVE IS A FIRE at Santa Monica Playhouse
Neno Pervan’s production takes no risks and provides not a shred of insight - within the text or outside it - why this tale unfolds as it does.
Review: A MIDSUMMER NIGHT'S DREAM at A Noise Within
Visually and acoustically, from performances to pacing, this DREAM directed by Julia Rodriguez-Elliott and Geoff Elliott is so beautifully thought out and rendered that the Noise Within brain-trust should consider filming it for posterity.
Review: BISEXUAL SADNESS at Road Theatre
By its very title, BISEXUAL SADNESS plays and feels like it should be the topic of a seminar or an article in a clinical journal, maybe even the theme of a discussion group.
Review: TACOS LA BROOKLYN at Latino Theatre Company At LATC
A co-production with East West Players, Ulloa’s play makes the case for deeper investigation and against the kind of snap judgments that its hero, Chino, endures and fuels.
Review: THE UNTITLED UNAUTHORIZED HUNTER S. THOMPSON MUSICAL at La Jolla Playhouse
As the singing, dancing, attention-whoring engine of THE UNTITLED UNAUTHORIZED HUNTER S.
Review: THE ANGEL NEXT DOOR at North Coast Repertory
Two of Smith’s previous plays have been mounted at the Solana Beach company, and the company commissioned Smith to create a new work to kick off NCR’s 42nd season.
Review: THE SOUND INSIDE at Pasadena Playhouse
when you’ve got a guy like Adam Rapp writing a cerebral two-handed dance between a Yale creative writing professor and her enigmatic new student, and you pepper it with scribes ranging from Dostoevsky to Anne Tyler, and you give the whole shebang to the Pasadena Playhouse and cast Amy Brenneman
Review: KILL SHELTER At Theatre of NOTE
A mother-daughter tale that traffics in regrets, dreams deferred, selfishness and the value of all lives human and animal, KILL SHELTER barely elevates the contrivances of its plotting.
Review: STEW at Pasadena Playhouse
STEW – a Pulitzer Prize finalist - is a lot more complicated than it presents.
Review: JULIUS CAESAR at Independent Shakespeare Company in Griffith Park
Atmosphere, this CAESAR has aplenty.
Review: THE TEMPEST at Antaeus Theatre
From the opening storm to the closing musical number, the Kiki & David Gindler Performing Arts Center is awash in buzzes, cries, whooshes, rattles and clangs.
Review: INTO THE WOODS at Ahmanson Theatre
the latest Broadway revival of INTO THE WOODS that wraps up its national tour at the Ahmanson Theatre, is fantastic.
Review: FETCH CLAY, MAKE MAN at Kirk Douglas Theatre
In FETCH CLAY, MAKE MAN, Will Power investigates the friendship as a fascinating dual study in individual character and cultural identity.
Review: THE MOUNTAINTOP at Geffen Playhouse
As the depiction of a chance encounter between two very different people, THE MOUNTAINTOP has some interesting observations to make.
Review: LOVE ALL at La Jolla Playhouse
As creatively at home as Anna Deavere Smith has been delving into multiple perspectives on the Crown Heights riots of 1991 and the fallout from the Rodney King verdicts of 1992, a traditionally-structured play – even one about a figure as arresting as Billie Jean King - may not be in her artistic
BWW Reviews: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW
As Denzel Washington, Kenny Leon and Co.
BWW Reviews: WATER BY THE SPOONFUL at Oregon Shakespeare Festival
It may take a few minutes for a viewer to get his bearings within the world of WATER BY THE SPOONFUL.
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