Damien Simon's The Collaboration is an elegant and entertaining book, introducing those in the know--and those who may not know very much--to the sometime quicksand process known as collaboration.
I think I've seen Jewels at least 200 times in my life.
Having watched the Mark Morris over the past 20 years, I can say with all honesty that he has all the virtues that distinguish a fine choreographer: musicality, vitality, charm, humor.
After watching the beautiful Lydia Johnson Dance program last night, June 7, 2019, I had this whim: what if Lydia Johnson was currently meeting with Louis Horst, one of the 20th century's internationally renowned choreography pedagogues.
New York City Ballet opened its spring season with a week of 21st-century ballets-no Balanchine, or Robbins, just anything that was created after 2000.
KYLE ABRAHAM is a 2017-18 Joyce Creative Residency Artist, 2016 Doris Duke Recipient, 2015 City Center Choreographer in Residence, a 2013 MacArthur Fellow, and a New York Live Arts Resident Commissioned Artist for 2012-2014.
How sad it was that the same night that I attended the opening of the Juilliard School's Spring Dances 2019, Lawrence Rhodes, the previous director of Juilliard's Dance Division, former head of NYU's Tisch School of Dance, and a damned good dancer himself, passed away.
When the Rodgers and Hart musical, 'I Married An Angel,' opened in May of 1938, choreography by way of Mr.
It's become second-nature for many in the dance world to refer to Jerome Robbins as a second rate choreographer these days.
The wait is finally over!!! An artistic director for New York City Ballet has been named.
I always enjoy mingling with the crowd during ballet intermissions to hear their views and to see if mine corresponds with theirs.
