Barnett Serchuk - Page 3
BWW Dance Review: The Pennsylvania Ballet Presents George Balanchine's JEWELS at the Philadelphia Academy of Music
Balanchine famously said in reference to 'Jewels,' his full-length 1967 jewel-themed ballet: 'I have always liked jewels.
BWW Dance Interview: Roberto Campanella
Born and raised in Rome, Roberto Campanella trained at the Scuola Italiana di Danza Contemporanea.
BWW Dance Review: Paul Taylor's American Modern Dance spotlights New York City Ballet's Sara Mearns
As part of the Paul Taylor American Modern Dance annual residency at Lincoln Center Koch Theater, Taylor has introduced 'Dances of Isadora,' staged by Lori Belilove, founder and Artistic Director of the Isadora Duncan Dance Foundation and Company, and danced by Sara Mearns, the estimable New York Ci
BWW Dance Review: Anna Sokolow
All the other works on the program were by Anna Sokolow in different periods of her choreographic and teaching careers.
BWW Dance Review: The New York City Ballet, February 25, 2018
The New York City Ballet, or the House of George Balanchine as some refer to it, is presenting a number of Balanchineless performances.
BWW Dance Review: Hervé Koubi's WHAT THE DAY OWES TO THE NIGHT, Joyce Theater, February 3, 2018
Before the curtain rose on 'What the Day Owes to the Night,' its choreographer, Hervé Koubi, appeared and made a short speech of introduction to himself and the dance.
BWW Dance Review: The Juilliard School Presents NEW DANCES: EDITION 2017, December 10, 2017
Juilliard Dance Division need not worry about future applicants.
BWW Dance Interview: Stefanie Nelson - Artistic Director
Stefanie Nelson is the Artistic Director of Stefanie Nelson Dancegroup, a New York City-based contemporary performance ensemble.
BWW Review: Hofesh Shechter's GRAND FINALE at BAM
Hofesh Shechter must be one angry choreographer, judging by his 'Grand Finale,' which I saw on November 10, 2017 at BAM.
BWW Review: Dresden Semperoper Ballett, November 3, 2017
Having been to Dresden and only seeing the opera, I was very curious as to what the ballet company had to offer.
BWW Review: STABAT MATER at the NYC White Lights Festival 2017
With this in mind, I approached Jessica Lang's production with trepidation, a lot of it I might add: Was this going to be overbearing, over the top precious, continually weepy or just plain meaningless?
BWW Review: Troy Schumacher's TRANSLATION at Skirball Hall, October 27, 2017
If I were to use one word to describe Troy Schumacher's BalletCollective, it would be 'intriguing.
BWW Review: Pennsylvania Ballet's SLEEPING BEAUTY
Occasionally, we go to 'Sleeping Beauty' muttering under our breath, 'I've already seen it 10,00 times.
