Andrew White

Andrew White Choricius is the nom-du-web of a theater artist who has been involved in the Washington, D.C. scene in various capacities -- as actor, playwright, director, dramaturg -- for a number of years. Credits include Source, Woolly Mammoth and Le Neon Theatre. As a cultural historian and veteran of the Fulbright Program, he has devoted years of research to the performing arts of the Later Roman Empire (aka-Byzantium). In this bookish role he has translated, performed and published a variety of works from Medieval Greek. He holds a Ph.D. in Theater History, Theory and Criticism, and will soon be publishing his first full-length study on theater and ritual in Byzantium through a major university press in the UK. A Professor of Humanities, he currently teaches World Literature and World History in the greater Washington, D.C. area.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review:  Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!BWW Review: Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!
Posted: Nov. 4, 2018


LAST 365 DAYS

BWW Review:  Flying V Theatre's Revue of songs by JONATHAN COULTON a Sheer DelightBWW Review: Flying V Theatre's Revue of songs by JONATHAN COULTON a Sheer Delight
Posted: Feb. 6, 2018


BWW Review:  Forum Theatre's NAT TURNER IN JERUSALEM an Unforgettable, Luminous ProductionBWW Review: Forum Theatre's NAT TURNER IN JERUSALEM an Unforgettable, Luminous Production
Posted: Mar. 21, 2018


BWW Review:  National Theatre of Norway's PRIVATE CONFESSIONS a Searing, Unforgettable Celebration of Ingmar Bergman's GeniusBWW Review: National Theatre of Norway's PRIVATE CONFESSIONS a Searing, Unforgettable Celebration of Ingmar Bergman's Genius
Posted: Dec. 8, 2017


BWW Review:  Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' ClassicBWW Review: Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' Classic
Posted: Dec. 18, 2017


BWW Review:  Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!BWW Review: Flying V's SHEILA AND MOBY Refuses to Grow Up--And it's Good News!
Posted: Nov. 4, 2018


BWW Review:  Havana's Teatro El Publico Takes a Fassbinder Homage, THE BITTER TEARS OF PETRA VON KANT, and FascinatesBWW Review: Havana's Teatro El Publico Takes a Fassbinder Homage, THE BITTER TEARS OF PETRA VON KANT, and Fascinates
Posted: May. 18, 2018


BWW Review:  Quotidian Theatre's A COFFIN IN EGYPT Gives Horton Foote's Texas a Memorably Hard LookBWW Review: Quotidian Theatre's A COFFIN IN EGYPT Gives Horton Foote's Texas a Memorably Hard Look
Posted: Nov. 21, 2017


BWW Reviews: WSC Avant Bard's KING JOHN a Rare Theatrical EventBWW Reviews: WSC Avant Bard's KING JOHN a Rare Theatrical Event
November 17, 2013

If your appetite for Shakespeare's history plays was whetted by PBS's recent series "The Hollow Crown," be of good cheer; King John is now receiving a solid production by the WSC Avant Bard. A rare gem, King John is a must for Shakespeare enthusiasts, not least because the play's complex plot renders it extremely difficult to stage. You will have the rare treat of seeing this unjustly neglected piece in fine form.

BWW Reviews: With 'Unplugged,' Flying V Scores Again With a Touching Homage to the Giants of Rock n' RollBWW Reviews: With 'Unplugged,' Flying V Scores Again With a Touching Homage to the Giants of Rock n' Roll
October 1, 2013

With 'Unplugged,' the youthful Flying V company helps us to commune with our long-lost idols, and offers us an often-amusing and touching version of their possible afterlives. Jason Schlafstein has assembled yet another multi-talented talented cast, who provide us with the music as well as the dramatic action. Consisting of two one-acts, 'All Apologies' by Hunter Styles, and 'Me and the Devil Blues' by Seamus Sullivan, the production will be a treat for anyone who loves the music-with the bonus that we get to hear selections from some of Rock's most memorable songs. In one amusing case, we get to hear a dead star cook up another tune or two.

BWW Reviews: POTTED POTTER a Stand-Up GemBWW Reviews: POTTED POTTER a Stand-Up Gem
September 9, 2013

What do you get when you mix an iconic book and film series featuring a magical boy-hero with two shamelessly goofy stand-up comedians, a well-heeled crowd and a host of antsy kids? You get roughly an hour and a half of mayhem featuring silly string, super-soakers, beach balls and cheap stuffed animals (some with removable heads-ouch). What on earth this has to do with J. K. Rowling's famous franchise is anyone's guess, but it's as good an excuse as any to get silly.

BWW Reviews: Olney's A CHORUS LINE is a True CelebrationBWW Reviews: Olney's A CHORUS LINE is a True Celebration
August 20, 2013

Director Stephen Nachamie has taken great care to give Olney audiences as authentic an experience of the original show as possible and packed the cast with genuine Broadway gypsies. The results are joyful, invigorating and touching, right down to the mis-steps and mistakes (carefully choreographed, mind you) that add the all-important element of spontaneity, the illusion that you're watching a crew of dancers desperate for work, willing to do anything to land the gig.

BWW Reviews: The Wild But Human Side of DC Revealed in Forum's THE T PARTYBWW Reviews: The Wild But Human Side of DC Revealed in Forum's THE T PARTY
July 29, 2013

Given the high stakes involved in discussing transgender issues Forum theatre could have staged a traditional play. The passivity of the experience, however, would have given audiences an out-we could have walked away discussing "those people" and "their problems," shrugged them off and gone back to our lives. But writer and director Natsu Onoda Power has chosen instead to implicate all of us, and by involving us in the action she has made "The T Party" all the more challenging and invigorating.

BWW Reviews: THE BEST OF CRAIGSLIST is an Instant ClassicBWW Reviews: THE BEST OF CRAIGSLIST is an Instant Classic
June 19, 2013

Flying V Theatre, which we last saw with their loose and loopy 'Pirate Laureate of Port Town,' has created an unforgettable evening of theatre that touches you in more ways than you imagined possible. The standing ovation I witnessed last weekend was well deserved, and I hope is just one of many for the run of this show.

BWW Reviews: History Comes Alive With Theater J's THE HAMPTON YEARSBWW Reviews: History Comes Alive With Theater J's THE HAMPTON YEARS
June 17, 2013

Under the taut and subtle direction of Shirley Serotsky and graced with a tremendously talented class, Theater J's The Hampton Years is nothing short of a triumph. Local playwright Jacqueline E. Lawton has given us a vital part of our history back-the humble but compelling beginnings of two towering figures in African-American art, John Biggers and Samella Lewis, who studied under Austrian refugee Viktor Lowenfeld at Virginia's Hampton Institute.

BWW Reviews: Constellation Theatre's GILGAMESH a Highlight of the Spring Theatre Scene in Washington, DCBWW Reviews: Constellation Theatre's GILGAMESH a Highlight of the Spring Theatre Scene in Washington, DC
May 6, 2013

Audiences, prepare to be enthralled; Constellation Theatre's poetic staging of the ancient Sumerian epic Gilgamesh is an absolute delight for the eyes and ears. With its original poetic dialogue, its brilliant costuming and choreography, not to mention an original world-music score performed live, you have a truly fascinating evening in store for you.

BWW Reviews: Happenstance's 'Vanitas' Their Production YetBWW Reviews: Happenstance's 'Vanitas' Their Production Yet
April 9, 2013

Mark Jaster and Sabrina Mandell have established Happenstance as one of the most inventive, genuinely spontaneous companies in town. Their sources of inspiration are diverse, likewise the shows that develop (literally) before our eyes. Based on the principle of physical improvisation, their brand of Devised Theater (quite distinct from that bane of critics, the "work in progress") can give you the delight of witnessing artists in the process of discovery, development and revision. The results are often confusing and challenge us to abandon our innate desire to make sense of things, inviting us simply to let the ensemble go about their wonderful work.

BWW Reviews: Keegan's Raucous A BEHANDING IN SPOKANE Comes Off With Only One HitchBWW Reviews: Keegan's Raucous A BEHANDING IN SPOKANE Comes Off With Only One Hitch
March 23, 2013

Opening as it does at the tail end of the Lenten season, Keegan Theatre seems to be offering 'Behanding' as a welcome antidote to the awe and reverence of the season (are you dreading the family Seder before it's even started? Sick to death of Easter eggs and plastic grass? Suffering from Pope Francis fatigue already? Have we got a show for you ). Although not without its moments of drag and indecision the production is still guaranteed to leave you rolling in the aisles at the utter shamelessness of it all.

BWW Reviews: Quotidan Theatre's WALK IN THE WOODS Shines, March 15-April 14, 2013BWW Reviews: Quotidan Theatre's WALK IN THE WOODS Shines, March 15-April 14, 2013
March 18, 2013

Lee Blessing's Cold-War drama 'A Walk in the Woods' is given a beautiful new staging by Bethesda's Quotidean Theatre, with a stand-out performance by Brit Herring as the American negotiator.

BWW Reviews: Hedda Lives! And She's More Dangerous Than Ever, in National Theatre of Norway's Modern ProductionBWW Reviews: Hedda Lives! And She's More Dangerous Than Ever, in National Theatre of Norway's Modern Production
March 5, 2013

The National Theatre of Norway's modern, pared-down 'Hedda Gabler' recently at the Kennedy Center, as part of the Nordic Cool festival, caught some local print critics off guard. There has been some grumbling about the lack of Victorian-era sociological context. This complaint assumes Hedda's problems belong to a bygone era, and have little to do with us--ridiculous. Moreover, audiences and artists alike don't deserve the cod-liver oil treatment. We don't expect jazz musicians to give us note-for-note renditions of Louis Armstrong's Hot Five recordings, no matter how great they were. So we should stop demanding that actors remain forever under the thumb of antiquated scripts whose dialect is so different from our own. We need to be able to breathe new life into the classics, experience Hedda as our contemporary, and this production does so brilliantly.

BWW Reviews: DANTE'S INFERNO - A Night in Hell Never Felt So GoodBWW Reviews: DANTE'S INFERNO - A Night in Hell Never Felt So Good
February 25, 2013

The year, roughly speaking, is 1300; the city, definitely Rome. An ambitious political exile from Florence, stripped of everything he ever owned or hoped to achieve, stews in the Eternal City disgusted with the civil wars and political infighting around him. All he has to his name is a solid classical education and a gift for writing poetry in the language of the streets--Italian. Finding himself with a lot of time on his hands, Dante Alighieri nurses his pain and his burning desire for revenge, and converts them into nothing less than a classic of World Literature.

Brilliant, Compelling War Drama at the Forum Theatre Now Through March 2!!Brilliant, Compelling War Drama at the Forum Theatre Now Through March 2!!
February 18, 2013

If I could grab you by the shoulders, Dear Reader, look you square in the eye and tell you See this playnow! I would. Forum Theatre's accomplished and deeply moving production of Bill Cain's 9 Circles, now at the Round House Theatre's Silver Spring stage, is that good. And that necessary.

BWW Reviews: Poetry Rules in Flying V's Hilarious PIRATE LAUREATE OF PORT TOWNBWW Reviews: Poetry Rules in Flying V's Hilarious PIRATE LAUREATE OF PORT TOWN
February 5, 2013

Do you have a restless kid who's looking for a little adventure? Do you still have that restless spirit yourself? Flying V's production of Zachary Fernebok's swash-buckling romantic comedy, "The Pirate Laureate of Port Town," could be just what you're looking for. Now showing in Bethesda, Maryland's Writer's Center, it's a great cure for the winter blahs!



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