Choricius is the nom-du-web of a theater artist who has been involved in the Washington, D.C. scene in various capacities -- as actor, playwright, director, dramaturg -- for a number of years. Credits include Source, Woolly Mammoth and Le Neon Theatre. As a cultural historian and veteran of the Fulbright Program, he has devoted years of research to the performing arts of the Later Roman Empire (aka-Byzantium). In this bookish role he has translated, performed and published a variety of works from Medieval Greek. He holds a Ph.D. in Theater History, Theory and Criticism, and will soon be publishing his first full-length study on theater and ritual in Byzantium through a major university press in the UK. A Professor of Humanities, he currently teaches World Literature and World History in the greater Washington, D.C. area.
With 'Unplugged,' the youthful Flying V company helps us to commune with our long-lost idols, and offers us an often-amusing and touching version of their possible afterlives. Jason Schlafstein has assembled yet another multi-talented talented cast, who provide us with the music as well as the dramatic action. Consisting of two one-acts, 'All Apologies' by Hunter Styles, and 'Me and the Devil Blues' by Seamus Sullivan, the production will be a treat for anyone who loves the music-with the bonus that we get to hear selections from some of Rock's most memorable songs. In one amusing case, we get to hear a dead star cook up another tune or two.BWW Reviews: POTTED POTTER a Stand-Up Gem September 9, 2013
What do you get when you mix an iconic book and film series featuring a magical boy-hero with two shamelessly goofy stand-up comedians, a well-heeled crowd and a host of antsy kids? You get roughly an hour and a half of mayhem featuring silly string, super-soakers, beach balls and cheap stuffed animals (some with removable heads-ouch). What on earth this has to do with J. K. Rowling's famous franchise is anyone's guess, but it's as good an excuse as any to get silly.BWW Reviews: Olney's A CHORUS LINE is a True Celebration August 20, 2013
Director Stephen Nachamie has taken great care to give Olney audiences as authentic an experience of the original show as possible and packed the cast with genuine Broadway gypsies. The results are joyful, invigorating and touching, right down to the mis-steps and mistakes (carefully choreographed, mind you) that add the all-important element of spontaneity, the illusion that you're watching a crew of dancers desperate for work, willing to do anything to land the gig.BWW Reviews: The Wild But Human Side of DC Revealed in Forum's THE T PARTY July 29, 2013
Given the high stakes involved in discussing transgender issues Forum theatre could have staged a traditional play. The passivity of the experience, however, would have given audiences an out-we could have walked away discussing "those people" and "their problems," shrugged them off and gone back to our lives. But writer and director Natsu Onoda Power has chosen instead to implicate all of us, and by involving us in the action she has made "The T Party" all the more challenging and invigorating.BWW Reviews: THE BEST OF CRAIGSLIST is an Instant Classic June 19, 2013
Flying V Theatre, which we last saw with their loose and loopy 'Pirate Laureate of Port Town,' has created an unforgettable evening of theatre that touches you in more ways than you imagined possible. The standing ovation I witnessed last weekend was well deserved, and I hope is just one of many for the run of this show.BWW Reviews: History Comes Alive With Theater J's THE HAMPTON YEARS June 17, 2013
Under the taut and subtle direction of Shirley Serotsky and graced with a tremendously talented class, Theater J's The Hampton Years is nothing short of a triumph. Local playwright Jacqueline E. Lawton has given us a vital part of our history back-the humble but compelling beginnings of two towering figures in African-American art, John Biggers and Samella Lewis, who studied under Austrian refugee Viktor Lowenfeld at Virginia's Hampton Institute.BWW Reviews: Constellation Theatre's GILGAMESH a Highlight of the Spring Theatre Scene in Washington, DC May 6, 2013
Audiences, prepare to be enthralled; Constellation Theatre's poetic staging of the ancient Sumerian epic Gilgamesh is an absolute delight for the eyes and ears. With its original poetic dialogue, its brilliant costuming and choreography, not to mention an original world-music score performed live, you have a truly fascinating evening in store for you.BWW Reviews: Happenstance's 'Vanitas' Their Production Yet April 9, 2013
Mark Jaster and Sabrina Mandell have established Happenstance as one of the most inventive, genuinely spontaneous companies in town. Their sources of inspiration are diverse, likewise the shows that develop (literally) before our eyes. Based on the principle of physical improvisation, their brand of Devised Theater (quite distinct from that bane of critics, the "work in progress") can give you the delight of witnessing artists in the process of discovery, development and revision. The results are often confusing and challenge us to abandon our innate desire to make sense of things, inviting us simply to let the ensemble go about their wonderful work.BWW Reviews: Keegan's Raucous A BEHANDING IN SPOKANE Comes Off With Only One Hitch March 23, 2013
Opening as it does at the tail end of the Lenten season, Keegan Theatre seems to be offering 'Behanding' as a welcome antidote to the awe and reverence of the season (are you dreading the family Seder before it's even started? Sick to death of Easter eggs and plastic grass? Suffering from Pope Francis fatigue already? Have we got a show for you ). Although not without its moments of drag and indecision the production is still guaranteed to leave you rolling in the aisles at the utter shamelessness of it all.BWW Reviews: Quotidan Theatre's WALK IN THE WOODS Shines, March 15-April 14, 2013 March 18, 2013
The National Theatre of Norway's modern, pared-down 'Hedda Gabler' recently at the Kennedy Center, as part of the Nordic Cool festival, caught some local print critics off guard. There has been some grumbling about the lack of Victorian-era sociological context. This complaint assumes Hedda's problems belong to a bygone era, and have little to do with us--ridiculous. Moreover, audiences and artists alike don't deserve the cod-liver oil treatment. We don't expect jazz musicians to give us note-for-note renditions of Louis Armstrong's Hot Five recordings, no matter how great they were. So we should stop demanding that actors remain forever under the thumb of antiquated scripts whose dialect is so different from our own. We need to be able to breathe new life into the classics, experience Hedda as our contemporary, and this production does so brilliantly.BWW Reviews: DANTE'S INFERNO - A Night in Hell Never Felt So Good February 25, 2013
The year, roughly speaking, is 1300; the city, definitely Rome. An ambitious political exile from Florence, stripped of everything he ever owned or hoped to achieve, stews in the Eternal City disgusted with the civil wars and political infighting around him. All he has to his name is a solid classical education and a gift for writing poetry in the language of the streets--Italian. Finding himself with a lot of time on his hands, Dante Alighieri nurses his pain and his burning desire for revenge, and converts them into nothing less than a classic of World Literature.Brilliant, Compelling War Drama at the Forum Theatre Now Through March 2!! February 18, 2013
Do you have a restless kid who's looking for a little adventure? Do you still have that restless spirit yourself? Flying V's production of Zachary Fernebok's swash-buckling romantic comedy, "The Pirate Laureate of Port Town," could be just what you're looking for. Now showing in Bethesda, Maryland's Writer's Center, it's a great cure for the winter blahs!