EDINBURGH 2018 - BWW Review, ANTIGONE NA H'EIREANN, Paradise in The Vault
The ancient Greek tragedy Antigone is a hugely versatile piece, lending itself well to adaptations to situations far beyond its original Theban setting.
Amy Hanson - Page 3
EDINBURGH 2018 - BWW Review, CARD NINJA, Gilded Balloon Teviot
All the way from New Zealand, Javier Jarquin has always wanted to be a ninja.
EDINBURGH 2018 - BWW Review: MINISTERS OF GRACE, TheSpace on the Mile
Here at the world's biggest arts festival, creatives and artists from all over the globe are tackling truly important questions, with surely none more crucial than what the result would be if Shakespeare had written seminal 80s classic Ghostbusters.
EDINBURGH 2018 - BWW Review: GARRY STARR PERFORMS EVERYTHING
Theatre, we are informed at the outset of the show, is a dying art.
EDINBURGH 2018 - BWW Review, PASSIONATE MACHINE, Zoo Charteris
We are all time travellers in our own way.
EDINBURGH 2018 - BWW Review: (NO) MONEY IN THE BANK, Sweet Novotel
Thom Bee is a wrestling fan who wants to share his passion for the art of the squared circle with Edinburgh audiences.
EDINBURGH 2018 - BWW Review: HEAVEN BURNS, Assembly Roxy
In 1662 Morayshire, Isobel Gowdie works for zealous and ruthless witch-pricker John Dixon, torturing suspected witches into confessing their crimes.
EDINBURGH 2018 - BWW Review: JOHN ROBERTSON: SWEATY, SEXY PARTY PARTY, Just the Tonic at The Tron
Sheer anarchy is about the only way to describe John Robertson's latest stand up effort.
EDINBURGH 2018 - BWW Review: WE'VE GOT EACH OTHER, Pleasance Dome
After jukebox musicals became the latest trend in theatre, it was nearly impossible to listen to any greatest hits compilation without dreaming up how it could be adapted into a West End smash hit.
EDINBURGH 2017 - BWW Review: WEREWOLVES, Summerhall
Who can you trust? Make the wrong choices and you will end up dead! While Werewolves is in the theatre section of the Fringe brochure, it is better described as an interactive role-playing experience, with the audience involved as participants throughout, striving to survive.
EDINBURGH 2017 - BWW Review: ASSASSINS, theSpace @ Venue45
Nearly 30 years old, Assassins manages to remain fiercely relevant in 2017.
EDINBURGH 2017 - BWW Review: #JOLLYBOAT: WHY DO NERDS SUDDENLY APPEAR?, Subway
Musical comedy duo of brothers Ed (the thoughtful, if slightly filthy-minded, guitarist) and Tommy (the shirtless rocker brandishing a balloon cutlass) make up Jollyboat, a vaguely pirate themed double-act who are a definite Fringe cult hit.
EDINBURGH 2017 - BWW Review: DARIUS DAVIES: ROAD TO WRESTLEMANIA, Laughing Horse @ The Free Sisters
Stemming from a childhood wish to emulate Hulk Hogan, comedian Darius Davies takes us on a journey into pursuing his dream of becoming a professional wrestler, and how it all went wrong.
EDINBURGH 2017 - BWW Review: PIXEL DUST, Assembly Roxy
A monologue on the themes of technology and identity, Pixel Dust features teenager Daniella, always online in some fashion, vlogging her hopes and dreams into cyberspace.
EDINBURGH 2017 - BWW Review: ALL WE EVER WANTED WAS EVERYTHING, Roundabout @ Summerhall
All We Ever Wanted Was Everything is a rocking rollercoaster ride through the last thirty years in Britain, from the Thatcherite late 80s, through Cool Britannia, to Brexit Britain.
EDINBURGH 2017 - BWW Review: MORALE IS HIGH (SINCE WE GAVE UP HOPE), Northern Stage at Summerhall
Things really are rotten right now, aren't they? We've got resurgent racism, the Welfare State's continual erosion, a terrible economy and climate change.
EDINBURGH 2017 - BWW Review: THE NORTH! THE NORTH!, Summerhall
In the 1980s, the era of Thatcher, managed decline and "the enemy within", a crack formed between the northern and southern parts of England, splitting them apart physically as well as socially.
EDINBURGH 2017 - BWW Review: FOREIGN RADICAL, CanadaHub @ King's Hall
Foreign Radical is a piece of interactive theatre focusing on surveillance and suspicion in an age of prominent terrorist threat.
EDINBURGH 2017 - BWW Review: NOTHING, Summerhall
Adapted by Pelle Koppel from the controversial young adult novel by Janne Teller, Nothing tells the story of a class of young people searching for the meaning of life.
EDINBURGH 2017 - BWW Review: SPEAKING IN TONGUES: THE TRUTHS, Pleasance Courtyard
Two for one is more commonly applied to tickets at the Fringe rather than the plays themselves.
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