Amy Hanson is an Edinburgh-based director and drama teacher. Her theatrical interests range from anything that shouts about politics to the cheesiest of musical theatre.
Zaltzman, best known for current events comedy podcast The Bugle, takes topic suggestions, either by email or from early birds at the front of the queue, and satirises them, with the aim of making audiences feel better about the state of the world.
In a selfless act of public service, Anglo-Iranian comedian Darius will show you how easy it is to beat the system and avoid media manipulation in our agenda-driven, technology-obsessed, modern society.
Australian company Out Cast Theatre return to the Fringe with another outrageous deconstruction of a theatre classic, in the same vein as their The Importance Of Being Earnest As Performed by 3 F**king Queens & A Duck.
Through the planned anarchy, Field considers the unicorn phenomenon as appropriation of queer culture, and persuasively traces the evolution through the centuries of both unicorns and sugar back to the idea of purity, with each of these elements being shown to be symbolic of power.
Coming to Edinburgh with awards from both Brighton and Manchester Fringes, Standard:Elite from Hidden Track Theatre Company is an interactive piece of political theatre on the theme of social class.
Pro Helvetia conceived 8:8 as a piece in response to Swiss law on mandatory deportation for foreigners who have committed crimes, putting forward the idea that the more you know about someone, the harder it is to condemn them.
In Shakespeare! The Panto, the Bard of Avon and his sidekick Bottom have noticed the popularity of pantomime, and despite the playwright's creative objections, see it as a way to overcome his writer's block.
In Jekyll vs Hyde, a free musical comedy now playing at the Voodoo Rooms, Laurence is a serious composer, working on a one-man musical adaptation of Stevenson's classic work.
The kings of light opera, Gilbert and Sullivan look down from heaven at the musicals of the modern age and set a wager on whether or not every musical could work as a Savoy Opera.
In Character Building Experience, Sasha Ellen serves as game master, compering the show with a light touch and leading a trio of players and an audience through a flexible fantasy story.