Following the sell-out run in 2015 at The Vaults deep under Waterloo Station, Les Enfants Terribles' and ebp bring their Olivier award nominated Alice's Adventures Underground back to celebrate the 150th anniversary of Lewis Carroll's beloved book.
Mike Leigh wrote his most famous play, Abigail's Party, 40 years ago, as a reaction to the boom in consumerism after the war and as a general commentary at the absurdism of class aspiration.
Arthur Miller's The Crucible was written in response to the McCarthy-era in America, as an allegory for the witch hunts against supposed communists.
In a plot more than a little reminiscent of Daphne du Maurier, Gabriel sees Jeanne Becquet is trying to keep her young daughter and Jewish daughter-in-law safe under the ever-increasing threat of the Nazis in German-occupied Guernsey in 1943.
Last seen in 1984 as BBC's Play for Today, Dog Ends establishes a scenario familiar to many; George is growing weary of looking after his frail elderly father and his beloved dog.
There are few male playwrights who have captured the female psyche as well as Willy Russell.
Not Dead Enough is the third novel by best-selling crime writer Peter James to be adapted by Shaun McKenna and directed by Ian Talbot.
Patrick Hamilton's Gaslight had its premiere in Richmond Theatre in 1938 and so it seems suitable for it to end its UK tour in the same setting.
Federico Fellini's Oscar-winning film La Strada has earned its place as a cinematic classic.
The wonderful thing about fringe theatre is the variety and quality of what can be produced in a tiny space, with very little budget.
It is 30 years since Clare McIntyre's Low Level Panic premiered at the Royal Court.
It is no secret that acclaimed film director Mike Leigh has a passion for Gilbert and Sullivan; his 1999 film Topsy-Turvy was an outright celebration of them and their music.
It's a common complaint that as you get older, you start to become invisible to others.
With an established tradition for producing plays set in memorable venues, Antic Disposition returns with its production of Henry V, performed in eight cathedrals around the country.
The return of Jonathan Miller's brilliant Mafioso take on Verdi's Rigoletto is incredibly welcome after the awkward and confusing version that last appeared at the ENO in 2014.
John Webster is not what you could ever describe as a subtle writer.
The beautiful story of Nutcracker is as festive as Father Christmas and mince pies.
For UK audiences, Dreamgirls will be more familiar from the critically acclaimed 2006 film, but incredibly, the iconic musical started life on Broadway all the way back in 1981.
Charles Dickens' A Christmas Carol is one of the most well-known and best-loved stories of the season.
James Seabright must be a very busy man at the moment.
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