BWW Review: THE BARBER OF SEVILLE, London Coliseum
It is said that Rossini wrote his most famous opera, The Barber of Seville, in three weeks, but few opere buffe remain as fresh and funny as this one.
Aliya Al-Hassan - Page 100
Latest Articles
BWW Review: THE BEST MAN, Richmond Theatre
Playwright Gore Vidal was well placed to have in depth knowledge of what goes on behind the scenes in US politics.
BWW Review: THE WIPERS TIMES, Richmond Theatre
Amid the horrors of the First World War, The Wipers Times is the unlikely, but true, story of when two officers found a printing press in the bombed out remains of Ypres (Wipers was the soldier's nickname for the town) and decided to produce a satirical paper to lift the spirits of the men.
BWW Review: WAIT UNTIL DARK, Richmond Theatre
Wait Until Dark first opened on Broadway in 1966, but many know it from the 1967 Hollywood film, where the lead role of Susy went to Audrey Hepburn, who was nominated for an Academy Award and a Golden Globe for the role.
BWW Review: THE RAILWAY CHILDREN, Richmond Theatre
The Railway Children holds a special place in Britain's heart; E Nesbit's well-loved tale was first published in 1905, but most of us know it from Lionel Jeffries' iconic 1970 film, which also made a star of the teenage Jenny Agutter.
BWW Review: DANGLING, Southwark Playhouse
There is a profound darkness to Abigail Hood's new play, Dangling, both in look and in content.
BWW Review: OLIVER TWIST, Regent's Park Open Air Theatre
There is much about Charles Dickens' Classic tale Oliver Twist to recommend it to children; the comic pomposity of Mr Bumble, the sinister actions of Fagin, the cheekiness of the Artful Dodger and, of course, the adventures and eventual salvation of poor orphan Oliver.
BWW Review: BODIES, Royal Court
How far would you go to have a baby? What and who would you overlook to make it happen? Vivienne Franzmann has never shied away from controversial subjects in her plays.
BWW Review: JANE EYRE, Richmond Theatre
Before the world had an understanding of the word feminism, Charlotte Bronte was delivering a masterpiece tutorial in female independence and emancipation.
BWW Review: THE BOY IN THE STRIPED PYJAMAS, Richmond Theatre
Northern Ballet has a reputation for pioneering contemporary, narrative ballet, but this may be its most challenging subject to date.
BWW Review: AN OCTOROON, Orange Tree Theatre
An Octoroon is a person who has one-eighth black heritage.
BWW Review: THE ADDAMS FAMILY, New Wimbledon Theatre
Since its first publication as a comic strip in 1938, The Addams Family has seen many incarnations, but did not become a musical until it launched on Broadway in 2010.
BWW Review: FOOTLOOSE, Richmond Theatre
There seem to be something consistently appealing about the music of the 1980s; acts such as Rick Astley and Bananarama seem to attract more concert-goers today than they did in their heyday.
BWW Review: FRACKED!, Richmond Theatre
Alistair Beaton has solid form as a political satirist as writer on Spitting Image and author of The Trial of Tony Blair.
BWW Review: EVERYTHING BETWEEN US, Finborough Theatre
In a captivating UK premiere, Sandra is preparing to take her seat on the first day of the Truth and Reconcilliation Commission for Northern Ireland at Stormont, when her estranged sister Teeni bursts in on a wave of racist and expletive-ridden anger.
BWW Review: WONDERLAND, New Wimbledon Theatre
Billed as a new musical adaptation of Lewis Carroll's beloved books, Wonderland sees Alice as a deflated and disappointed 40 year old, living in a grimy tower block with her teenage daughter Ellie.
BWW Review: CITY OF GLASS, Lyric Hammersmith
If City of Glass was a modern art installation, it would undoubtably be worth five stars.
BWW Review: AFTER YOU, Live at Zedel
After You is the first musical to be performed at The Crazy Coqs venue, deep under Piccadilly Circus at Brasserie Zedel in London's West End.
BWW Review: ALICE'S ADVENTURES UNDERGROUND, The Vaults
Following the sell-out run in 2015 at The Vaults deep under Waterloo Station, Les Enfants Terribles' and ebp bring their Olivier award nominated Alice's Adventures Underground back to celebrate the 150th anniversary of Lewis Carroll's beloved book.
BWW Review: ABIGAIL'S PARTY, Richmond Theatre
Mike Leigh wrote his most famous play, Abigail's Party, 40 years ago, as a reaction to the boom in consumerism after the war and as a general commentary at the absurdism of class aspiration.
.gif?width=300)
Tickets From $70
Tickets From $135
Tickets From $58
Tickets From $67
