by Sabrina Wallace - March 03, 2026
The Wimberley Players production of Deathtrap is a smart psychological thriller about ambition, legacy, and deception. The beautiful, restrained set supports suspense, and the strong cast shines all the way through....
by Sabrina Wallace - March 03, 2026
Reefer Madness at ACC is a ferocious, laugh-out-loud takedown of moral panic, powered by fearless performances and razor-sharp satire. Campy, chaotic, and uncomfortably timely. Playing thru March 14th, 2026...
by Sabrina Wallace - February 24, 2026
Hyde Park’s production of WITCH is sharp, funny, and quietly ferocious. A Devil with a grin, a witch that questions the status quo, a town built on bargains, and ambition that bites back. You’ll leave checking your own contracts. Through March 21st.
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by Sabrina Wallace - February 24, 2026
Some plays rush. In Horton Foote’s award-winning play, The Trip to Bountiful, longing feels biblical, and patience gets tested, and City Theatre’s production reminds you how to sit still. Judith Laird is all steel beneath fragility, as an aging mother chasing the ghost of her childhood home. But...
by Joni Lorraine - February 19, 2026
What did our critic think of MURDER ON THE ORIENT EXPRESS at ZACH?...
by Sabrina Wallace - February 17, 2026
Big hair, bigger voices, and zero apologies. Beehive: The 60s Musical at TexARTS is pure jukebox joy: love songs turn into liberation anthems, wigs rise as the decade unfolds, and seven powerhouse women keep the audience laughing and singing along. Profound? No. A ridiculously good time? Abso-freaki...
by Sabrina Wallace - February 14, 2026
Urinetown now playing at MMNT - A musical so funny it hits like a warning. Corporate greed, drought, revolt—and the water still runs out. Laugh. Think. Repeat....
by Sabrina Wallace - February 14, 2026
Swing! at Georgetown Palace Theatre proves that when the set disappears, the rhythm takes over. A bare stage, a blazing live band, powerhouse vocals, and choreography that fills every inch of space. The audience was tapping along all night, me included. Theatre adapts, communities rally, and the sho...
by Sabrina Wallace - February 10, 2026
'The Last Match' by Anna Ziegler centers on U.S. Open semifinalists Tim Porter and Sergei Sergeyev, and their partners, blending onstage action with flashbacks and fourth-wall narration. The play explores ambition, love, and the personal cost of success....
by Sabrina Wallace - February 10, 2026
Georgetown Palace’s The Mountaintop skips the monument and gives us the man. A powerful reminder that history isn’t made by saints, but by people who keep walking anyway....
Past Shows
Music, Book, and Lyrics by Michael R. JacksonDirected and Choreographed by Alexandria WailesMeet Usher: a black, Deaf queer writer writing a musical about a black,...
DEAF AUSTIN THEATRE (DAT) and Visionaries of the Creative Arts (VOCA) present...A Strange LoopWritten by Michael R. JacksonDirected & Choreographed for the stage by Alexandria...
A unique co-production of the Tony Award-winning musical A Strange Loop will take the stage in Summer 2025, crafted by Deaf Austin Theatre and Visionaries...
Join us for a festival of new works. Six new short plays written by Deaf playwrights, all taking place in an alley.DAYS BETWEEN USWritten by...
Chronicles of a Black Deaf Blind GirlWritten and performed by Ashlea HayesDirected by Brian CheslikGhari is a 30-something year old woman whose life has just...
TINY BEAUTIFUL THINGSBy Nia Vardalos, Cheryl StrayedDirected by Brian Cheslik**Based on the bestselling book by Cheryl Strayed and adapted for the stage by Nia Vardalos,...
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