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BWW Exclusive: Diary of an Englishman in New York- Crossing the Road

Academy Award winner Helen Mirren returns to Broadway as Elizabeth II in Peter Morgan's The Audience, which just opened at the Gerald Schoenfeld Theatre. Playing one of Her Majesty's twelve Prime Ministers is Rufus Wright, who takes his audience with the Queen nightly as the UK's current PM, David Cameron.

Follow along as Wright takes us behind the scenes of The Audience's Broadway journey with 'Diary of an Englishman in New York'. Be sure to check back later this week for his latest installment!

Follow Rufus on Twitter (@rufusgwright) for even more updates!


BWW Exclusive: Diary of an Englishman in New York- Crossing the Road14 April 2015
Take care (not to be offensive) while crossing the road

Before coming to live in NYC, I'd told my son about the famous WALK/DON'T WALK pedestrian crossing signs.

He's four, and learning what we call the Green Cross Code- basic safety while crossing the road. The Green Cross Code man was David Prowse- best known as the guy inside the Darth Vader costume. (Apparently he only realised they weren't using his voice- a gentle and not very scary West Country burr that made him sound like a pirate, when he went to a screening and heard James Earl Jones's voice instead).

Anyway - my son is used to the British version of the pedestrian crossing: red man standing/green man walking. So I was disappointed to see that WALK had gone and was replaced by a walking man made from white LEDs. In a country, like ours, where race is still what you might delicately call an 'issue', could you not have chosen a different colour in the LED catalogue?

Because now I find myself getting to ready to cross the road with a four year old who's already confused- he can't work out why the cars are on the wrong side of the road, can turn right on a red, and are the size of the buses back home, and now he's got me shouting 'Don't move until you see a white man! Is there a white man there? No? Well then you can't cross! You know full well that you aren't allowed to do anything until you see a white man. Now hold my hand!' And you should see some of the looks I've been getting. Even when I roll my eyes and mouth the words 'Road Safety' they still throw me a gesture that leaves no room for misinterpretation.


Previous Entry
4 April 2015
How long has it taken YOU to get to Broadway?

As the old joke goes- 'A kid asked me how to get to Carnegie Hall- I said: Practice'. The four of us Brits appearing opposite Helen Mirren in The Audience have never been more aware of how long it's taken us to get to Broadway. I've been in four shows before The Audience which have transferred to New York without me, American Equity assessing, fairly, that my contribution could be provided ably by an American actor. Geoffrey Beevers and Michael Elwyn, both senior members of the fraternity at 102 and 108 respectively, have waited nearly their whole lives to get here. They aren't quite that old- in fact no one is quite sure how old either of them is and they've both quite forgotten.

The two youngest members of The Audience company aren't in fact the brilliantly talented Elizabeth Teeter and Sadie Smith, who alternate as the young Queen, but Mimi and Marco, the corgis who bound on stage during the Balmoral scene and upstage the Oscar winning Helen Mirren and Olivier winning Richard McCabe at every single performance. Not one audience member will be watching the actors when there's a dog on stage. And if there's a cat in the show? Well, you could bring Olivier himself back to life and shove him on stage and we'd still stare at the moggy wondering if it'll jump into the stalls.

We were amazed to hear from the dog's trainers Bill Berloni and Jacqui Wyatt that the two corgis were in fact rescue dogs, who late last year were essentially given up for adoption by their owners in Massachussetts as they couldn't look after them anymore. We are always reminded of the achievement of making it to Broadway. But from near homelessness to sharing a stage with a movie star in 3 months? That's the American Dream right there.

The corgis are adorable (though sadly the Prime Ministers aren't allowed to stroke them in case they come bounding up to us at the curtain call instead of running to the young Elizabeths). If you'd like to support the work of the brilliant people who take rescue dogs and put them on stage on Broadway, the two organisations below are always in need of donations.

PWCCGS Rescue
c/o Ed Sheppard treasurer
37 Wolverton Road
Pittstown, NJ 08867

The Sandy Fund
c/o The Humane Society of New York
306 E59th
New York, New York 10022


BWW Exclusive: Diary of an Englishman in New York- Crossing the RoadRufus trained at The Central School of Speech and Drama in London. He created the part of David Cameron in the West End production of The Audience and previously worked with Peter Morgan on the original Donmar Warehouse production of Frost/Nixon and in the filmThe Special Relationship. Other theatre credits include: The 39 Steps (Criterion), The One, The Backroom (Soho Theatre) The Empire (Royal Court), Serious Money, The Madness of George III (Birmingham Rep), Private Lives (Hampstead), Crown Matrimonial (Guildford and Tour), Mary Stuart (Donmar Warehouse and Apollo), Journey's End (Duke of York's), Trust Byron, Life With an Idiot and Franziska (The Gate), Single Spies (West Yorkshire Playhouse), The Secret Garden (Salisbury Playhouse), and Richard II (London Pleasance)

Photo Credit: Walter McBride / WM Photos




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