Disney's THE LION KING Grosses Over $11.75 Million During 7 Week Toronto Engagement

Disney's THE LION KING Grosses Over $11.75 Million During 7 Week Toronto Engagement

Disney's THE LION KING continues to reign across North America with a sold-out engagement in Toronto, which concluded on Sunday, June 15 at The Princess of Wales Theatre. The triumphant seven-week return grossed over $11.75 million at the box office and entertained more than 100,000 patrons during 56 performances. The award-winning musical premiered in Toronto in April 2000 at the Princes of Wales Theatre, where it played 1,560 performances through January 2004 and returned in 2011 for an eight-week sold-out engagement.

It is estimated that the Toronto engagement of THE LION KING generated a $48 million economic benefit to the city from travel, hotels, restaurants, parking and other businesses patronized by both theatergoers and production staff. This figure is based upon a Touring Broadway League report which found that, on average, Broadway tours contribute an economic impact 4.17 times the gross ticket sales to the local metropolitan area's economy.

"We were thrilled to return to the great city of Toronto for the third time, where THE LION KING has always been so warmly embraced," said Jack Eldon, Vice President, Domestic, Disney Theatrical Productions. "It is sincerely gratifying and overwhelming to see that the response to this theatrical phenomenon was just as strong as when it first premiered in Toronto 14 years ago. We thank the Toronto community and our partners at Mirvish Productions for another sensational engagement and look forward to returning in the near future."

The North American touring productions of THE LION KING have been seen by more than 15 million theatergoers and grossed over $1 billion to date. After 12 years on the road, THE LION KING continues to play to standing room only houses throughout North America. The current schedule is listed below.

ABOUT THE LION KING

In its 17th year, THE LION KING remains ascendant; it is the highest-grossing Broadway show in New York history and one of the most popular stage musicals in the world. Since its Broadway premiere on November 13, 1997, 22 global productions have been seen by more than 70 million people and, cumulatively, run a staggering 106 years. Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), THE LION KING is only the second show in history to generate five productions worldwide running 10 or more years. Translated into seven different languages (Japanese, German, Korean, French, Dutch, Spanish and Portuguese), productions of THE LION KING can currently be seen on Broadway, London's West End, Hamburg, Tokyo, Madrid, Sao Paulo, Sydney, Australia and on tour across North America, the U.K., and Japan. The Australian production marks the tenth concurrent worldwide production of THE LION KING, the highest number of productions running at any one time in the show's history. To date, THE LION KING has played 19 countries on every continent except Antarctica.

Among the most successful titles in entertainment history, THE LION KING's more than $5 billion worldwide box office to date, exceeds that of any film or entertainment title in history.

THE LION KING won six 1998 Tony Awards®: Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical. THE LION KING has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.

The show's director, costume designer and mask co-designer Julie Taymor continues to play an integral part in the show's ongoing success. The first woman to win a Tony Award for Direction of a Musical, Taymor has in recent years supervised new productions of the show around the world.

The Broadway score features Elton John and Tim Rice's music from The Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from "Rhythm of the Pride Lands," an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer. The resulting sound of THE LION KING is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song "Can You Feel the Love Tonight" to the haunting ballad "Shadowland."

The book has been adapted by Roger Allers, who co-directed The Lion King animated feature, and Irene Mecchi, who co-wrote the film's screenplay. Other members of the creative team include: Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor) and Doc Zorthian (production supervisor). Anne Quart serves as associate producer.

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Alan Henry

Alan is a third year undergraduate student at York University, in Toronto. He has had a passion for the performing arts ever since he saw the original production of Disney’s Beauty and the Beast at the Princess of Wales Theatre. Alan has eleven years of intensive dance training under his belt, and in 2006 was the Canadian National Ballroom Champion in his age category. As a performer, Alan has been seen on stage at the Bathurst Street Theatre (now the Randolph Theatre), The FLATO Markham Theatre, The Leah Posluns Theatre, The Toronto Centre for the Performing Arts, and many more.

Alan first started blogging about theatre in 2011 with his now defunct blog, Broadway Toronto. In March 2013, Alan joined the team at BroadwayWorld Toronto and continued his foray into arts journalism. In February of 2014, Alan became the Senior Editor for the Toronto division of BroadwayWorld.com – and since then has expanded the regional coverage to include much of Southern Ontario, as well as many of the smaller professional theatre companies in the city.

A long term theatre fan, Alan is grateful to be a part of the Toronto arts community in any capacity.

“I’m incredibly fortunate that I’ve found a way to be involved with our arts community in the position that I have. The Toronto theatre community is made up of some of the kindest and friendliest people I know – and I look forward to serving the community by continuing the high standard of coverage expected of BroadwayWorld.”

Twitter: @alanhenryTO | Facebook: Facebook.com/AlanHenryWrites

Email: alan@broadwayworld.com | www.alanhenrywrites.com


 
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