Following a sold-out, extended run at The Public Theater, Suffs arrives on Broadway next spring — and not a moment too soon. From the singular mind of Shaina Taub, this “remarkable, epic new musical” (Variety), boldly explores the victories and failures of a struggle for equality that’s far from over.
It’s 1913 and the women’s movement is heating up in America, anchored by the suffragists — “Suffs,” as they call themselves — and their relentless pursuit of the right to vote. Reaching across and against generational, racial, and class divides, these brilliant, flawed women entertain and inspire us with the story of their hard-won victory in an ongoing fight. So much has changed since the passing of the Nineteenth Amendment over a century ago, and yet we’re reminded sometimes we need to look back, in order to march fearlessly into the future.
The strains of something less than triumphant were always lurking in Hamilton, which begins with a fist-pump to the sky but ends with the plaintive question, “Who lives, who dies, who tells your story?” But just as young Alice had no time for sweetness, Suffs has no time for wistfulness as it nears its ending. That’s because it’s not an ending, and there isn’t one in sight. As one of her epigraphs, Taub quotes the Talmud: “You are not obliged to complete the work, but neither are you free to abandon it.” Suffs may send us back out into the world a little bruised, a little somber, but in no way defeated or alone.
“Suffs” entertains because Taub makes her show all about the women, and she makes those women committed but very flawed individuals. Let’s not call them cat fights, but “Suffs” is filled with rivalries between the radical Alice Paul (Taub) of the National Woman’s Party and the more establishment-minded Carrie Chapman Catt (Jenn Colella) of the National American Woman Suffrage Association. An early controversy emerges regarding whether suffragists of color should be included in the march. Black icons like Mary Church Terrell (Anastaćia McCleskey) and Ida B. Wells (Nikki M. James, shedding her ingénue image to emerge as the show’s real matriarch) have no interest in being pushed aside or told yet again to wait. Intriguingly, the conflict between Terrell and Wells reflects the same conservative-progressive pull going on among the white leaders of the suffragist movement (“Suffragette” is considered derogatory).
General Rush
Price: $19.20 for the first 19 tickets sold each day (March 26-April 17), $45 afterward
Where: Music Box Theatre’s box office
When: When the box office opens on the day of the performance.
Limit: Two per customer.
Information: Subject to daily availability.
Digital Lottery:
Price: $49
Where: rush.telecharge.com
When: The lottery will be open from 12:00 AM until 3:00 PM the day before the performance where fans can enter to win one or two tickets. Winners are drawn at 10:00 AM and 3:00 PM and entrants should return
Limit: Two per customer
Information: Winners are drawn at 10:00 AM and 3:00 PM and entrants should return to rush.telecharge.com to check their status. Winners will have five hours to claim and purchase their tickets online. Tickets are subject to availability. Seats may be partial view.
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