Broadway Show Reviews & Critics' Ratings - Page 2

Paul Vasterling, the longtime CEO and artistic director of Nashville Ballet, makes his debut as a director of musical theater with his revival of Cabaret – which he also choreographs – in a much-heralded and eagerly anticipated production for Franklin-based Studio Tenn. The timely and sumptuous revival allows audiences an opportunity to consider the prescience of the classic Broadway musical by John Kander and Fred Ebb that debuted in 1966 and which has continued to fascinate and challenge artists of the theater the world over almost 60 years later.

The madcap adventure took us on a tour de force celebration of some of Stephen King’s most beloved characters, brimming with so many references that even the biggest King aficionado would have their work cut out for them. And it’s not only King who earns the honor of a parody—no musical theatre show or pop culture icon was safe!

What did our critic think of SKELETON CREW at Guthrie Theater?

While each individual actor is spectacular in his or her role, what really makes this show engaging are the interactions between the characters. For an evening of witty entertainment delivered by an outstanding cast and crew, get your tickets for Hay Fever at Oyster Mill Playhouse.

What did our critic think of A JUMPING-OFF POINT at The Jungle Theater?

A collaboration that has led to a highly successful and entertaining production

Theatre at it's most ruthlessly elusive

The audience left the auditorium singing the praises of the two actors.

What did our critic think of BEAUTIFUL: THE CAROLE KING MUSICAL at JCC CenterStage Theatre?

Just in time for Mother’s Day, Capital Stage has revealed a play that is perfect for celebrating mothers. It also happens to be my favorite of their offerings to date. Cry it Out, by Molly Smith Metzler, tackles an important conversation that often gets overlooked, and does it with insight, grace, and a whole lot of humor.

FROM A HOLE IN THE GROUND is a play for lovers of myths and fairytales, movement-based storytelling, and beautiful things in general.

What did our critic think of HADESTOWN at Belk Theater?

I love going to see a Trent Reese production, because he always puts a refreshing spin on whatever the subject matter may be. For our viewing pleasure this time, The Lantern Theatre and the Maumelle Players teamed up to present THE IMPORTANCE OF BEING EARNEST by Oscar Wilde the last two weekends in April at The Shepherd of Peace Lutheran Church in Maumelle.

Wondering what the kids are up to? The Broadway Kids are singing at a nightclub and training for their professional careers. BKA (Broadway Kids Auditions) hosted a talent showcase of young aspiring performers. The young folks raising their voices in song seemed at home on a stage, delivering their material with gusto and grace

Don’t miss 'Parlak Fikirler' at multiple stages—a chilling look at the extremes parents will go for their child’s future. A modern-day Macbeth meets preschool panic! #Theatre #BrightIdeas

It is not surprising to those who work in the live arts, performing arts or fine arts, that we understand a vibrant arts community attracts visitors who spend money and help keep local businesses thriving. They keep Delaware residents spending their money locally, vital income for local merchants.

Der er mord, korruption, magt, begær og alt det, der drev Chicago tilbage i 1920'erne, på menuen i musicalen 'Chicago', der netop nu spiller på Århus Teater. En pompøs, underholdende forestilling, der desværre går på kompromis med dansen. 

The DPAC Rising Star Awards is a regional competition that brings together high school musical theater students from Central and Eastern North Carolina to perform and compete for the chance to represent the Triangle in The National High School Musical Theater (otherwise known as The Jimmy) Awards in New York City on June 24th. The national competition celebrates outstanding student performances in high school musical productions from all over the United States. This year, students from 31 local high schools submitted applications in the hopes of being selected as a Triangle Rising Stars' Top 20 finalist.

One of theatre’s many powers is its ability to reflect the happenings of the outside world, illuminating events and societal trends, and even portending things to come. When “Cabaret” was written in 1966 we were only one generation removed from the biggest global conflict in world history, in which America and much of Europe battled down the forces of fascism and tyranny. The show explores the period leading to this tumultuous era, and now in 2024 as American democracy once again feels fragile and antisemitism is on the rise around the world, “Cabaret” is, unfortunately, quite topical.

“More matter for a May morning.” Given that the majority of Shakespeare’s plays began with outdoor performances of one kind or another, it’s a perfect fit for the leafy surroundings of Regent’s Park – which has made it all the more conspicuous for its absence from the programming over the past few seasons. Owen Horsley steers the ship as this well-loved comedy docks in north London for the next few weeks.