Broadway Show Reviews & Critics' Ratings - Page 2

You'll fall in love with Puccini yet again. Opera Theatre of St. Louis continues their forty-ninth season with a superb production of Puccini’s masterpiece, La Bohème—his most beloved work.  The occasional sprinkle of very light rain seemed to refresh rather than deter those dining on the lovely grounds.  Again the theatre was packed to the rafters with eager opera lovers.  They were not disappointed.

In a sudden lurch away from their epic 2022 creation The Burnt City, immersive specialists Punchdrunk’s next effort is a far more cosy affair. Small barefoot groups walk their way through the Nineties fairytale world of Viola’s Room with the story relayed over headphones by Helena Bonham Carte

MIRACLE OF MIRACLES, a grand tribute to Sheldon Harnick, closes its trio of concert performances with an evening performance tonight. It serves as a radiant reminder of a legendary talent of musical theatre. Sheldon Harnick's lyrics and legacy were warmly presented in the Lyrics & Lyricists series, which he was a major part of in its early years.

Lovers of Agatha Christie, Knives Out, Michael Connelly, and of course, Sir Arthur Conan Doyle, will be absolutely delighted by this fiendish period mystery starring everyone’s favorite sleuth and cocaine addict.

Caitlin Cook brought her one-woman musical THE WRITING ON THE STALL to Blue Strawberry Showroom and Lounge for two shows over the weekend. Cook, a songwriting social media sensation, has penned a musical asserting that bathroom graffiti is art. She starts her show, seated on the commode, and asks the audience for toilet paper.

Starring Lucas Drummond, Ernani Moraes and Rafael Queiroz and directed by Fernando Philbert, the play tells the story of 2 orphan brothers who kidnap a mysterious businessman and end up finding the father figure they always dreamed of. With an extensive international career, the 1983 text gave screenwriter Lyle Kessler prominence as a playwright.

Things at Teatro de la Luan feel familiar, and from May 31 - June 9th, they are showing their one-woman show, Mi Escoba por un Reino, or God Save the Queen, starring Patricia Meneses, written by Kado Lostzer, with direction by Mario Marcel. 

TampaRep's NEXT TO NORMAL was, in one word, perfection. Expertly directed by Emilia Sargent, it was a theatrical triumph. The proof was that I could look across the stage and see patrons wiping their eyes and hear the quiet sniffling behind me. The intimate performance on Saturday night was a masterful blend of raw emotion, superb acting, and technical brilliance, leaving us spellbound.

The high seas are calling you aboard a luxury yacht anchored off the coast of Florida. Although the interiors may be charming and welcoming, the vicious cast of characters may not be.

Making its World Premiere, OAK is presented at our own Urbanite Theater. When entering the black-box space random hip-hop music is playing, but on closer observance, everything is placed with intention. The mix of music used throughout the story, from old TLC through Tyla’s current Billboard hit Water, made it hard to place what time this story is set, the 90’s, 2020’s? The elusiveness of this is effective, as this could be any southern town, even today. Playwright Terry Guest, a 3-time Jeff Award winner, expands his talents with this Southern Gothic Horror that was commissioned by Urbanite Theatre in 2020 and was created and designed specifically with the Sarasota audience in mind.

Explore The Alchemy Theatre's production of King of Hearts at the Whisenhunt and enjoy its unique story, compelling visuals, and talented cast. Allow yourself to be drawn into the insanity that walks the streets of DuTemps—it promises to be a memorable experience. #Austin #MusicalTheatre #BroadwayWorld

One thing is for sure, Altarena Playhouse has a hit on its hands with DOUBT. Thoughtful, engaging, and provocative, the show is a masterpiece of details. In a world where some things should be black and white, DOUBT plants the tiniest seed of uncertainty that grows to envelope the entire story. You’ll change your mind, and change your mind again as the show will leave you ever dubious and always with a margin of DOUBT.

Who doesn’t like a good coming of age story, better yet a LGBTQ coming out story to boot? Mix a catchy pop/rock score, a delightfully innocent 16-year-old schoolboy, and some fabulous drag, and you have the makings of a hit show tailor-made for San Francisco’s audiences. Based on a true story and the 2011 documentary Jamie: Drag Queen at 16, this fictional musical follows Jaime New as he battles homophobia and prejudice to self-actualize into a fierce drag queen.

THE WOMAN IN BLACK is a minimalist play, with one foreground for the entirety and just two actors. However, the way it is able to build and maintain tension and fear in a way that few movies manage these days, let alone stage shows. The plot is good and the acting is superb, and combined with this thriller is put together make this a must see.

Mrs. Lincoln is an intense and fascinating play, and audiences can catch it at Little Theatre of Mechanicsburg under the direction of James Casey with stage manager Lori Haagen through June 23rd. Every aspect of this production works well together to bring the audience an intriguing and powerful evening of theatre.

On a warm and joyful evening at Captain Quack’s, queer artists from Austin, TX shared personal stories about love, friendship, family, happiness, and heartbreak. Hosted by the humorously sharp Chitah Daniels Kennedy, Lavender Public’s 'Queer to Tell: Love is Love is Love' captivated audiences of all ages. #QueerVoices #BroadwayWorld

The talents and legacy of composer-lyricist Cole Porter are always worth celebrating, especially in his birthday month of June. Here's a look at some current evidence of his lasting presence in cabaret shows, etc.

Advertised as “Grease meets Squid Game”, Fun At The Beach Romp Bomp A Lomp!! manages to go from the ridiculous to the sublime, even if it does lose its way every now and then.

ILSE STUTTGARD, VEDOVA KAUFMANN alla CAPPELLA ORSINI UN DRAMMATICO MONOLOGO MAGISTRALMETE INTERPRETATO DA BRUNO PETROSINO

What did our critic think of THE WIZARD OF OZ at Meridian Theatres @ Centrepointe?