BWW Reviews: Two-Hander Sketch Comedy, Anyone? DATING: ADULTS EMBRACING FAILURE Opens at the Royal George Theatre

BWW Reviews: Two-Hander Sketch Comedy, Anyone? DATING: ADULTS EMBRACING FAILURE Opens at the Royal George Theatre

Chicago's improv and sketch comedy scene is justifiably world-famous, and attracts young talents from across the country as surely as sugar attracts bees. Such institutions as The Second City, iO and the Annoyance Theatre train, entertain and inspire performers, writers and audiences with a variety of styles, venues and opportunities. Classes and shows abound, in semesters, segments and weekly installments. It's theater, and a little bit not. It's TV, but not yet. It's a cousin to stand-up, a sister to writers in solitary rooms, a tool for creation and storytelling in our hectic day and age. Think on your feet! And then write down the parts that resonate....

Two such writer-performers, New Yorker Josh Lanzet and Wisconsinite Lindy Voeltner, have been kicking around the Windy City improv scene for a couple of years now, each training at all three of the above-named facilities, and each taking a turn as a member of "Infinite Sundaes," Second City's musical improv house ensemble. (Yes, there is musical improv--SingProv--and yes, these places have house ensembles. Check 'em out!) Lanzet and Voeltner have taken their writing and performing skills, and focused them into the new sketch show called, "Dating: Adults Embracing Failure," which opened last Friday night in the intimate upstairs space at the imposing Royal George Theatre, across Halsted Street from the equally imposing Steppenwolf Theatre Company. It's just up the street from the North and Clybourn "L" stop, in swanky southwestern Lincoln Park, where couples are looking for something to do after (or maybe before) their deluxe dinner reservations. Or maybe they've been shopping at North and Sheffield.

BWW Reviews: Two-Hander Sketch Comedy, Anyone? DATING: ADULTS EMBRACING FAILURE Opens at the Royal George TheatreLike many shows in the non-Equity sketch world, "Dating" is booked for only one night each week, in this case, Fridays at 8:00 pm. But, given the topic, that's the night to perform it! For five of the next six Fridays (not July 4th), the two writer-performers, under the direction of Second City Training Center faculty member Andy Eninger, will take you on a hilarious, 70-minute romp through the dating histories of eight different couples. In best black box tradition, there's not a stick of scenery or a significant prop in sight (I do remember chairs), but who cares? The emphasis is on the laughs, the clever writing, the occasionally tear, and the comic timing of this up-and-coming comic pair.

The tagline of the show's advertising is: "Every relationship fails until one doesn't. The trick is finding out which one that is." And yes, only one of the eight couples we meet persevere until the final blackout. But, from meet-cutes to move-ins, career pressures to personal quirks, there's a lot here that's solid and admirable. And hilarious! The opening night capacity crowd treated the duo like comedy rock stars, after an opening salvo of boundary-pushing one-liners and a few introductory scenes that made it clear what we were in for. And, for a pair who both insist they are currently single, it does make you wonder how much of this stuff is based on personal experience.

BWW Reviews: Two-Hander Sketch Comedy, Anyone? DATING: ADULTS EMBRACING FAILURE Opens at the Royal George TheatreThere's the couple who always order the same two take-out Chinese dishes, and revel in the metaphors of which one is eating the other's leftovers, and why. There are scenes of meeting at a coffee place, meeting on a park bench, the girl who always hits people in the face with her hair, people who try it long-distance, the girl who's sure her boyfriend is gay, the quirky elderly, etc. It's all very urban, very contemporary, very insightful and very, very funny.

Voeltner, all Midwestern openness, uses her big eyes and voice to flash, explode and land. Lanzet, a mixture of Eastern neuroses and Wall Street swagger, meets her energy with large doses of well-crafted character traits. It's a joy, if not a little bit exhausting, to see these two volley and parry, knowing they are speaking their own well-rehearsed lines with the joy of the young, the gifted, the taking flight, the soaring.

If you're looking for an easy, breezy night out, or one more thing to add to your list of weekend hotspots to hit up with your honey, you would enjoy "Dating: Adults Embracing Failure" at the Royal George Theatre. Josh Lanzet and Lindy Voeltner have wrought something very fine, indeed, and you will see yourself in their shoes, even as you realize you have neither the wit nor the courage to do what they are doing. I meant in the show, but I may have meant in real life, too....

"Dating: Adults Embracing Failure," written and performed by Josh Lanzet and Lindy Voeltner and directed by Andy Eninger, will play June 27, July 11, July 18, July 25 and August 1 at 8:00 pm, in the upstairs studio at the Royal George Theatre, 1641 N. Halsted Street in Chicago.

http://www.adultsembracingfailure.com/

http://www.ticketmaster.com/Dating-Adults-Embracing-Failure-tickets

PHOTO CREDIT: Derek Cox

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Paul W. Thompson Paul W. Thompson, a contributor to BroadwayWorld.com since 2007, is a Chicago-based singer, actor, musical director, pianist, vocal coach, composer and commentator. His career as a performer, teacher and writer is centered at Paul W. Thompson Music, located in Chicago’s historic Fine Arts Building, where he teaches the great songs of Broadway to the next generation of musical theater performers. A native of Nashville, Tennessee, Paul was raised in a family of professional musicians and teachers, steeped in classical, gospel, country, pop, sacred and show music. Dubbed a “thin, winsome lad” at the age of 13 by a critic for the Nashville Banner, he earned two degrees in musical theater (a B.F.A. with Honors from Baylor University and an M.M. from the University of Miami, Florida), plus an M.B.A. with Distinction from DePaul University. Paul’s memberships include Actors’ Equity Association, the American Guild of Musical Artists, the National Academy of Recording Arts and Sciences (proud voter for the Grammy Awards!), the National Association of Teachers of Singing and New York’s Drama League.

Moving easily between the worlds of classical music, religious music, classic pop and musical theater, Paul has appeared onstage or in the orchestra pit in concerts, musicals, operettas and operas in 30 states and in Europe, in a career spanning more than 35 years. His Chicagoland stage credits include “Forever Plaid” at the Royal George Theater and twenty mainstage productions at Light Opera Works. Paul joined the Chicago Symphony Chorus in 1995 (he was Tenor I Section Leader for four years and sings on two Grammy-winning recordings), and is one of Chicago’s foremost liturgical singers, marking 20 years as a member of the choir at St. James Cathedral (Episcopal) in 2011.He has composed and arranged a number of anthems, hymns and songs for worship and concert use, and collaborates on the creation of new works of musical theater. Paul can be found on Monday nights watching showtune videos at the world-famous Sidetrack nightclub, the inspiration for his weekly column, “The Showtune Mosh Pit.” His proudest achievement is that he has seen the original Broadway production of every Tony Award-winning Best Musical since “Cats.” No, really. Since “Cats!”


 
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