Broadway World.com    






    










  save
 BroadwayWorld International Database


 
Main Resume
Biographical
Other Works
Photos
 
BWIDB Home
Broadway Shows
Off-Broadway Shows
West End Shows

Brought to you by:


John Doyle

Submit Updates To This Page
 

Credits in the database:

Performance

Camelot
[Broadway, Return Engagement [Broadway], 1981]
Ensemble

Production

A Catered Affair
[Broadway, 2008]
Director

The Rise and Fall of the City of Mahagonny
[Los Angeles, 2007]
Director

Company
[Broadway, 2006]
Director
Musical Staging

Mack and Mabel
[West End, 2006]
Director

Sweeney Todd: The Demon Barber of Fleet Street
[Broadway, 2005]
Director
Costume Designer
Scenic Designer

Sweeney Todd: The Demon Barber of Fleet Street
[West End, 2004]
Director
Production

Sweeney Todd: The Demon Barber of Fleet Street
[London Fringe, 2004]
Director
Scenery/Costumes

Personal Information


Gender: Male



Featured Show

Oklahoma!
(18 productions, 26 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
©2008. BroadwayWorld.com. All rights reserved.