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 BroadwayWorld International Database


 
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Jennifer Frankel

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Credits in the database:

Performance

Curtains
[Broadway, Original Broadway Production, 2007]
Marjorie Cook

Monty Python's Spamalot
[Broadway, Original Broadway Production, 2005]
Ensemble

Never Gonna Dance
[Broadway, Original Broadway Production, 2003]
Waitress
The Charms
Ensemble

Anything Goes
[Broadway, Reunion Concert, 2002]
Ensemble/Other Roles

Ziegfeld Follies of 1936
[Off-Broadway, Encores! Concert, 1999]
Show Girl

On the Town
[Broadway, Broadway Transfer, 1998]
Mannequin
Diamond Eddie's Girl
Dance Ensemble

Chicago
[Broadway, Broadway Transfer, 1996]
Annie
Hunyak
Mona

Ain't Broadway Grand
[Broadway, Original Broadway Production, 1993]
Sheryl (Of the People Part I)
The President and His Cabinet
Ensemble

Performance

Spamalot
[Original Broadway Cast, 2005]
Ensemble

Ziegfeld Follies of 1936
[New York Concert Cast, 1999]
Show Girl

Personal Information


Gender: Female



Featured Show

Company
(16 productions, 6 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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