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Interview: 'Memories Are Already Alive In Every Movement': Choreographer Amit Noy on Family, Trauma And Making His Sadler's Well Debut by Matthew Paluch
- September 17, 2025 It's fair to say general consensus is never work with your family, yet Amit Noy is doing the exact opposite in his piece A Big Big Room Full of Everybody's Hope. Marseille-based performer and dance maker Noy makes his Sadler’s Wells choreographic debut with the UK premiere of A Big Big Room Full of Everybody’s Hope in the Lilian Baylis Studio this October. For this production, Noy brings together three generations of his own family to explore the memory that is held between bodies and how we process trauma.
Review: PENN & TELLER: 50 YEARS OF MAGIC, London Palladium by Franco Milazzo
- September 16, 2025 Incredible as it seems, globally renowned magicians Penn & Teller have finally got around to their first residency in London’s theatre district. Now both in their seventies, this could well be their West End debut and farewell.
Review Roundup: Did THE PRODUCERS Go Right in the West End? by Aliya Al-Hassan
- September 16, 2025 Adapted by Mel Brooks and Thomas Meehan from Brooks’ 1968 film of the same name, with lyrics by Brooks and music by Brooks and Glen Kelly. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. What did the critics think of the show's transfer to the West End, after sell-out run at the Menier Chocolate factory?
Review: 5 MISTAKES THAT CHANGED HISTORY, artsdepot by Christiana Rose
- September 16, 2025 Paul Coulter’s 5 Mistakes That Changed History is an ingenious historical exploration, which is as sharp in its storytelling as it is rich in historical detail. Coulter has created an exciting, energetic and highly amusing show, which blends the world of knowledge with entertainment. This is a skilful masterclass in remaining engaging.
Half of RSC's Staff Eligible to Apply for Voluntary Redundancy by BWW News Desk
- September 16, 2025 More than half of the Royal Shakespeare Company’s 835 employees will be eligible to apply for voluntary redundancy amid the company's challenging financial situation. Learn more.
Voila! Theatre Festival 2025 to Return to London in November by BWW News Desk
- September 16, 2025 Voila! Theatre Festival - London's biggest panlingual theatre festival - will return to the capital with its largest programme to date. Learn more and see how to attend!
Full Cast Set and Date Extensions For THE BOOK THIEF in Concert by BWW News Desk
- September 16, 2025 The full cast has been announced for the musical stage adaptation and concert performances of THE BOOK THIEF, based on the best-selling novel by Markus Zusak, which also adds two extra performances due to popular demand.
Full Cast Set For A CHRISTMAS CAROL at the Old Vic by BWW News Desk
- September 16, 2025 The Old Vic has announced the full cast and recipient of this year's charity collection for A Christmas Carol. Directed by Old Vic Artistic Director Matthew Warchus and adapted for the stage by Jack Thorne .
TITANIQUE Extends Run at Criterion Theatre by BWW News Desk
- September 16, 2025 Producers Eva Price and Michael Harrison have announced their must-see Olivier Award Winning West End musical Titanique will extend booking at the Criterion Theatre through to Sunday 7 June 2026 due to demand.
Review: THE PRODUCERS, Garrick Theatre by Aliya Al-Hassan
- September 15, 2025 It took over twenty years for a revival of Mel Brooks's The Producers to come to London and the diminutive Menier Chocolate Factory more than held its own for a sold-out and universally well-received show. Now it makes a triumphant move to the West End's Garrick Theatre and continues to prove that great comedy is simply timeless.
Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre by Christiana Rose
- September 15, 2025 Little Angel Theatre delivers a vibrant, triumphant and delightful production of We’re Going on a Bear Hunt. This much-loved story by Michael Rosen, illustrated by Helen Oxenbury, is transformed into a vibrant 45 minute adventure which captivates children and adults alike with its exquisite puppetry, charming music, and infectious energy.
Review: LONDON CITY BALLET - MOMENTUM, Sadler’s Wells by Matthew Paluch
- September 15, 2025 London City Ballet return for their second season with another mixed bill, and the results are also mixed. Director Christopher Marney has chosen the repertoire well, finding chamber-sized works to fit the company of 14, however two out of the four works presented are weak choreographically.
Review: CREDITORS, Starring Charles Dance, Orange Tree Theatre by Aliya Al-Hassan
- September 15, 2025 Orange Tree artistic director Tom Littler first directed Howard Brenton’s adaptation of August Strindberg’s Creditors at Jermyn Street Theatre in 2019, in rep with Miss Julie. He has secured quite a coup in gathering such a star-studded cast of acting veterans with Geraldine James, Nicholas Farrell and Charles Dance in this wonderfully performed but underwhelming production.
Review: THE TRUTH ABOUT BLAYDS, Finborough Theatre by Clementine Scott
- September 15, 2025 Even though the Finborough has been transformed into a lush 1920s drawing room, with emerald green walls and an intricately stuccoed fireplace, cloyingly nostalgic period piece this is not. In fact, AA Milne’s rarely performed 1921 play The Truth About Blayds is refreshingly unsentimental about years gone by, preferring to totally deconstruct the idea that we ever had it better in the past. In Milne’s universe, revered Victorian heavyweights were not the ‘great men’ of history, but complex mortals, maybe even frauds.
OPERATION MINCEMEAT Extends Once Again in London by BWW News Desk
- September 15, 2025 Double Olivier Award and Tony Award-winning musical Operation Mincemeat is extending its run at the West End's Fortune Theatre for the 16th time.
Review: EVERY BRILLIANT THING, Starring Sue Perkins, @sohoplace by Louise Penn
- September 15, 2025 Every Brilliant Thing, now on in the West End, never be the same show, so it could be watched 10 times, 100 times, a million and still reach deep into the heart of you. It won't be for everyone. It may come across as over-sentimental or simplistic to some. I'm not one of those people.
Review: COW | DEER, Royal Court Theatre by Cindy Marcolina
- September 14, 2025 Have you ever wished to have the same auditory experience as a deer? Or maybe a cow? Now you can. Katie Mitchell partners with playwright Nina Segal and sonic artist Melanie Wilson to explore the world from the eyes – or, more accurately, ears – of the titular animals. It’s a crude reproduction of a day in their lives that de-centres humans from its narrative altogether. Cow | Deer is entirely wordless, unique in its genre and unlike anything you’ll see on a main stage. The leaflets handed out before the start encourage the audience to close their eyes and relax while they listen to “moments of a summer day in England”. You could do that, but you’d be missing all the fun of seeing live foley artistry.