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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Review: SOIR NOIR: A NIGHTCLUB CONFIDENTIAL, Crazy Coqs

Review: SOIR NOIR: A NIGHTCLUB CONFIDENTIAL, Crazy Coqs

by Franco Milazzo — April 21, 2025
Walking into the dimly lit room in a black suit and glittery top, David Rhodes somewhat resembles a funereal mirrorball. ...
Review: SALTY BRINE: THESE ARE THE CONTENTS OF MY HEAD (THE ANNIE LENNOX SHOW), Soho

Review: SALTY BRINE: THESE ARE THE CONTENTS OF MY HEAD (THE ANNIE LENNOX SHOW), Soho Theatre

by Franco Milazzo — April 19, 2025
“Fasten your seatbelts!” cries Salty Brine at the top of the show, “it’s going to be a bumpy ride!” He’s not wrong: watching him at work is like standing in the middle of a four-way road junction and being smashed over and over by cars from every direction. In a good way....
Review: SNOW WHITE: THE SACRIFICE, Sadler's Wells East

Review: SNOW WHITE: THE SACRIFICE, Sadler's Wells East

by Gary Naylor — April 19, 2025
Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync...
Review: MR BURTON, in cinemas

Review: MR BURTON, in cinemas

by Gary Naylor — April 18, 2025
Richard Burton acquires a new name, a new voice and a new authority under the guidance of a loving teacher...
Review: THE INSEPARABLES, Finborough Theatre

Review: THE INSEPARABLES, Finborough Theatre

by Alexander Cohen — April 18, 2025
** 'One for the Simone de Beauvoir fans'...
Review: TENDING, Riverside Studios

Review: TENDING, Riverside Studios

by Cheryl Markosky — April 18, 2025
Writer El Blackwood's Tending, produced by Another Theatre, is a three-hander based on more than 700 verbatim interviews with NHS nurses over a two-year period. She boils everything down into three characters: a paediatric ICU nurse played by Blackwood, palliative care nurse (Anjelica Serra) and A&E...
Review Roundup: GHOSTS, starring Victoria Smurfit and Callum Scott Howells

Review Roundup: GHOSTS, starring Victoria Smurfit and Callum Scott Howells

by Aliya Al-Hassan — April 17, 2025
Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in Splott, Romeo and Julie and Killology....
Review: DAN WYE AM I SAM SMITH?, Soho Theatre

Review: DAN WYE AM I SAM SMITH?, Soho Theatre

by Kat Mokrynski — April 18, 2025
Written and performed by Dan Wye and directed by Lee Griffith, Dan Wye Am I Sam Smith? is Wye’s debut hour, exploring how their life has been changed by being a doppelgänger of singer Sam Smith, which leads them to experience a life full of the negative aspects of being famous without being able ...
Review: THE ABNORMAL FAMILIARITY OF US, Theatre503

Review: THE ABNORMAL FAMILIARITY OF US, Theatre503

by Gary Naylor — April 16, 2025
Libbi Moss's drama of a fractured family hits hard but could do with a larger canvas to explore well-crafted characters...
Review: GHOSTS, starring Victoria Smurfit and Callum Scott Howells

Review: GHOSTS, starring Victoria Smurfit and Callum Scott Howells

by Cindy Marcolina — April 17, 2025
Victoria Smurfit and Callum Scott Howells are the tragic mother-son duo in an exciting, tense, suspenseful adaptation. Owen shifts the script and makes this classic all about domestic abuse and the power of upper-class disdain. Rachel O’Riordan’s production is a masterclass in distilling tensio...
Review: THE DA VINCI CODE, Salisbury Playhouse

Review: THE DA VINCI CODE, Salisbury Playhouse

by Cheryl Markosky — April 16, 2025
As I'm probably one of only a handful who hasn't read the book or seen the film of The Da Vinci Code, I was looking forward to the play based on Dan Brown's bestselling novel of 2003 described as thriller, mystery and treasure hunt....
Review: HEISENBERG, Arcola Theatre

Review: HEISENBERG, Arcola Theatre

by Tsitsi Tsopotsa — April 15, 2025
Simon Stephens' 26th play, Heisenberg, currently showing at the Arcola Theatre, is a masterful exploration of quantum uncertainty principles translated into human relationships. The production offers a nuanced portrayal of connection between two seemingly incompatible individuals. ...
Review: ASSES.MASSES, Battersea Arts Centre

Review: ASSES.MASSES, Battersea Arts Centre

by Franco Milazzo — April 15, 2025
Would you spend over seven hours with a hundred other people in the same room playing and watching a video game where donkeys attempt to overthrow their employers? Presented as part of London Games Festival‘s side events programme, asses.masses is an unusual experience that could well hold the key...
Review: DEAD MOM PLAY, Union Theatre

Review: DEAD MOM PLAY, Union Theatre

by Cindy Marcolina — April 16, 2025
A recently bereaved young man spars with his hyper-critical dead mother and Death himself in an attempt to accept his grief and move on. One too many vignettes à la Scooby Doo chase and not enough personal reckoning have this black comedy twist and turn but never truly fulfil its potential. ...
Review: MIDNIGHT COWBOY: A NEW MUSICAL, Southwark Playhouse

Review: MIDNIGHT COWBOY: A NEW MUSICAL, Southwark Playhouse

by Franco Milazzo — April 12, 2025
And so another stage-to-screen musical rolls into town. Based on the only adult-rated film to win an Oscar for Best Picture, Midnight Cowboy is about the friendship between male prostitute Joe Buck and con man Rico “Ratso” Rizzo in 1960s New York....
Review: WILL OWEN: LIKE, NOBODY’S WATCHING, Soho Theatre

Review: WILL OWEN: LIKE, NOBODY’S WATCHING, Soho Theatre

by Kat Mokrynski — April 15, 2025
Will Owen believes that he was born for the silver screen and tonight, he’s going to prove it to a live studio audience. Written and performed by Owen and directed by Daniel Emery and Molly Stacey, Will Owen: Like, Nobody’s Watching has Owen reflecting on his life through his love of television ...
Review: THE FORSYTHE PROGRAMME, Sadler's Wells

Review: THE FORSYTHE PROGRAMME, Sadler's Wells

by Vikki Jane Vile — April 11, 2025
Back in 2018, English National Ballet premiered Playlist (Track 1, 2) as part of their Voices of America programme. It was William Forsythe’s first new work for a British company in 20 years....
Review: SHANGHAI DOLLS, Kiln Theatre

Review: SHANGHAI DOLLS, Kiln Theatre

by Franco Milazzo — April 11, 2025
Looking at the rise and fall of two powerful Chinese women through the vague lens of Henrik Ibsen’s A Doll House probably sounded good on paper. It’s a shame then that Shanghai Dolls fails to deliver on almost every front....
Review: A BRIEF CASE OF CRAZY, Riverside Studios

Review: A BRIEF CASE OF CRAZY, Riverside Studios

by Cheryl Markosky — April 11, 2025
Just three people and a briefcase. No fancy-pants CGI, no video wizardry, no Marvel-like special effects. Just three people and a briefcase is all it takes for Skedaddle Theatre (definitely a company to watch), in association with Shoddy Theatre, to transport you on a riotous and gratifying journey....
Review: SKATEPARK, Sadler's Wells East

Review: SKATEPARK, Sadler's Wells East

by Gary Naylor — April 11, 2025
Hypnotic show transports even Boomers like me to happier times...
Review: PLAYFIGHT, Soho Theatre

Review: PLAYFIGHT, Soho Theatre

by Alexander Cohen — April 11, 2025
How will the Fringe hit land in London?...
Review: SPEED, Bush Theatre

Review: SPEED, Bush Theatre

by Aliya Al-Hassan — April 11, 2025
With so much potential material to explore, it is incredible that until now, a play has not been written about speed awareness courses. Following the success of the Olivier-nominated Blue Mist, writer Mohamed-Zain Dada and director Milli Bhatia come to the Bush Theatre with their darkly amusing ne...
Review: TUTANKHAMUN: THE IMMERSIVE EXHIBITION, Immerse LDN

Review: TUTANKHAMUN: THE IMMERSIVE EXHIBITION, Immerse LDN

by Kat Mokrynski — April 14, 2025
As someone who was fascinated by Ancient Egypt as a child and who wrote her dissertation on immersive experiences, Tutankhamun: The Immersive Exhibition seemed like the perfect place for me. The exhibition, which opened 28 March at Immerse LDN at Excel, promising “extraordinary journey through Anc...
Review: STEVEN FRAYNE: UP CLOSE AND MAGICAL, Underbelly Boulevard

Review: STEVEN FRAYNE: UP CLOSE AND MAGICAL, Underbelly Boulevard

by Franco Milazzo — April 10, 2025
The magician formerly known as Dynamo and now more formally as Steven Frayne steps away from his ex-persona to embrace a new start....
Review: INTERNATIONAL DRAFT WORKS 2025, Royal Ballet And Opera

Review: INTERNATIONAL DRAFT WORKS 2025, Royal Ballet And Opera

by Matthew Paluch — April 10, 2025
Choreography isn't easy, so choreographic platforms like International Draft Works (2025) are of the utmost importance. The movement lab returns to the Royal Ballet and Opera's Linbury Theatre for another insight into where present day choreography, of ballet companies, is going. ...
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