Review: SOIR NOIR: A NIGHTCLUB CONFIDENTIAL, Crazy Coqs
Walking into the dimly lit room in a black suit and glittery top, David Rhodes somewhat resembles a funereal mirrorball. ...
Review: SALTY BRINE: THESE ARE THE CONTENTS OF MY HEAD (THE ANNIE LENNOX SHOW), Soho Theatre
“Fasten your seatbelts!” cries Salty Brine at the top of the show, “it’s going to be a bumpy ride!” He’s not wrong: watching him at work is like standing in the middle of a four-way road junction and being smashed over and over by cars from every direction. In a good way....
Review: SNOW WHITE: THE SACRIFICE, Sadler's Wells East
Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync...
Review: MR BURTON, in cinemas
Richard Burton acquires a new name, a new voice and a new authority under the guidance of a loving teacher...
Review: THE INSEPARABLES, Finborough Theatre
** 'One for the Simone de Beauvoir fans'...
Review: TENDING, Riverside Studios
Writer El Blackwood's Tending, produced by Another Theatre, is a three-hander based on more than 700 verbatim interviews with NHS nurses over a two-year period. She boils everything down into three characters: a paediatric ICU nurse played by Blackwood, palliative care nurse (Anjelica Serra) and A&E...
Review Roundup: GHOSTS, starring Victoria Smurfit and Callum Scott Howells
Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in Splott, Romeo and Julie and Killology....
Review: DAN WYE AM I SAM SMITH?, Soho Theatre
Written and performed by Dan Wye and directed by Lee Griffith, Dan Wye Am I Sam Smith? is Wye’s debut hour, exploring how their life has been changed by being a doppelgänger of singer Sam Smith, which leads them to experience a life full of the negative aspects of being famous without being able ...
Review: THE ABNORMAL FAMILIARITY OF US, Theatre503
Libbi Moss's drama of a fractured family hits hard but could do with a larger canvas to explore well-crafted characters...
Review: GHOSTS, starring Victoria Smurfit and Callum Scott Howells
Victoria Smurfit and Callum Scott Howells are the tragic mother-son duo in an exciting, tense, suspenseful adaptation. Owen shifts the script and makes this classic all about domestic abuse and the power of upper-class disdain. Rachel O’Riordan’s production is a masterclass in distilling tensio...
Review: THE DA VINCI CODE, Salisbury Playhouse
As I'm probably one of only a handful who hasn't read the book or seen the film of The Da Vinci Code, I was looking forward to the play based on Dan Brown's bestselling novel of 2003 described as thriller, mystery and treasure hunt....
Review: HEISENBERG, Arcola Theatre
Simon Stephens' 26th play, Heisenberg, currently showing at the Arcola Theatre, is a masterful exploration of quantum uncertainty principles translated into human relationships. The production offers a nuanced portrayal of connection between two seemingly incompatible individuals.
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Review: ASSES.MASSES, Battersea Arts Centre
Would you spend over seven hours with a hundred other people in the same room playing and watching a video game where donkeys attempt to overthrow their employers? Presented as part of London Games Festival‘s side events programme, asses.masses is an unusual experience that could well hold the key...
Review: DEAD MOM PLAY, Union Theatre
A recently bereaved young man spars with his hyper-critical dead mother and Death himself in an attempt to accept his grief and move on. One too many vignettes à la Scooby Doo chase and not enough personal reckoning have this black comedy twist and turn but never truly fulfil its potential. ...
Review: MIDNIGHT COWBOY: A NEW MUSICAL, Southwark Playhouse
And so another stage-to-screen musical rolls into town. Based on the only adult-rated film to win an Oscar for Best Picture, Midnight Cowboy is about the friendship between male prostitute Joe Buck and con man Rico “Ratso” Rizzo in 1960s New York....
Review: WILL OWEN: LIKE, NOBODY’S WATCHING, Soho Theatre
Will Owen believes that he was born for the silver screen and tonight, he’s going to prove it to a live studio audience. Written and performed by Owen and directed by Daniel Emery and Molly Stacey, Will Owen: Like, Nobody’s Watching has Owen reflecting on his life through his love of television ...
Review: THE FORSYTHE PROGRAMME, Sadler's Wells
Back in 2018, English National Ballet premiered Playlist (Track 1, 2) as part of their Voices of America programme. It was William Forsythe’s first new work for a British company in 20 years....
Review: SHANGHAI DOLLS, Kiln Theatre
Looking at the rise and fall of two powerful Chinese women through the vague lens of Henrik Ibsen’s A Doll House probably sounded good on paper. It’s a shame then that Shanghai Dolls fails to deliver on almost every front....
Review: A BRIEF CASE OF CRAZY, Riverside Studios
Just three people and a briefcase. No fancy-pants CGI, no video wizardry, no Marvel-like special effects. Just three people and a briefcase is all it takes for Skedaddle Theatre (definitely a company to watch), in association with Shoddy Theatre, to transport you on a riotous and gratifying journey....
Review: SKATEPARK, Sadler's Wells East
Hypnotic show transports even Boomers like me to happier times...
Review: PLAYFIGHT, Soho Theatre
How will the Fringe hit land in London?...
Review: SPEED, Bush Theatre
With so much potential material to explore, it is incredible that until now, a play has not been written about speed awareness courses. Following the success of the Olivier-nominated Blue Mist, writer Mohamed-Zain Dada and director Milli Bhatia come to the Bush Theatre with their darkly amusing ne...
Review: TUTANKHAMUN: THE IMMERSIVE EXHIBITION, Immerse LDN
As someone who was fascinated by Ancient Egypt as a child and who wrote her dissertation on immersive experiences, Tutankhamun: The Immersive Exhibition seemed like the perfect place for me. The exhibition, which opened 28 March at Immerse LDN at Excel, promising “extraordinary journey through Anc...
Review: STEVEN FRAYNE: UP CLOSE AND MAGICAL, Underbelly Boulevard
The magician formerly known as Dynamo and now more formally as Steven Frayne steps away from his ex-persona to embrace a new start....
Review: INTERNATIONAL DRAFT WORKS 2025, Royal Ballet And Opera
Choreography isn't easy, so choreographic platforms like International Draft Works (2025) are of the utmost importance. The movement lab returns to the Royal Ballet and Opera's Linbury Theatre for another insight into where present day choreography, of ballet companies, is going.
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