BWW Review: THE WOLVES, Theatre Royal Stratford East
This is a play about the highs and lows of teen development, exploring what it means to be a girl today.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
Our UK / West End Critics
View All ›
Aliya Al-HassanCritic
Amber-Rae StobbsCritic
Caroline CroninCritic
Cheryl MarkoskyCritic
Cindy MarcolinaCritic
Debbie GilpinCritic
Donald HuteraCritic
Franco MilazzoCritic
Gary NaylorCritic
Guest AuthorCritic
Kat MokrynskiCritic
Kerrie NicholsonCritic
Matthew PaluchCritic
Mica BlackwellCritic
Michael HiggsCritic
Vikki Jane VileCritic
BWW Album Review: THE MUSIC OF HARRY POTTER AND THE CURSED CHILD
Excitement has enveloped the internationally acclaimed stage production, Harry Potter and the Cursed Child, since its London opening in July 2016.
BWW Review: HIGH SOCIETY, Richmond Theatre
High Society has a chequered past as a stage show; even Richard Eyre failed at adapting Cole Porter's 1956 film.
BWW Review: THE ANIMALS AND CHILDREN TOOK TO THE STREETS, Nuffield Southampton Theatres
The Animals and Children Took To The Streets twists together retro imagery and animation with cabaret and mime for some elegantly sinister storytelling.
BWW Review: CLOSE QUARTERS, Crucible Studio, Sheffield
This new Sheffield Theatres / Out of Joint production offers a dynamic, inventive and thought-provoking look at young women soldiers serving on the front line.
BWW Review: DEALING WITH CLAIR, Orange Tree Theatre
Dealing With Clair was first staged thirty years ago at the Orange Tree Theatre.
BWW Review: THIS IS GOING TO HURT, Theatre Royal Brighton
Adam Kay is a writer, comedian and former junior doctor.
BWW Review: THE CURIOUS VOYAGE, Secret Locations All Over London
Londoners may have seen a resurgence in immersive theatrical experiences recently, but Talk Is Free Theatre brings the concept to a whole new level with The Curious Voyage.
BWW Review: LA CENERENTOLA, Bristol Hippodrome
The music is magical, with all its coloratura, patter, and character from the principals, male chorus, and orchestra magnificently managed by Tomaš Hanus, but there's still some magic amiss in this staging from Welsh National Opera.
BWW Review: A CELEBRATION OF JOHN WILLIAMS IN CONCERT at Royal Albert Hall
This year sees the 40th anniversary of John Williams' first concert with the London Symphony Orchestra, which was performed at the Royal Albert Hall in February 1978.
BWW Review: CONSENSUAL, Soho Theatre
Opening this year's National Youth Theatre REP Season is the return of Evan Placey's Consensual, originally written for the company back in 2015 when it premiered at the Ambassadors Theatre.
BWW Review: A VERY VERY VERY DARK MATTER, Bridge Theatre
Hot off award-winning film Three Billboards Outside Ebbing, Missouri, and reunited with Matthew Dunster, who directed his hit Hangmen, Martin McDonagh brings his latest to the Bridge - quite a coup for Nick Hytner.
BWW Review: LUCIA DI LAMMERMOOR, London Coliseum
Tragedy raw in tooth and claw in this revival of the ENO's 2008 production of Lucia di Lammermoor.
BWW Review: I AND YOU, Hampstead Theatre
Hampstead Theatre hosts the European premiere of Lauren Gunderson's award-winning I and You.
BWW Review: THE THREE MUSKETEERS, Lyceum, Sheffield
Northern Ballet's take on the Three Musketeers is beautiful to watch, with a fantastic score and some delightful fight scenes.
BWW Review: HARRY POTTER AND THE PRISONER OF AZKABAN, Royal Albert Hall
Watching any of the Harry Potter movies is a magical experience, loved by children and adults of all ages.
BWW Review: MANON, Milton Keynes Theatre
This revival of Kenneth MacMillan's Manon is a visual and aural delight that should melt the heart of even the most reluctant ballet sceptic.
BWW Review: VERDI'S REQUIEM, Royal Opera House
Antonio Pappano's conducting of the work evoked gloom but didn't approach closely enough the more sinister subject of death.
BWW Review: THE WILD DUCK, Almeida Theatre
Robert Icke's updating of The Wild Duck gains in contemporary relevance, but loses a little of its heart en route.
BWW Review: MACBETH, Barbican
Embracing the darkness of the play and space, we are 'cabined, cribbed, confined, bound in to saucy doubts and fears' alongside Macbeth in Polly Findlay's terrifying and thoughtful production.
BWW Review: MEDUSA, Sadler's Wells Theatre
Celebrating 20 years of performance excellence, Sadler's Wells Associate Artist Jasmin Vardimon's incredibly talented company present another unforgettable, highly entertaining masterpiece.
BWW Review: THE WIPERS TIMES, Arts Theatre
Returning to the Arts Theatre in London's West End after a UK tour, The Wipers Times proves that the history of the Great War can be engaging and at times entertaining.
BWW Review: JONNY WOO'S UN-ROYAL VARIETY, Hackney Empire
Back for its third year, Jonny Woo brings his eclectically exuberant production to the Hackney Empire, promising it to be the most spectacular yet.
BWW Review: BEAUTIFUL THING, Tobacco Factory Theatres
Premiering at London's Bush Theatre in 1993, and inspiring a film adaptation three years later that became a cult classic, Jonathan Harvey's Beautiful Thing is currently playing at Bristol's Tobacco Factory Theatres.
BWW Review: GUYS AND DOLLS, Royal Albert Hall
For three performances only, renowned director/choreographer Stephen Mear has brought his own semi-staged version of the classic musical Guys and Dolls to the Royal Albert Hall.
Tickets From $59
Tickets From $77
Tickets From $71
Tickets From $71