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Washington, DC Theater Newsroom — Page 58

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PostClassical Ensemble Reveals 2024-25 Season

by BWW News Desk — June 21, 2024

PostClassical Ensemble has announced the concert line-up for its 2024-2025 season at the Kennedy Center Terrace Theater,* with season packages on-sale now.

Cast Set For NOISES OFF at the Keegan Theatre

Cast Set For NOISES OFF at the Keegan Theatre

by BWW News Desk — June 18, 2024

The Keegan Theatre has announced the cast and team of Michael Frayn’s NOISES OFF, the fan-favorite farce capping Keegan’s 27th season! A sold-out hit when it last played at Keegan in 2010, NOISES OFF returns by audience demand, playing August 1-September 1, 2024.

PENIS ENVY Makes Debut At Capital Fringe 2024 Next Month

PENIS ENVY Makes Debut At Capital Fringe 2024 Next Month

by BWW News Desk — June 17, 2024

Monologist, mother, English professor, and writer Becky Bondurant threads her personal coming-of-middle-age narrative through a Freudian needle, weaving from eating disorders and female orgasms to circumcision and breastfeeding against the backdrop of a political crisis.

Joe Iconis Will Perform at NextStop Theatre This Summer

Joe Iconis Will Perform at NextStop Theatre This Summer

by BWW News Desk — June 14, 2024

NextStop Theatre has announced that Joe Iconis, the Tony-nominated composer and lyricist of the cult-hit Broadway musical Be More Chill, will perform his solo concert/cabaret at the company's black-box theater in Herndon on Monday, July 15th.

Review: BYE, BYE, BIRDIE at Kennedy Center

Review: BYE, BYE, BIRDIE at Kennedy Center

by Elliot Lanes — June 12, 2024

The latest entry into Kennedy Center’s Broadway Center Stage series is one that you don’t see produced professionally very often which is a good thing.

Review: ROSE: YOU ARE WHO YOU EAT at Woolly Mammoth Theatre Company

Review: ROSE: YOU ARE WHO YOU EAT at Woolly Mammoth Theatre Company

by David Friscic — June 10, 2024

Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion”  metaphor ---that pl

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