BWW Review: ETTA & ELLA ON THE UPPER WEST SIDE at Round House Theatre
The production commits the cardinal sin in storytelling, telling instead of showing.
The latest reviews and critic recommendations from Washington, DC.
The production commits the cardinal sin in storytelling, telling instead of showing.
The original cast of a local favorite returns to animate a long Christmas Eve in a Dublin pub, in a production marred by its indifferent online presentation.
Like many of the fairy tales by Danish author Hans Christian Andersen, his popular novel The Snow Queen has a dark undertone — representing the struggle between good and evil that two friends Gerda and Kai experience.
Craig Wallace returns for his fifth season as Ebenezer Scrooge in a production that's a tour de force in sound design.
Morella’s work as the adaptor/director/performer in this piece practically needs no introduction, and his comfort with the material enables him to switch characters and voices with ease.
This Is Who I Am is a compelling emotional tale, defying our expected limits of technology to bring us a deep, profound human connection over a video call.
The Resurrection of Alice is a well-researched, superbly acted play.
The third online production in the series, and the second from Kennedy’s Alexander Plays, is a penetrating, seemingly straightforward tale of mid-20th century discrimination in academia, blended with unspeakable crime.
With their first audio effort, Kings, Studio demonstrates the versatility of Studio’s roster of actors and sound designers.
Wit, wisdom, and sometimes overpowering verbosity fill George Bernard Shaws’ Don Juan In Hell, the dream sequence contained within the third act of the Irish playwright’s Man and Superman and sometime performed independently.
Round House Theatre’s “Sleep Deprivation Chamber,” directed by Raymond O.
As the astronauts of the SpaceX Dragon must be learning currrently, in their mission to the International Space Station, this battered planet may not the greatest place to be right now.
'TRANS AM' is a powerful, honest portrayal of a fascinating and gifted woman, and brings a beautiful blend of storytelling and performance to the stage (and our screens).
Round House Theatre’s production of “He Brought Her Heart Back in a Box” is a haunting portrait of segregated Georgia.
'From Gumbo to Mumbo' is like a favorite books of poetry – a little rough when you’re still learning the rhythms, but ultimately captivating.
Music has always been able to get us through the most turbulent times in this nation's history.
The big drama about The GALA Hispanic Theatre's season opener 'El Perro del Hortelano (The Dog in the Manger)' is that they're presenting it at all.
Is it possible to change a relationship retrospectively, especially one that has been intermittent all along and ended with the death of the other person? That is the question posed by Psalmayene 24, who didn't see his father until he was 12 and even then was introduced by the older man as someon
Live-outdoor theatre, an incredible view of the water at the Wharf, and E.
Synetic's JOY! is an exploratory theater experience, which blends intimate storytelling with audience interaction.
Round House Theatre leans into our current circumstances and puts on a good show.
I've been as hungry for new shows as I'm sure many theater fans have been.
The word legendary can be used loosely, but as Brian Ganz demonstrates in a tribute concert to his long-time teacher and world-famous pianist Leon Fleisher, in this case not only is the description deserving but can be applied in many different spheres.
If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn't go wrong with a double bill of Renée Fleming and Vanessa Williams.
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foodle foodle (8/29-9/01) |
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