BWW Review: SALVADOR at GALA Hispanic Theatre
The 17th Fuego Flamenco Festival at the GALA Hispanic Theatre has opened with a returning favorite, Edwin Aparicio's spectacular autobiographical piece, 'Salvador.
The latest reviews and critic recommendations from Washington, DC.
The 17th Fuego Flamenco Festival at the GALA Hispanic Theatre has opened with a returning favorite, Edwin Aparicio's spectacular autobiographical piece, 'Salvador.
An innovative, reflective and historical evening of musicianship was presented on Thursday evening at the Kennedy Center’s Terrace Theater as the renowned mezzo-soprano Susan Graham and the exciting Music from Copland House ensemble performed modern works with fervent zeal and finesse.
The scenes in Birds unfold over a decade in the life of father and daughter, marked by accumulating leaves and, of course, accumulating tensions, as each of them face moments of crushing disappointment, binoculars in hand, alternately consoling and infuriating each other.
The show still has a winning recipe, but this touring production doesn't measure up to its 2018 D.
Recriminations, reprisals and heart wrenching ruminations ensue as a group of five women face a time of purges and fear in the harrowing play Pankrác ’45.
The racial reckoning coursing through American theaters and arts companies as a result of last summer's social justice uprisings isn't a new thing.
Despite a solid slate of talent both on and off stage, Constellation Theatre Company's latest production just misses the mark.
Returning to Spooky Action Theater to kick off their 2021 Reopening Season after its original run was cut short in March 2020, The Realistic Joneses is a touching and humorous examination of human mortality and the curious ways we can find hope--or, at the very least, a little bit of comfort--in one
It is mere coincidence that Anaïs Mitchell’s remarkable, Tony Award-winning Hadestown, now being given a solid production at the Kennedy Center’s Opera House, debuted on Broadway just before our twenty-month plague began, but it fits.
Arena Stage’s production of Celia and Fidel, directed by Molly Smith, is a fast-paced drama set within Cuban politics during Castro’s dictatorship.
Fans of the original staging of the 'Fall of the House of Usher' and theater-goers who enjoy productions with a bit of a spooky element for this time of year will likely enjoy the performance.
MY LORD, WHAT A NIGHT at Ford's Theatre is a fascinating story of a surprising friendship developing at a critical time in history.
David Strathairn amazes in this tour-de-force one-man play, at Shakespeare Theatre Company through October 17.
The Paul Taylor Dance Company has brought a brief but cheerfully charming program to the Eisenhower Theater at the Kennedy Center for a short run through October 9.
It seems fitting, in many ways, to return to live theater with such an incredible and incredibly well told story of optimism, humor, and resilience.
It’s rare that you come across a new adaptation of a classic text that feels groundbreaking and new while still retaining the heart of the original.
A dramatic reading of letters Shaw exchanged with the actress Mrs.
'The Picnics: A Nitwit Dyptich,' makes a perfect dessert to an evening of binge-watching your favorite historical drama, a perfect hors-d'oeuvre before diving into that meaty documentary series.
Is it possible that Richard III, had he been beloved by those around him notwithstanding his hunchback, would have abandoned ambition and treachery and instead become a loving and gentle mentor and guardian to Edward V? Would he have gracefully stepped aside when the young King reached his majorit
Returning to Shakespeare Theatre Company for a limited pre-season engagement after its original run was cut short in March 2020, Whitney White’s stunning production of James Baldwin’s The Amen Corner offers a resounding “welcome home” to theater lovers set hopelessly adrift over the past eig
While Labor Day weekend marked the unofficial end of summer it also marked Signature Theatre’s return to presenting LIVE entertainment.
On the eve of the 20th anniversary of 9/11, the Reflecting Pool on the National Mall was lined with lawn chairs and picnic blankets, and the surrounding lawns were packed with thousands of people eagerly awaiting a performance on the steps of the Lincoln Memorial.
Led by the masterful Mabel del Pozo in the title role and Luz Nicolás as her aunt, GALA Hispanic Theatre has mounted a nuanced and visually rich production of Federico García Lorca's 1935 play, Doña Rosita la soltera, adapted by Nando López.
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