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WASHINGTON, DC THEATER REVIEWS

The latest reviews and critic recommendations from Washington, DC
Review: WONDERLAND at The Music Center At Strathmore

Review: WONDERLAND at The Music Center At Strathmore

by Olivia Murray — December 4, 2022
The Young Artists of America always produce wonderful performances, and this one certainly did not disappoint....
Review: BALLET HISPÁNICO: DOÑA PERÓN at Kennedy Center

Review: BALLET HISPÁNICO: DOÑA PERÓN at Kennedy Center

by Roger Catlin — December 4, 2022
If you're going to do a history of Eva Perón based entirely on movement, you'd be sure to include that iconic pose of the Argentine First Lady hands aloft at the radio microphones before adoring thousands....
Review: SNOW MAIDEN Brings Magic to Life at Synetic Theater

Review: SNOW MAIDEN Brings Magic to Life at Synetic Theater

by Morgan Musselman — December 5, 2022
Synetic Theater’s holiday production, Snow Maiden, delivers a dose of whimsy to the local theater scene this December. Created by Helen-Hayes Award-winning choreographer and Synetic Co-Founder Irina Tsikurishvili, Snow Maiden utilizes the Synetic’s signature style to tell a new interpretation of...
Review: THE TEMPEST at Round House Theatre // Folger Theatre

Review: THE TEMPEST at Round House Theatre // Folger Theatre

by Rachael F. Goldberg — December 1, 2022
It’s clear that a tremendous amount of talent, effort, and care has gone into this telling of The Tempest, and those affiliated certainly deserve high praise. Do yourself a favor and go see this production....
Review: THE DAY YOU BEGIN at Kennedy Center

Review: THE DAY YOU BEGIN at Kennedy Center

by Elliot Lanes — November 30, 2022
Jacqueline Woodson’s 2018 children’s book The Day You Begin comes to radiant musical life in the Family Theater at the Kennedy Center this holiday season....
Review: KANSAS CITY BALLET: THE NUTCRACKER at Kennedy Center

Review: KANSAS CITY BALLET: THE NUTCRACKER at Kennedy Center

by Roger Catlin — November 26, 2022
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Review: TOOTSIE at Capital One Hall

Review: TOOTSIE at Capital One Hall

by Mary Lincer — November 26, 2022
What did our critic think of TOOTSIE at Capital One Hall?...
Review: THE RAINMAKER at 1st Stage

Review: THE RAINMAKER at 1st Stage

by Peter Rouleau — November 23, 2022
American literature has a soft spot for con artists, those ruffians who, lacking the skills or inclination to earn an honest living, prosper by using sheer charm and creativity to tell other people what they most want to hear. These rapscallions, despite living by lying, often find themselves in a p...
Review: INTO THE WOODS at Signature Theatre

Review: INTO THE WOODS at Signature Theatre

by Ken Kemp — November 23, 2022
Into the Woods has captured pure theatre magic, and it's the perfect holiday show for the whole family. A production this unique and special is very rare, so make plans to see it before it closes....
Review: Washington Stage Guild's MAJOR BARBARA Shines as Only Shaw Can

Review: Washington Stage Guild's MAJOR BARBARA Shines as Only Shaw Can

by Andrew White — November 21, 2022
The Washington Stage Guild's current production of Shaw's Major Barbara runs rings around a whole world of ideas, metaphysical, physical, you name it, with Emelie Faith Thompson positively shining in her turn as the title character...
Review: JUST FOR US at Woolly Mammoth

Review: JUST FOR US at Woolly Mammoth

by Mary Lincer — November 20, 2022
What did our critic think of JUST FOR US at Woolly Mammoth?...
Review: CENDRILLON at Eisenhower Theater, Kennedy Center

Review: CENDRILLON at Eisenhower Theater, Kennedy Center

by Alexander C. Kafka — November 19, 2022
Think you know the story of Cinderella? Think again. Jean-Christophe Maillot's version is warped and wonderful -- frenetic, funny, erotic, and emotionally powerful....
Review: Shakespeare Theatre's MUCH ADO ABOUT NOTHING a Dazzlingly Brilliant Farce

Review: Shakespeare Theatre's MUCH ADO ABOUT NOTHING a Dazzlingly Brilliant Farce

by Andrew White — November 17, 2022
Simon Goodwin's new production of Much Ado About Nothing pulls out all the stops. Visually joyful, with antics and sight-gags galore, this is just the break from election anxiety this town needs. We've been waiting a long time for this one (COVID delayed the premiere by a bit, as you can imagine), a...
Review: CHICAGO at National Theatre

Review: CHICAGO at National Theatre

by David Friscic — November 17, 2022
It is no secret why the musical Chicago, now playing at the National Theatre, is such a long-running hit lauded by the public and critics alike. It is the ultimate in cynical musicals and will be applauded as long as “the world goes round” with avarice, immorality, and greed....
Review: PEOPLE, PLACES &THINGS at Studio Theatre

Review: PEOPLE, PLACES &THINGS at Studio Theatre

by David Friscic — November 15, 2022
People, Places and Things are a constant trigger for addiction and anxiety in the probing and intellectually thrilling production of People, Places & Things now playing at the Studio Theatre.  A highly evolved play of substance that really pushes the boundaries of the subject of addiction is a top-...
Review: DISNEY'S BEAUTY AND THE BEAST at Olney Theatre Center

Review: DISNEY'S BEAUTY AND THE BEAST at Olney Theatre Center

by Olivia Murray — November 13, 2022
Change can be a good thing, and in this case, it was astonishingly successful....
Review: THE PLAYBOY OF THE WESTERN WORLD at Atlas Performing Arts Center

Review: THE PLAYBOY OF THE WESTERN WORLD at Atlas Performing Arts Center

by PETER Rouleau — November 12, 2022
A lively contemporary rethinking of a classic Irish comedy....
Review: HOME? at Voices Festival Productions

Review: HOME? at Voices Festival Productions

by Roger Catlin — November 6, 2022
The New York-based Palestinian-Israeli actress Hend Ayoub knew she'd been at it a while when, after being in America for a few years, the roles she was asked to audition for moved from terrorist's daughter and terrorist's wife to terrorist's mother....
Review: LA LLORONA at We Happy Few

Review: LA LLORONA at We Happy Few

by Roger Catlin — November 3, 2022
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Review: Sanctuary City at Arena Stage

Review: Sanctuary City at Arena Stage

by Elliot Lanes — November 1, 2022
Martyna Majok is easily one of the modern-day theatre’s finest playwrights. You might remember her play Ironbound being performed at Round House Theatre a few seasons ago. You might also know her as the Pulitzer Prize winning author of Cost of Living which concludes a successful Broadway run at Ma...
Review: INTIMATE APPAREL at Theater J

Review: INTIMATE APPAREL at Theater J

by Rachael F. Goldberg — October 27, 2022
'Intimate Apparel' is a fascinating look at an intriguing woman, time period, and world, but the production just didn’t meet the standards Theater J has set for itself over the years....
Review: THE LOOK OF LOVE at Eisenhower Theater

Review: THE LOOK OF LOVE at Eisenhower Theater

by Mary Lincer — October 29, 2022
What did our critic think of THE LOOK OF LOVE at Eisenhower Theater?...
ELEGIES: A SONG CYCLE at Keegan Theatre

ELEGIES: A SONG CYCLE at Keegan Theatre

by David Friscic — October 25, 2022
The Keegan Theatre is presenting a moving and sensitive production of composer William Finn’s Elegies: A Song Cycle.  This is a work of disarming autobiographical elements that underscore Finn’s alternately quirky and elegiac lyrics.  Finn’s music is shot through with a sense of longing and ...
Review: FADE at Unexpected Stage Company

Review: FADE at Unexpected Stage Company

by Roger Catlin — October 24, 2022
Before she became creator and show runner for the well-received three-season premium cable series 'Vida,' the playwright Tanya Saracho spent some time as a staffer in various TV writers' rooms, from HBO's 'Girls' and 'Looking' to ABC's 'How to Get Away with Murder.'...
Review: CLOUD GATE DANCE THEATRE OF TAIWAN: 13 TONGUES at The Kennedy Center

Review: CLOUD GATE DANCE THEATRE OF TAIWAN: 13 TONGUES at The Kennedy Center

by Rachael F. Goldberg — October 22, 2022
Cloud Gate Theatre of Taiwan’s '13 Tongues' is the perfect season starter for the Kennedy Center's wonderful international dance program....
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