Review: YOU'RE A GOOD MAN, CHARLIE BROWN at Adventure Theatre
What did our critic think of YOU'RE A GOOD MAN, CHARLIE BROWN at Adventure Stage?
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What did our critic think of YOU'RE A GOOD MAN, CHARLIE BROWN at Adventure Stage?
The all-woman production is top-notch, from the vibrant cast to the sharp direction of Elena Araoz.
The entire production should be very proud of this show and I should hope to see that it eventually sticks around for a while.
What did our critic think of MY MAMA AND THE FULL SCALE INVASION at Woolly Mammoth Theatre? How do you tell the story of a person who has lived 1,000 lives? How do you capture a life that includes being born into Nazi occupation, raising a child, surviving a massive nuclear accident, and a full-scal
What did our critic think of EVITA at Shakespeare Theatre/Harman Hall? The two hour show packs 17 years of her life into a constantly moving, theatrical matrix including social, political, and women's fashion history which can often be quite affecting because Pimentel's acting finds simple moments o
Controversial statues have been de-installed long before a racial reckoning meant the end of most Confederate statues in recent years.
NextStop Theatre Company’s kickoff to its tin anniversary is delightful, hilarious, and engaging.
The tantalizing notion of a forbidden romance was part of Tennessee Williams’ “The Night of the Iguana,” Colleen McCullough’s novel “The Thorn Birds” (made into a TV miniseries with Richard Chamberlain), and the hot priest that tantalized Phoebe Waller-Bridge’s “Fleabag.
Cirque du Soliel’s ECHO, now making its U.
Cutthroat capitalism and journalistic sensationalist exploitation rears its ugly head in playwright James Graham’s Ink.
Compagnie Käfig merges elements of hip hop with modern dance, circus, and technological wizardry in its highly innovative production, Pixel, which has been seen by audiences in more than 30 countries around the world.
There was nothing humdrum or lazy about last evening’s late summer Gavin Creel concert at Kennedy Center.
What did our critic think of SWEAT at Keegan Theatre? No matter what year an audience sees Lynn Nottage's (her second Pulitzer) Sweat, something will be going wrong someplace for some part of the American workforce.
Seeing To Kill a Mockingbird, now at the Kennedy Center, isn’t the same experience as the novel you were quizzed on in high school or the classic 1962 film.
Given the moat of terrible traffic that separates Baltimore theatergoers from Arlington, what can justify a visit there? Well, one answer for sure is Signature Theatre’s stunning production of the 2014 musical The Bridges of Madison County.
What did our critic think of THE BRIDGES OF MADISON COUNTY at Signature Theatre? Andy Warhol once questioned, “I wonder if it’s possible to have a love affair that lasts forever.
As the Summer draws to a hot close, and school days loom on the near horizon, it’s good to know that some childish antics will survive well into the Fall.
What did our critic think of MOULIN ROUGE! THE MUSICAL at Kennedy Center? When you step into Moulin Rouge! The Musical, reality melts away.
Synetic Theater’s wordless Cyrano de Bergerac is gorgeous to behold and packs a powerful emotional wallop.
Signature's latest cabaret is a delightful romp down memory lane.
What did our critic think of RENT IN CONCERT at The Kennedy Center?
A brilliantly-performed, well-mounted play about a horribly-performed, disastrously staged play.
What did our critic think of CAMBODIAN ROCK BAND at Kreeger/Arena Stage?
What did our critic think of BELL WRINGER at Capital Fringe?
Dementia Man, An Existential Journey, is a one-man theatrical performance during which Sam navigates life upon learning he has early-stage Alzheimer’s Disease.
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