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IRONWORKS STUDIOS BRIGHTON

30 Cheapside Brighton BN1 4GD
Brighton BN3



Review: VICTORIA: A QUEEN UNBOUND, Watermill Theatre


by Mica Blackwell - April 02, 2026

With countless depictions of Queen Victoria in the media, Daisy Goodwin has managed to create something original and thought-provoking. Forcing the audience to question both history and memory, it's the wonderful cast and stunning visuals that complement her script and make for an all-around excitin...

Review: WAITRESS starring Carrie Hope Fletcher, New Wimbledon Theatre and on tour


by Gary Naylor - April 01, 2026

Good songs and good performances but a curiously mixed message from Sara Bareilles's smash hit show...

Review: DEATH ON THE NILE, Theatre Royal Brighton


by Caroline Cronin - April 01, 2026

Agatha Christie’s Death on the Nile—here adapted by Ken Ludwig and directed by Lucy Bailey—arrives on stage with all the glamour and menace you’d hope for: a sun-soaked cruise, a clutch of suspiciously well-dressed passengers, and, inevitably, a murder that sends everything spiralling....

Review: HENRY V, Royal Shakespeare Theatre


by Cindy Marcolina - March 29, 2026

Henry V of England is one of those big roles for an actor. Alfie Enoch follows in the footsteps of Laurence Olivier and Tom Hiddleston as the king who led a battalion of tired and outnumbered soldiers to victory. Excellent performances may save it, but co-artistic director of the Royal Shakespeare C...

Review: THE BEEKEEPER OF ALEPPO, Richmond Theatre


by Aliya Al-Hassan - March 11, 2026

Christy Lefteri’s 2019 bestseller The Beekeeper of Aleppo is both a powerful and poetic story about the refugee experience. Her story of Nuri and his wife Afra's escape from Syria to England was inspired by time Lefteri spent working in a refugee camp in Athens. Syria may currently be seen as le...

Review: EDUCATING RITA, Reading Rep Theatre


by Jo Caruana - March 03, 2026

The filter-like haze hits you first. Then the occasional lighting, the tiled ceiling, and the faint whiff of the 80s. But it's the arrival of two extraordinary performances – Madelyn Smedley's fizzing, fearless Rita and Julius D'Silva's weary, cynical Frank – that makes Reading Rep Theatre's Edu...

Review: THE CONSTANT WIFE, Theatre Royal Brighton


by Caroline Cronin - February 24, 2026

Adapted by Olivier Award-winner Laura Wade from Somerset Maugham’s original play, The Constant Wife, this new version is directed by Co-Artistic Director of the RSC Tamara Harvey and is now embarking on a UK Tour which, delightfully, opened in Brighton this week. It may not have played to a f...

Review: LA BOHÈME, in Cinemas


by Cheryl Markosky - March 01, 2026

What did our critic think of LA BOHEME IN CINEMAS at Cinemas Across The UK?...

Review: A MIDSUMMER NIGHT'S DREAM, Leeds Playhouse


by Gary Naylor - February 19, 2026

Innovative take on familiar comedy proves hit and miss as lovers and fairies fight...

Review: THE BATTLE, Birmingham Rep


by Laura Lott - February 18, 2026

Before Taylor Swift versus Charli XCX - but after The Beatles versus The Rolling Stones - came Blur versus Oasis. David Niven's debut comedy at Birmingham Rep takes us back to the summer of 1995, when temperatures and egos both soared and the nation was gripped by the chart battle between Oasis’ �...

Past Shows

Flutter-Bye
Flutter-Bye
3 Dec

In the summer heat of 1982, Mary packs bags and boxes in her dimly-lit bedroom. But this isn’t just packing – it’s an explosive unravelling...

Blue Blood or How to Kill Your Way to the Top
Blue Blood or How to Kill Your Way to the Top
15 May – 17 May 2023

Blue Blood is the extraordinary story of the scandalous adventures of outcast Gabriel Jones as he murders his way through the illustrious Gascoyne family on...

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