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UK REGIONAL THEATER REVIEWS

The latest reviews and critic recommendations from UK Regional

Our UK Regional Critics

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Review: FISH IN A KETTLE, Fabric Studios

Review: FISH IN A KETTLE, Fabric Studios

by Sarah O'Hara — May 29, 2026
Walking into the Fabric Studios, Liverpool for innovative new theatre production Fish in a Kettle, I was intrigued to discover what was behind the layers of fabric curtains in front of me. Entering to the sound of 90s club hits - from 'Rhythm of the Night' to 'Rhythm is a Dancer' - you are immediate...
Review: RED, Crazy Coqs

Review: RED, Crazy Coqs

by Christiana Rose — May 27, 2026
Red is a dazzling and richly entertaining musical revue which celebrates the flame haired icons who have shaped stage and screen history, whilst simultaneously showcasing the extraordinary talents of its creator and performer, Amber Topaz. Stylish, intelligent and brimming with affection for its sub...
Review: TALES FROM ACORN WOOD, Artsdepot

Review: TALES FROM ACORN WOOD, Artsdepot

by Christiana Rose — May 27, 2026
Tales From Acorn Wood at artsdepot is a warm, engaging and visually playful introduction to theatre for young audiences, bringing Julia Donaldson and Axel Scheffler’s much loved stories delightfully to life through puppetry, songs and audience participation....
Review: I'M SORRY, PRIME MINISTER, Richmond Theatre

Review: I'M SORRY, PRIME MINISTER, Richmond Theatre

by Aliya Al-Hassan — May 27, 2026
Former Prime Minister Jim Hacker and former Cabinet Secretary Sir Humphrey are reunited in poignant and nostalgic fashion in Jonathan Lynn's I'm Sorry, Prime Minister, the final chapter for two characters so beloved from the TV series that made them British institutions....
Review: IL TURCO IN ITALIA, Glyndebourne

Review: IL TURCO IN ITALIA, Glyndebourne

by Aliya Al-Hassan — May 26, 2026
Il Turco In Italia may not be Rossini's most famous work, but if there is any justice, this wonderful revival of Mariame Clément's 2021 Festival production will bring this opera to much wider attention. An uproarious comedy accompanied by a rousingly galloping score and gorgeous vocals; it is the e...
Review: BRIGHTON FRINGE REVIEW: WHEN I WAKE UP AGAIN, Streaming Now

Review: BRIGHTON FRINGE REVIEW: WHEN I WAKE UP AGAIN, Streaming Now

by Caroline Cronin — May 22, 2026
A difficult watch at times, and not without its flaws, but ultimately a thoughtful and inventive addition to the Brighton Fringe. ...
Review: TOSCA, Glyndebourne

Review: TOSCA, Glyndebourne

by Aliya Al-Hassan — May 22, 2026
Tosca is Giacomo Puccini's fast-paced thriller of an opera; brimming with tension and political intrigue. For many it is Puccini's best work, yet incredibly it has never been staged at Glyndebourne. Until now. It is a show of firsts all round: the first mainstage production for director Ted Huffman...
Review: THE SPY WHO CAME IN FROM THE COLD, Starring Ralf Little

Review: THE SPY WHO CAME IN FROM THE COLD, Starring Ralf Little

by Aliya Al-Hassan — May 20, 2026
Author John Le Carré famously banned stage versions of his work, and he may well have felt quietly vindicated with his decision having seen David Eldridge's adaptation of his third book, The Spy Who Came In From The Cold. Jeremy Herrin directs a cinematic and darkly-tinged production that ends u...
Review: BRIGHTON FRINGE REVIEW: FOR THE RECORD, Junk Poets - Caravanserai

Review: BRIGHTON FRINGE REVIEW: FOR THE RECORD, Junk Poets - Caravanserai

by Caroline Cronin — May 15, 2026
​​​​​​​What if you were forced to spend eternity with your ex? That’s the deliciously awkward premise behind For The Record, in which former lovers David and Nancy reunite in a kind of musical purgatory to revisit their relationship — and wrestle with the question of what might hav...
Review: THE KEY OF DREAMS- THE SHADOWS LENGTHEN, Treowen, Wales

Review: THE KEY OF DREAMS- THE SHADOWS LENGTHEN, Treowen, Wales

by Aliya Al-Hassan — May 19, 2026
It is now a few days since I left Treowen, a gorgeous 17th century Manor House set in the even-more-gorgeous Welsh countryside and I am still processing the experience. To call Lemon Difficult's The Key of Dreams simply an 'immersive experience' is to sell it very short. Where else can you spend 24...
Book Review: WALKING SHADOW LOVE, LOSS AND SHAKESPEARE, By Greg Doran

Book Review: WALKING SHADOW LOVE, LOSS AND SHAKESPEARE, By Greg Doran

by Cheryl Markosky — May 15, 2026
While The Winter's Tale's regarded as a play of two halves (set in Sicilia and Bohemia), former Royal Shakespeare Company director Greg Doran's poignant and absorbing Walking Shadow is a book of two halves....
Review: CAROLINE, Queen's Theatre, Hornchurch

Review: CAROLINE, Queen's Theatre, Hornchurch

by Gary Naylor — May 11, 2026
Sixty years ago, pirate radio floated on a diet of great pop, but was sunk by a spoilsport government. That said, its spirit lived on - and still does today!...
Brighton Fringe Review: HOW TO SURVIVE AND THRIVE IN AN IMPOSSIBLE WORLD – WITH A P

Brighton Fringe Review: HOW TO SURVIVE AND THRIVE IN AN IMPOSSIBLE WORLD – WITH A PIANO!, Rotunda Theatre (Squeak)

by Caroline Cronin — May 9, 2026
How To Survive and Thrive in an Impossible World – with a piano! is billed as an “interactive wellbeing show”  - a two-man musical about resilience.  About how we keep going, and hopefully even thrive, in an increasingly complicated world. Written by and starring Steve Bonham and composer Ch...
Review: BRIGHTON FRINGE REVIEW: THE SHAPE OF THINGS UNDONE (an audio-only piece)

Review: BRIGHTON FRINGE REVIEW: THE SHAPE OF THINGS UNDONE (an audio-only piece)

by Caroline Cronin — May 8, 2026
The concept of an audio-only theatrical experience is an intriguing one. Stripped entirely of visuals, The Shape of Things Undone asks its audience to engage through just a single sense, and in doing so it creates a deeply personal experience....
Book Review: KIDS, WAIT TILL YOU HEAR THIS! MY MEMOIR by Liza Minnelli, Michael Feins

Book Review: KIDS, WAIT TILL YOU HEAR THIS! MY MEMOIR by Liza Minnelli, Michael Feinstein, Josh Getlin, Heidi Evans

by Gary Naylor — May 5, 2026
Even 400 pages or more cannot contain whole life, nor the personality...
Review: THE RESISTIBLE RISE OF ARTURO UI, starring Mark Gatiss

Review: THE RESISTIBLE RISE OF ARTURO UI, starring Mark Gatiss

by Cindy Marcolina — April 26, 2026
A corrupt lot steeped in scandal puppeteers the economy. Unreasonable taxes are plaguing the people. Violence is rampant. All the while, a megalomaniac is gaining more traction by the day. Did we turn on the news, or are we watching Bertolt Brecht’s merciless satire? Seán Linnen transforms the al...
Review: TINA - THE TINA TURNER MUSICAL at Theater 11, Zurich

Review: TINA - THE TINA TURNER MUSICAL at Theater 11, Zurich

by André Böke — April 20, 2026
The international hit musical Tina – The Tina Turner Musical has landed in Switzerland as part of its recent UK and Ireland tour. In the city where Tina Turner spent her final years, the show gains a striking sense of immediacy. Seamlessly adapted for touring, the production proves it can more t...
Review: THE BODYGUARD at Alte Oper, Frankfurt And On Tour In The UK

Review: THE BODYGUARD at Alte Oper, Frankfurt And On Tour In The UK

by André Böke — April 5, 2026
The touring production of The Bodyguard arrives at a pivotal moment in its continental journey. After stops in Zurich, Munich and Berlin, interspersed with various UK engagements including London, the show now plays its final German date at the Alte Oper Frankfurt. From here, it will return to Briti...
Review: VICTORIA: A QUEEN UNBOUND, Watermill Theatre

Review: VICTORIA: A QUEEN UNBOUND, Watermill Theatre

by Mica Blackwell — April 2, 2026
With countless depictions of Queen Victoria in the media, Daisy Goodwin has managed to create something original and thought-provoking. Forcing the audience to question both history and memory, it's the wonderful cast and stunning visuals that complement her script and make for an all-around excitin...
Review: WAITRESS starring Carrie Hope Fletcher, New Wimbledon Theatre and on tour

Review: WAITRESS starring Carrie Hope Fletcher, New Wimbledon Theatre and on tour

by Gary Naylor — April 1, 2026
Good songs and good performances but a curiously mixed message from Sara Bareilles's smash hit show...
Review: DEATH ON THE NILE, Theatre Royal Brighton

Review: DEATH ON THE NILE, Theatre Royal Brighton

by Caroline Cronin — April 1, 2026
Agatha Christie’s Death on the Nile—here adapted by Ken Ludwig and directed by Lucy Bailey—arrives on stage with all the glamour and menace you’d hope for: a sun-soaked cruise, a clutch of suspiciously well-dressed passengers, and, inevitably, a murder that sends everything spiralling....
Review: HENRY V, Royal Shakespeare Theatre

Review: HENRY V, Royal Shakespeare Theatre

by Cindy Marcolina — March 29, 2026
Henry V of England is one of those big roles for an actor. Alfie Enoch follows in the footsteps of Laurence Olivier and Tom Hiddleston as the king who led a battalion of tired and outnumbered soldiers to victory. Excellent performances may save it, but co-artistic director of the Royal Shakespeare C...
Review: THE BEEKEEPER OF ALEPPO, Richmond Theatre

Review: THE BEEKEEPER OF ALEPPO, Richmond Theatre

by Aliya Al-Hassan — March 11, 2026
Christy Lefteri’s 2019 bestseller The Beekeeper of Aleppo is both a powerful and poetic story about the refugee experience. Her story of Nuri and his wife Afra's escape from Syria to England was inspired by time Lefteri spent working in a refugee camp in Athens. Syria may currently be seen as le...
Review: EDUCATING RITA, Reading Rep Theatre

Review: EDUCATING RITA, Reading Rep Theatre

by Jo Caruana — March 3, 2026
The filter-like haze hits you first. Then the occasional lighting, the tiled ceiling, and the faint whiff of the 80s. But it's the arrival of two extraordinary performances – Madelyn Smedley's fizzing, fearless Rita and Julius D'Silva's weary, cynical Frank – that makes Reading Rep Theatre's Edu...
Review: THE CONSTANT WIFE, Theatre Royal Brighton

Review: THE CONSTANT WIFE, Theatre Royal Brighton

by Caroline Cronin — February 24, 2026
Adapted by Olivier Award-winner Laura Wade from Somerset Maugham’s original play, The Constant Wife, this new version is directed by Co-Artistic Director of the RSC Tamara Harvey and is now embarking on a UK Tour which, delightfully, opened in Brighton this week. It may not have played to a f...
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