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Review: THE VILLAGE WHERE NO ONE SUFFERS, Jack Studio


by Clementine Scott - February 26, 2026

“We’ve died, we’ve been reborn, but we still have our memories,” a character reflects at one point. He’s talking about the years since the Russian invasion of Ukraine, and this sense of war as existential is everywhere in Ukrainian playwright Polina Polozhentseva’s understated fable....

Review: SPLENDOUR & DEVOTION AT LONDON HANDEL FESTIVAL, St George’s Hanover Square


by Debbie Gilpin - February 26, 2026

The 2026 edition of the London Handel Festival, which kicked off last week, is running under the theme of From Heavenly Harmony. The five-week event aims to “enrich lives through Handel’s music”, with concerts and recitals taking place in a variety of venues across London - last night saw The ...

Review: THE OPERA LOCOS, Sadler's Wells


by Franco Milazzo - February 26, 2026

If you have ever suspected that opera might benefit from fewer Valkyries and more vaudeville, Opera Locos is here to confirm your prejudice and then sing it at you in Italian....

Review: THE SOUND OF ABSENCE, Omnibus Theatre


by Cindy Marcolina - February 26, 2026

The sudden passing of her father kick-starts a profound identity crisis in Lenore. Why didn’t her life dramatically change when he died? She remembers witnessing what the loss of a parent did to a schoolmate when she was younger, that instant transformation into a shell of who she was beforehand. ...

Review: EVENING ALL AFTERNOON, Donmar Warehouse


by Cindy Marcolina - February 25, 2026

“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends. Studies show that it takes two to five years for a blended family to become a cohesive unit, and when Jennifer marries John, his daughter Delilah refuses to cooperate. Jennifer badly wants to be in Delilah’s life. In...

Review: BIRD GROVE, Hampstead Theatre


by Clementine Scott - February 24, 2026

George Eliot’s Middlemarch was, and is, radical for its acknowledgement of how society places limits on even the most ambitious and idealistic of its inhabitants. In his new play, Alexi Kaye Campbell explores how that notion of compromise may have affected Eliot herself, both to her own benefit an...

Review: TO MAURY WITH LOVE, Theatre Royal Drury Lane


by Louise Penn - February 23, 2026

To Maury With Love at Theatre Royal Drury Lane celebrated composer Maury Yeston’s 80th birthday with songs from Titanic, Nine, and Grand Hotel. Featuring the London Musical Theatre Orchestra, the charity concert supported Bowel Cancer UK, delivering strong performances despite limited context and ...

Review: WHAT I’D BE, Jack Studio


by Clementine Scott - February 20, 2026

The premise of What I’d Be is disarmingly simple: two estranged sisters sit on a bench in a small town, and talk. In one unflinchingly cathartic hour of theatre, they’ve ricocheted from outright resentment to reconciliation....

Review: A MIDSUMMER NIGHT'S DREAM, Leeds Playhouse


by Gary Naylor - February 19, 2026

Innovative take on familiar comedy proves hit and miss as lovers and fairies fight...

Review: THE STORY OF PEER GYNT: AN EVENING WITH KÅRE CONRADI, The Coronet Theatre


by Cindy Marcolina - February 20, 2026

f we’re speaking technically, a dramatised lecture is an educational performance that joins drama and academia in order to make the topic more entertaining to the public. In this case, Conradi offers an engaging one-man show that makes the bulky five acts of Peer Gynt accessible and smooth. He lig...

Past Shows

Suntou Susso: live album launch
Suntou Susso: live album launch
Nov 12

Born into the 700-year-old Griot tradition of West Africa, Suntou Susso is deeply connected to his heritage, which drives his vision as a musician. Griots are entrusted...

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