UK REGIONAL THEATRE NEWSROOM - Page 699

Lawyer.

Rose Theatre Kingston today announce Melly Still as an Associate Artist.

For the first time, the Queen's Theatre Hornchurch has partnered with one of London's prestigious drama schools, The Royal Central School of Speech and Drama to produce Dennis Kelly's modern day black comedy DNA (7 - 14 Feb).

Garret Millerick isn't usually a contrary man.

Direct from London's West End and Broadway, The Barricade Boys are back on the road with their sensational and critically acclaimed national tour and will play one night only in Darlington at The Hippodrome on Sunday 5 May.

More than 40 years since Saturday Night Fever hit the big screen, a new stage production is coming to Canterbury next month.

Milton Jones headlines the next Live At The Marlowe comedy night in February.

Charming new sketch group Just These, Please seek friendly audience for the transfer of their splendidly successful Edinburgh debut.

A programme comprising a huge-hearted feel-good comedy, a classic and a brand-new Ayckbourn, a co-production with Edinburgh's renowned Traverse Theatre, and a unique take on a classic novel has been announced by Scarborough's Stephen Joseph Theatre.

Michael Harrison and David Ian are delighted to announce full casting for the forthcoming UK tour of their smash hit production of the musical Annie, which is heading to Storyhouse in the spring.

Rockbottom is a powerful, topical new dance theatre solo from Stuart Waters which starts its spring 2019 tour at Edge Hill Arts Centre in Lancashire on February 12th.

Following 165 applications the 12 projects that have been selected bring a wide range of creative projects to life, ranging from African storytelling feasts to comedy and circus performances.

An evening of the most beautiful and extraordinary songs by musician Marek Rymaszewski whose remarkable life has experienced the highest of highs and lowest of lows.

Hey Baby! Following her hit success at Edinburgh Fringe 2018, award-winning performance artist Katy Dye now takes Baby Face on an exciting UK Tour.

Fresh from the phenomenal success of its world premiere at Nuffield Southampton Theatres over Christmas, David Walliams' Billionaire Boy the Musical bursts into Coventry's Belgrade Theatre this February, just in time for the half-term break.

THE BLOOD TALES, an experimental and empowering one-woman show, will receive its UK premiere on International Women's Day at the Chapel Playhouse Theatre, London's newest fringe theatre (sister venue of Bread and Roses), on Friday 8 March 2019 at 8pm.

A heart-warming love story, a unique journey for the senses and an immersive theatrical performance are all part of The Spring's ground-breaking festival, More than a Memory which will explore the experience of living with dementia.

Panto audiences at Exeter Northcott Theatre dug deep over Christmas and raised almost £9,000 to help fund ground-breaking work with youngsters.

Sheffield Theatres today announces the appointment of John Tomlinson as the company's new Producer.

Bows at the ready! The Queen's Theatre Hornchurch has today announced this year's panto spectacular will be the heroic Robin Hood, playing from Thursday 28 November to Sunday 5 January.

Composer and producer Troy Miller presents Gershwin Reimagined, a night of timeless classics such as 'Embraceable You', 'Summertime' and 'I Got Rhythm' performed by the Philharmonia Orchestra.

The Mercury Theatre has announced Mercury at Abbey Field, a state of the art pop-up theatre that will house a limited season of shows during Autumn 2019 whilst the major redevelopment of the current theatre takes place.

Shakespeare for a new generation and plenty to get you thinking: China Plate present Spring 2019

Renowned physical theatre company Gecko marks its debut at the Barbican, one of London's biggest stages, with The Wedding as part of the line-up for prestigious London International Mime Festival 2019, the capital's longest established international theatre season.

When it premiered at Greenwich Theatre in 1985, My Brother's Keeper received rave reviews, prompting The Guardian to describe it as 'a very good new play - witty as well as touching, objective as well as subjective' and The Sunday Times to label it as 'impeccable'.