The latest reviews and critic recommendations from Sydney, Australia.
Eloise Snape makes the shift from performer and producer to playwright with PONY, her wonderfully comic and insightful debut one woman play.
Shaun Rennie (Director) allows Tennessee Williams’ words to be the hero of the night as he presents a captivatingly simple expression of SUDDENLY LAST SUMMER at Ensemble Theatre.
Phyllida Lloyd’s (Director)’ Laurence Olivier Award Nominated and Tony Award Nominated TINA, THE TINA TURNER MUSICAL, which premiered in London in 2019, has been bought to Sydney with Australian born Ruva Ngwenya stepping into the iconic short skirts and high hair to deliver a breathtaking perfo
Laura Jackson’s (Playwright and Performer) THE CULTURE considers what modern society has deemed ‘accepted’ behavior with a realistic expression of the possible lives of two twenty-somethings.
ROLLING THUNDER VIETNAM has made its eagerly awaited return to the stage after it took Australia by storm when it first toured in 2014 and received critical acclaim, making it one of the most talked about musical and theatrical events ever to be created and produced in Australia.
Under Darren Yap’s direction, Lynn Nottage’s latest play finds hope and enlightenment against the odds through the art of the sandwich in CLYDE’S.
Under the baton of Conductor Brett Weymark, the Sydney Philharmonia Choirs and Orchestra adds to the Sydney Opera House’s 50th Anniversary celebrations with THE GOLDEN AGE OF BROADWAY.
Thea von Harbou’s 1925 dystopian tale of the dangers of class divides and favouring progress over humanity is given the musical theatre treatment in Julia Robertson (Book, Lyrics, Director and choreographer) and Zara Stanton’s (Music, Orchestrations and Music Director) new adaptation of METROPOL
Sydney’s newest physical theatre company MERAK, founded by Steven Ljubović presents MORTEL its the debut production.
BWWAustralia's Guest Writer Hums Engineer chats with Tyran Parke, Artistic Director of the Australian Musical Theatre Festival being held in Launceston, Tasmania from 17 - 21 May 2023
LA CAGE AUX FOLLES, Capsis’ heartfelt moment steals the show.
Justine Clarke is astounding as the PM 570 in JULIA.
Acrobatics, dance, comedy, and physical feats meet in a creative COLLISION.
Stephen Sondheim (Music and lyrics) and James Lapine’s (Book) INTO THE WOODS Is given a small stage adaptation and an Australian voice at Belvoir St Theatre.
Jay James-Moody’s (adaptor, director, performer) adaptation of Burton Lane (Music) and Alan Jay Lerner’s (Book & Lyrics) ON A CLEAR DAY YOU CAN SEE FOREVER puts a queer lens and feminist undertone to absurd story of past lives and unusual talents.
Philip Quast returns to the Cabaret stage to share more stories from his 40 plus years on stages around the world with PHILIP QUAST: THE ROAD I TOOK.
David Williamson’s RHINESTONE REX AND MISS MONICA makes a return to the Ensemble Theatre Stage, reuniting Georgie Parker and Glenn Hazeldine in the roles they originated under the new direction of Ensemble’s Artistic Director, Mark Kilmurry.
Janet Anderson shines in Margaret Perry’s (Playwright) award winning solo play COLLAPSIBLE.
EDWARD ALBEE’S THE GOAT OR, WHO IS SYLVIA? (NOTES TOWARD A DEFINITION OF TRAGEDY) is the latest co-pro between State Theatre Company South Australia and Sydney Theatre Company.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY
Sydney Symphony Orchestra pairs with MM Creative Productions to celebrate the centenary of the movie and media behemoth Disney with DISNEY 100 THE CONCERT
Nicholas Brown’s (playwright and co-director) new work SEX MAGICK is a brilliant new comedic self-discovery story that has deep conversations of culture and who has a right to practice, promote and profit from it.
Georgina Hopson and Emily Havea deliver the requisite sass and shine as the leading ladies of GENTLEMEN PERFER BLONDES.
Maeve Marsden’s (playwright) latest work BLESSED UNION captures the humanity of relationship breakdowns by putting a lesbian family on stage, reinforcing that the dissolution of a marriage is traumatic, regardless of how much the participants try to be better than the (hetero) norm.
Christopher Luscombe’s (Director) production of Richard O’Brien’s ROCKY HORROR SHOW returns to Sydney as the rock musical tribute to B-grade science fiction and horror movies celebrates 50 years of shocking and satisfying audiences around the world.
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I Love Your Faces: The Don Lane Story The Juniors Kingsford (11/13-11/13) |
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Cirque Alice Sydney Lyric Theatre (9/25-10/11) VIDEOS |
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Bach & Charpentier – Music for Christmas Our Lady of Dolours Catholic Church (11/14-11/14) |
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Monty Python's Spamalot Coliseum Theatre, Rooty Hill (10/22-10/25) |
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Monty Python's Spamalot Sydney Event Centre - The Star (10/15-10/18) |
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As For Me And My House Campbelltown Town Hall Theatre (10/15-10/18) |
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Macbeth Sydney Opera House (11/18-12/06) |
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Bach & Charpentier – Music for Christmas St. James’ Church (11/15-11/15) |
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Catch As Catch Can Old Fitz Theatre (10/09-10/31) |
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Cruise Seymour Centre (10/09-10/31) |
