REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On JULIA
Justine Clarke is astounding as the PM 570 in JULIA.
Sydney, Australia Theater Reviews
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REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On COLLISION
Acrobatics, dance, comedy, and physical feats meet in a creative COLLISION.
REVIEW: Eamon Flack Strips Back Stephen Sondheim's INTO THE WOODS For An Intimate Australian Interpretation
Stephen Sondheim (Music and lyrics) and James Lapine’s (Book) INTO THE WOODS Is given a small stage adaptation and an Australian voice at Belvoir St Theatre.
REVIEW: ON A CLEAR DAY YOU CAN SEE FOREVER Is Given A 21st Century Update With Squabbalogic's Latest Adaptation
Jay James-Moody’s (adaptor, director, performer) adaptation of Burton Lane (Music) and Alan Jay Lerner’s (Book & Lyrics) ON A CLEAR DAY YOU CAN SEE FOREVER puts a queer lens and feminist undertone to absurd story of past lives and unusual talents.
REVIEW: Sharing Stories And Songs, PHILIP QUAST: THE ROAD I TOOK Reflects On A Memories That Made Up A Life On Stage
Philip Quast returns to the Cabaret stage to share more stories from his 40 plus years on stages around the world with PHILIP QUAST: THE ROAD I TOOK.
REVIEW: Crossing The Divide Between Classical And Country, RHINESTONE REX AND MISS MONICA Is A Delightful Drama For Those Needing Some Joy And Hope In Amongst The Tragedy
David Williamson’s RHINESTONE REX AND MISS MONICA makes a return to the Ensemble Theatre Stage, reuniting Georgie Parker and Glenn Hazeldine in the roles they originated under the new direction of Ensemble’s Artistic Director, Mark Kilmurry.
REVIEW: COLLAPSIBLE Is A Solid Expression Of The Challenge Of Understanding One's Own Identity In A World That Wants Everyone To Be Ok But Never Really Checks If We Hones
Janet Anderson shines in Margaret Perry’s (Playwright) award winning solo play COLLAPSIBLE.
REVIEW: EDWARD ALBEE'S THE GOAT OR, WHO IS SYLVIA? Looses Something In The Barrage Of Yelling
EDWARD ALBEE’S THE GOAT OR, WHO IS SYLVIA? (NOTES TOWARD A DEFINITION OF TRAGEDY) is the latest co-pro between State Theatre Company South Australia and Sydney Theatre Company.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY
REVIEW: As Disney Enters Its Centenary Year, Sydney Symphony Orchestra Presents A Multi Sensory Trip Through Its Animated Movies with DISNEY 100 THE CONCERT
Sydney Symphony Orchestra pairs with MM Creative Productions to celebrate the centenary of the movie and media behemoth Disney with DISNEY 100 THE CONCERT
REVIEW: SEX MAGICK Explores The Ownership Of Culture As A Young Australian-South Asian Man Discovers Himself
Nicholas Brown’s (playwright and co-director) new work SEX MAGICK is a brilliant new comedic self-discovery story that has deep conversations of culture and who has a right to practice, promote and profit from it.
REVIEW: Georgina Hopson and Emily Havea Shine As The Showgirls Making Their Way In A Man's World In GENTLEMEN PREFER BLONDES
Georgina Hopson and Emily Havea deliver the requisite sass and shine as the leading ladies of GENTLEMEN PERFER BLONDES.
REVIEW: Belvoir St Theatre's Sydney World Pride 2023 Offering, BLESSED UNION Shows That Relationship Breakdowns In The LGBTIQ+ Community Are Just As Messy As Anyone Else
Maeve Marsden’s (playwright) latest work BLESSED UNION captures the humanity of relationship breakdowns by putting a lesbian family on stage, reinforcing that the dissolution of a marriage is traumatic, regardless of how much the participants try to be better than the (hetero) norm.
REVIEW: Jason Donovan Dons the Fishnets And Corset Again As Richard O'Brien's ROCKY HORROR SHOW Returns To Sydney For Its 50'th Anniversary Production
Christopher Luscombe’s (Director) production of Richard O’Brien’s ROCKY HORROR SHOW returns to Sydney as the rock musical tribute to B-grade science fiction and horror movies celebrates 50 years of shocking and satisfying audiences around the world.
REVIEW: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Is Andrew Lloyd Webber and Tim Rice's Lighthearted Interpretation Of The Old Testament Tale.
Laurence Connor’s (Director) 2019 London Palladium production of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT comes to Sydney to share the bright bible story with a new generation.
REVIEW: HAIRSPRAY Is Bright, Uplifting and Heartwarming As It Shares Its Message Of Inclusion And Never Giving Up On Your Dreams
HAIRSPRAY THE MUSICAL is given a Sydney Revival over two decades after Jack O’Brien (Original Director) and Jerry Mitchell’s (Original Choreographer) original multi Tony Award, Drama Desk Award and Laurence Olivier Award Winning production opened on Broadway.
REVIEW: Gravity & Other Myths Brings Circus Back To Summer at The Sydney Opera House with THE MIRROR
THE MIRROR intrigues and delights with an evening of circus, contemporary dance and modern music as it ‘reflects’ societies views on what entertains and engages the masses.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On FAULTY TOWERS THE DINING EXPERIENCE
FAULTY TOWERS THE DINING EXPERIENCE The best worst meal of your life, divine food, riotous laughs and feel-good fun.
REVIEW: Paul Capsis Is Hilarious As The High Camp Drag Queen of LA CAGE AUX FOLLES
A celebration of fun and high camp with an underlying message of acceptance and family, LA CAGE AUX FOLLES allows audiences to see Paul Capsis take on one of the most iconic musical theatre drag roles.
REVIEW: Sydney Symphony Orchestra brings the music of HARRY POTTER AND THE DEATHLY HALLOWS – PART 1 to life with a concert and movie combination.
Sydney Symphony Orchestra, under the baton of Nicholas Buc, continues its journey into the world of the Harry Potter movies with HARRY POTTER AND THE DEATHLY HALLOWS PART 1 IN CONCERT.
REVIEW: A BROADCAST COUP Considers Acceptable Workplace Relations Through The Lens Of Three Women At Different Stages Of Their Career
Melanie Tait’s (Playwright) new work, A BROADCAST COUP challenges audiences to speak up rather than sit idly by when they know something isn’t right.
REVIEW: HUBRIS & HUMILIATION Updates Austen For The Modern Era With An Aussie Queer Twist.
Lewis Treston’s (Playwright) HUBRIS & HUMILIATION is delightfully hilarious 21st century update of Jane Austen’s famous Regency Romance.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BAT OUT OF HELL THE MUSICAL
BAT OUT OF HELL, the stadium, arena, rock concert, stage musical.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On HOLDING ACHILLES
HOLDING ACHILLES an inventive new work.
REVIEW: JANET'S VAGRANT LOVE Is A Heartfelt Cry For Compassion And Change From A Mother Wanting A Safer World For Her Young Blak Sons.
A cry for change told through the medium of song and yarns, JANET’S VAGRANT LOVE is a powerful piece of cabaret theatre presented by Elaine Crombie on behalf of mothers of young Blak men across the country.
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Faulty Towers The Dining Experience - Pokolbin Hunter Farm & Adventure Centre (5/07-10/22) |
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Faire is the Heaven St Andrew’s Cathedral (7/12-7/12) |
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Afterglow Belvoir Street Theatre (7/09-7/25) |
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A Taste of Ireland - The Irish Music and Dance Sensation Burdekin Theatre (8/12-8/12) |
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lacuna Belvoir Street Theatre (7/30-8/15) |
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Pay No Attention Flying Fruit Fly Circus (7/04-7/11) |
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A Taste of Ireland - The Irish Music and Dance Sensation Civic Theatre Newcastle (9/06-9/06) |
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Pigeon Fool Bondi Pavilion, High Tide Room (7/09-7/12) |
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A Taste of Ireland - The Irish Music and Dance Sensation Glen Street Theatre (9/03-9/03) |
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A Taste of Ireland - The Irish Music and Dance Sensation Jetty Memorial Theatre (9/01-9/01) |