Our Sydney, Australia Critics
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REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On CONSENT
Director Craig Baldwin brings the Australian premiere to the Seymour stage. He has assembled a fine cast who bring truth and reality to every character....
REVIEW: Epic Ambitions Run Parallel The Everyday Aspirations As Two Groups Of Stories, Over A Century Apart Play Out In DO NOT GO GENTLE.
Patricia Cornelius’ 2011 NSW Premier’s Literary Award For Drama winning DO NOT GO GENTLE is presented with stunning effect by Director Paige Rattray. ...
REVIEW: Jens Radda's Fabulously Fun Camp Cabaret SKANK SINATRA Has Opened At The Butterfly Club
SKANK SINATRA is Jens Radda’s latest queer cabaret creation, blending their personal story with a compilation of ‘Ol’ Blue Eyes’ well known standards....
REVIEW: Guest Reviewer Hamavand Engineer Shares His Thoughts On BROADWAY DIVA
Following her 2022 BroadwayWorld Awards Wins for her cabaret/play PUPPETS, Olivia Ruggiero’s BROADWAY DIVA joined the opening season of QTOPIA’S: Live At The Bandstand....
REVIEW: Gary Young's Australian Interpretation Of MAMMA MIA! Receives A Revival With Fresh New Cast
In 2017 Gary Young (Director) delivered a reimagined production of MAMMA MIA!. In 2023, this production has been revived with a new cast and a more compelling expression of the underlying coming of age love stories to the delight of audiences, many of which are familiar with the franchise that exten...
REVIEW: Eloise Snape's First Play, PONY is a Brilliantly Funny Exploration of Facing Impending Motherhood In The 21st Century.
Eloise Snape makes the shift from performer and producer to playwright with PONY, her wonderfully comic and insightful debut one woman play. ...
REVIEW: Tennessee Williams' SUDDENLY LAST SUMMER Is Presented With Simplicity At Ensemble Theatre
Shaun Rennie (Director) allows Tennessee Williams’ words to be the hero of the night as he presents a captivatingly simple expression of SUDDENLY LAST SUMMER at Ensemble Theatre....
REVIEW: Ruva Ngwenya Delivers A Tremendous Performance in TINA, THE TINA TURNER MUSICAL
Phyllida Lloyd’s (Director)’ Laurence Olivier Award Nominated and Tony Award Nominated TINA, THE TINA TURNER MUSICAL, which premiered in London in 2019, has been bought to Sydney with Australian born Ruva Ngwenya stepping into the iconic short skirts and high hair to deliver a breathtaking perfo...
REVIEW: Two Twenty-Somethings In The 21st Century Navigate The Aspects Of Social Behavior That Have Sadly Become Accepted In THE CULTURE.
Laura Jackson’s (Playwright and Performer) THE CULTURE considers what modern society has deemed ‘accepted’ behavior with a realistic expression of the possible lives of two twenty-somethings. ...
REVIEW: Guest Reviewer Hamavand Engineer Shares His Thoughts on ROLLING THUNDER VIETNAM
ROLLING THUNDER VIETNAM has made its eagerly awaited return to the stage after it took Australia by storm when it first toured in 2014 and received critical acclaim, making it one of the most talked about musical and theatrical events ever to be created and produced in Australia....
REVIEW: CLYDE'S Is A Thought Provoking Comedy About The People Society Prefers To Forget
Under Darren Yap’s direction, Lynn Nottage’s latest play finds hope and enlightenment against the odds through the art of the sandwich in CLYDE’S....
REVIEW: THE GOLDEN AGE OF BROADWAY is Sydney Philharmonia Choirs' Contribution To The Sydney Opera House's Inside/Out At The House Season
Under the baton of Conductor Brett Weymark, the Sydney Philharmonia Choirs and Orchestra adds to the Sydney Opera House’s 50th Anniversary celebrations with THE GOLDEN AGE OF BROADWAY. ...
REVIEW: Julia Robertson and Zara Stanton's Musical Theatre Adaptation METROPOLIS Is A Beautiful Interpretation Thea von Harbou's Dystopian Tale.
Thea von Harbou’s 1925 dystopian tale of the dangers of class divides and favouring progress over humanity is given the musical theatre treatment in Julia Robertson (Book, Lyrics, Director and choreographer) and Zara Stanton’s (Music, Orchestrations and Music Director) new adaptation of METROPOL...
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On MORTEL
Sydney’s newest physical theatre company MERAK, founded by Steven Ljubović presents MORTEL its the debut production.
...
INTERVIEW: Guest Writer Hums Engineer Interviews Tyran Parke, Artistic Director of the Australian Musical Theatre Festival
BWWAustralia's Guest Writer Hums Engineer chats with Tyran Parke, Artistic Director of the Australian Musical Theatre Festival being held in Launceston, Tasmania from 17 - 21 May 2023...
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On LA CAGE AUX FOLLES
LA CAGE AUX FOLLES, Capsis’ heartfelt moment steals the show....
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On JULIA
Justine Clarke is astounding as the PM 570 in JULIA.
Writer, Johanna Murray- Smith has eloquently constructed a superb Play that explores Gillard’s journey as the first female Prime Minister in the heavily misogynistic Australian political environment.
...
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On COLLISION
Acrobatics, dance, comedy, and physical feats meet in a creative COLLISION.
Casus Creations present a troupe of talented young performers in an energetic and spirited night that entertains and astounds.
...
REVIEW: Eamon Flack Strips Back Stephen Sondheim's INTO THE WOODS For An Intimate Australian Interpretation
Stephen Sondheim (Music and lyrics) and James Lapine’s (Book) INTO THE WOODS Is given a small stage adaptation and an Australian voice at Belvoir St Theatre. Presented as a co-production between Belvoir St Theatre and Hayes Theatre Co, this new production is directed by Belvoir’s Artistic Dire...
REVIEW: ON A CLEAR DAY YOU CAN SEE FOREVER Is Given A 21st Century Update With Squabbalogic's Latest Adaptation
Jay James-Moody’s (adaptor, director, performer) adaptation of Burton Lane (Music) and Alan Jay Lerner’s (Book & Lyrics) ON A CLEAR DAY YOU CAN SEE FOREVER puts a queer lens and feminist undertone to absurd story of past lives and unusual talents....
REVIEW: Sharing Stories And Songs, PHILIP QUAST: THE ROAD I TOOK Reflects On A Memories That Made Up A Life On Stage
Philip Quast returns to the Cabaret stage to share more stories from his 40 plus years on stages around the world with PHILIP QUAST: THE ROAD I TOOK. ...
REVIEW: Crossing The Divide Between Classical And Country, RHINESTONE REX AND MISS MONICA Is A Delightful Drama For Those Needing Some Joy And Hope In Amongst The Tragedy
David Williamson’s RHINESTONE REX AND MISS MONICA makes a return to the Ensemble Theatre Stage, reuniting Georgie Parker and Glenn Hazeldine in the roles they originated under the new direction of Ensemble’s Artistic Director, Mark Kilmurry....
REVIEW: COLLAPSIBLE Is A Solid Expression Of The Challenge Of Understanding One's Own Identity In A World That Wants Everyone To Be Ok But Never Really Checks If We Hones
Janet Anderson shines in Margaret Perry’s (Playwright) award winning solo play COLLAPSIBLE. ...
REVIEW: EDWARD ALBEE'S THE GOAT OR, WHO IS SYLVIA? Looses Something In The Barrage Of Yelling
EDWARD ALBEE’S THE GOAT OR, WHO IS SYLVIA? (NOTES TOWARD A DEFINITION OF TRAGEDY) is the latest co-pro between State Theatre Company South Australia and Sydney Theatre Company. ...
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY...
Videos
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Pride Fest Gala Performance The Eternity Theatre (6/02-6/02) |
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FREAK OUT! Eternity Playhouse (6/12-6/13) PHOTOS VIDEOS |
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Flare With The Metropolitan Orchestra on June 6th in Sydney The Verbrugghen Hall (6/06-6/06) |
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Two Weeks Illawarra Performing Arts Centre (5/28-5/30) |
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I Love Your Faces: The Don Lane Story Norths Cammeray (5/30-5/30) |
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play. QTopia Sydney (6/15-6/17) |
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Savior Belvoir Theatre (5/16-6/14) |
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Bach and the Bard -Season 2 Eighteen80 Hall, Surry Hills (6/06-6/06) |
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The Bruno Mars Experience Kingston City Hall (8/01-8/01) |
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Temple of Desire Karma Dance (6/04-6/05) |
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